Rafael Ocasio – författare

Many readers have already discovered the magic of Garcia Marquez's One Hundred Years of Solitude and the allure of Allende's The House of the Spirits. By examining such popular works and introducing a host of lesser-known Latin American writers and their fiction, this volume helps readers navigate the rich and varied culture at the heart of Latin American literature. Going beyond the usual literary criticism, this book considers works of Latin American literature not only in terms of literary merit, but also with regard to their place in the literary heritage. It also examines the cultural messages we can learn from both historic and contemporary works.This volume, taken as a whole, provides a wealth of information with the depth and authority demanded for serious research. At the same time, the book is structured with chronological and topical organization, so that each chapter can be read and enjoyed independently. The analysis is written with clarity and accessibility for the nonspecialists, and all terms are defined, to help students and their teachers better appreciate the Latin American writers, their novels, and the cultures that shaped them. Ten teachers were consulted on the content to ensure that the works and authors covered met student needs and interests. A timeline of historical events, and further suggested readings lend further assistance to readers who want to research and fully understand the historical and cultural significance behind these literary works.

Costumbrismo, which refers to depictions of life in Latin America during the nineteenth century, introduced some of the earliest black themes in Cuban literature. Rafael Ocasio delves into this literature to offer up a new perspective on the development of Cuban identity, as influenced by black culture and religion, during the sugar cane boom.Comments about the slave trade and the treatment of slaves were often censored in Cuban publications; nevertheless white Costumbrista writers reported on a vast catalogue of stereotypes, religious beliefs, and musical folklore, and on rich African traditions in major Cuban cities. Exploring rare and seldom discussed nineteenth-century texts, Ocasio offers insight into the nuances of black representation in Costumbrismo while analysing authors such as Suarez y Romero, an abolitionist who wrote from the perspective of a plantation owner. Afro-Cuban Costumbrismo expands the idea of what texts constitute Costumbrismo and debunks the traditional notion that this writing reveals little about the Afro-Cuban experience. The result is a novel examination of how white writers' representations of black culture heavily inform our current understanding of nineteenth-century Afro-Cuban culture and national identity.

Costumbrismo, which refers to depictions of life in Latin America during the nineteenth century, introduced some of the earliest black themes in Cuban literature. Rafael Ocasio delves into this literature to offer up a new perspective on the development of Cuban identity, as influenced by black culture and religion, during the sugar cane boom.Comments about the slave trade and the treatment of slaves were often censored in Cuban publications; nevertheless white Costumbrista writers reported on a vast catalogue of stereotypes, religious beliefs, and musical folklore, and on rich African traditions in major Cuban cities. Exploring rare and seldom discussed nineteenth-century texts, Ocasio offers insight into the nuances of black representation in Costumbrismo while analyzing authors such as Sua'rez y Romero, an abolitionist who wrote from the perspective of a plantation owner.Afro-Cuban Costumbrismo expands the idea of what texts constitute Costumbrismo and debunks the traditional notion that this writing reveals little about the Afro-Cuban experience. The result is a novel examination of how white writers' representations of black culture heavily inform our current understanding of nineteenth-century Afro-Cuban culture and national identity.

Judith Ortiz Cofer (1952–2016), a prominent Latina writer, was, among various recognitions, nominated for a Pulitzer Prize for her 1989 first novel, The Line of the Sun (Georgia); awarded the coveted O. Henry Prize for her short story “The Latin Deli” in 1994; and inducted into the Georgia Writer’s Hall of Fame in 2010. Beginning her literary career as a poet, Ortiz Cofer was a prolific writer of novels, short stories, and creative nonfiction essays, often inspired by her diverse cultural background. She was born in Hormigueros, Puerto Rico, and moved to Paterson, New Jersey, as a child in the mid-1950s. In Paterson, she witnessed the rise of a Puerto Rican community. During her early teenage years, her family left for Augusta, Georgia, the state where she put down roots. She joined the English Department at the University of Georgia in 1984, eventually being named the Franklin Professor of English and Creative Writing, before retiring from teaching in 2014. Her work often engaged with the intersections of the various geographies, cultures, and languages of the places she called home throughout her life.Rafael Ocasio’s critical introduction and commentary on representative literary pieces are guided by interviews conducted during his twenty-seven-year friendship with Ortiz Cofer. One common subject of their conversations, as they joked, was labeling themselves as “Georgia Ricans.” From a temporal hindsight point of view, as a Georgia Rican writer, Ortiz Cofer recalls events that led to her rise as a Latina writer who was celebratory of a Latinx identity, a multiethnic community that comprised a range of socioeconomic backgrounds, while also being critical of their traditional binary concepts pertaining to gender and sexual orientations.

Judith Ortiz Cofer (1952–2016), a prominent Latina writer, was, among various recognitions, nominated for a Pulitzer Prize for her 1989 first novel, The Line of the Sun (Georgia); awarded the coveted O. Henry Prize for her short story “The Latin Deli” in 1994; and inducted into the Georgia Writer’s Hall of Fame in 2010. Beginning her literary career as a poet, Ortiz Cofer was a prolific writer of novels, short stories, and creative nonfiction essays, often inspired by her diverse cultural background. She was born in Hormigueros, Puerto Rico, and moved to Paterson, New Jersey, as a child in the mid-1950s. In Paterson, she witnessed the rise of a Puerto Rican community. During her early teenage years, her family left for Augusta, Georgia, the state where she put down roots. She joined the English Department at the University of Georgia in 1984, eventually being named the Franklin Professor of English and Creative Writing, before retiring from teaching in 2014. Her work often engaged with the intersections of the various geographies, cultures, and languages of the places she called home throughout her life.Rafael Ocasio’s critical introduction and commentary on representative literary pieces are guided by interviews conducted during his twenty-seven-year friendship with Ortiz Cofer. One common subject of their conversations, as they joked, was labeling themselves as “Georgia Ricans.” From a temporal hindsight point of view, as a Georgia Rican writer, Ortiz Cofer recalls events that led to her rise as a Latina writer who was celebratory of a Latinx identity, a multiethnic community that comprised a range of socioeconomic backgrounds, while also being critical of their traditional binary concepts pertaining to gender and sexual orientations.

Judith Ortiz Cofer (1952-2016), a prominent Latina writer, was, among various recognitions, nominated for a Pulitzer Prize for her 1989 first novel, The Line of the Sun (Georgia); awarded the coveted O. Henry Prize for her short story "e;The Latin Deli"e; in 1994; and inducted into the Georgia Writer's Hall of Fame in 2010. Beginning her literary career as a poet, Ortiz Cofer was a prolific writer of novels, short stories, and creative nonfiction essays, often inspired by her diverse cultural background. She was born in Hormigueros, Puerto Rico, and moved to Paterson, New Jersey, as a child in the mid-1950s. In Paterson, she witnessed the rise of a Puerto Rican community. During her early teenage years, her family left for Augusta, Georgia, the state where she put down roots. She joined the English Department at the University of Georgia in 1984, eventually being named the Franklin Professor of English and Creative Writing, before retiring from teaching in 2014. Her work often engaged with the intersections of the various geographies, cultures, and languages of the places she called home throughout her life.Rafael Ocasio's critical introduction and commentary on representative literary pieces are guided by interviews conducted during his twenty-seven-year friendship with Ortiz Cofer. One common subject of their conversations, as they joked, was labeling themselves as "e;Georgia Ricans."e; From a temporal hindsight point of view, as a Georgia Rican writer, Ortiz Cofer recalls events that led to her rise as a Latina writer who was celebratory of a Latinx identity, a multiethnic community that comprised a range of socioeconomic backgrounds, while also being critical of their traditional binary concepts pertaining to gender and sexual orientations.

Judith Ortiz Cofer (1952-2016), a prominent Latina writer, was, among various recognitions, nominated for a Pulitzer Prize for her 1989 first novel, The Line of the Sun (Georgia); awarded the coveted O. Henry Prize for her short story "e;The Latin Deli"e; in 1994; and inducted into the Georgia Writer's Hall of Fame in 2010. Beginning her literary career as a poet, Ortiz Cofer was a prolific writer of novels, short stories, and creative nonfiction essays, often inspired by her diverse cultural background. She was born in Hormigueros, Puerto Rico, and moved to Paterson, New Jersey, as a child in the mid-1950s. In Paterson, she witnessed the rise of a Puerto Rican community. During her early teenage years, her family left for Augusta, Georgia, the state where she put down roots. She joined the English Department at the University of Georgia in 1984, eventually being named the Franklin Professor of English and Creative Writing, before retiring from teaching in 2014. Her work often engaged with the intersections of the various geographies, cultures, and languages of the places she called home throughout her life.Rafael Ocasio's critical introduction and commentary on representative literary pieces are guided by interviews conducted during his twenty-seven-year friendship with Ortiz Cofer. One common subject of their conversations, as they joked, was labeling themselves as "e;Georgia Ricans."e; From a temporal hindsight point of view, as a Georgia Rican writer, Ortiz Cofer recalls events that led to her rise as a Latina writer who was celebratory of a Latinx identity, a multiethnic community that comprised a range of socioeconomic backgrounds, while also being critical of their traditional binary concepts pertaining to gender and sexual orientations.

In the early 19th century, Cuba emerged as the world’s largest producer of sugar and the United States its most important buyer. Barely documented today, there was a close commercial relationship between Cuba and the Rhode Island coastal town of Bristol. The citizens of Bristol were heavily involved in the slavery trade and owned sugarcane plantations in Cuba and also served as staff workers at these facilities. Available in print for the first time is a diary that sheds light on this connection. Mr. George Howe, Esquire (1791–1837), documented his tasks at a Bristolian-owned plantation called New Hope, which was owned by well-known Bristol merchant, slave trader, and US senator James DeWolf (1764–1837). Howe expressed mixed personal feelings about local slavery work practices. He felt lucky to be employed and was determined to do his job well, in spite of the harsh conditions operating at New Hope, but he also struggled with his personal feelings regarding slavery. Though an oppressive system, it was at the core of New Hope’s financial success and, therefore, Howe’s well-being as an employee.This book examines Howe’s diary entries in the thematic context of the local Costumbrista literary production. Costumbrismo both documented local customs and critically analyzed social ills. In his letters to relatives and friends Howe depicted a more personal reaction to the underpinnings of slavery practices, a reaction reflecting early abolitionist sentiments.

Focusing on the didactic nature of the work of Reinaldo Arenas, this book demonstrates the Cuban writer’s influence as public pedagogue, mentor, and social activist whose teaching on resistance to normative ideologies resonates in societies past, present, and future.Through a multidisciplinary approach bridging educational, historiographic, and literary perspectives, The Dissidence of Reinaldo Arenas illuminates how Arenas’s work remains a cutting-edge source of inspiration for today’s audiences, particularly LGBTQI readers. It shows how Arenas’s aesthetics contain powerful insights for exploring dissensus whether in the context of Cuba, broader Pan-American and Latinx-U.S. queer movements of social justice, or transnational citizenship politics. Carefully dissecting Arenas’s themes against the backdrop of his political activity, this book presents the writer’s poetry, novels, and plays as a curriculum of dissidence that provides models for socially engaged intellectual activism.

Race and Nation in Puerto Rican Folklore: Franz Boas and John Alden Mason in Porto Rico explores the historic research trip taken to Puerto Rico in 1915. As a component of the Scientific Survey of Porto Rico and the Virgin Islands, Boas intended to perform field research in the areas of anthropology and ethnography while other scientists explored the island's natural resources. A young anthropologist working under Boas, John Alden Mason, rescued hundreds of oral folklore samples, ranging from popular songs, poetry, conundrums, sayings, and, most particularly, folktales while documenting native Puerto Rican cultural practices. Through his extensive excursions, Mason came in touch with the rural lives of Puerto Rican peasants, the jíbaros, who served as both his cultural informants and writers of the folklore samples. These stories, many of which are still part of the island's literary traditions and collected in a bilingual companion volume by Rafael Ocasio, reflect a strong Puerto Rican identity coalescing in the face of the U.S. political intervention on the island. A fascinating slice of Puerto Rican history and culture sure to delight any reader!

Race and Nation in Puerto Rican Folklore: Franz Boas and John Alden Mason in Porto Rico explores the historic research trip taken to Puerto Rico in 1915. As a component of the Scientific Survey of Porto Rico and the Virgin Islands, Boas intended to perform field research in the areas of anthropology and ethnography while other scientists explored the island's natural resources. A young anthropologist working under Boas, John Alden Mason, rescued hundreds of oral folklore samples, ranging from popular songs, poetry, conundrums, sayings, and, most particularly, folktales while documenting native Puerto Rican cultural practices. Through his extensive excursions, Mason came in touch with the rural lives of Puerto Rican peasants, the jíbaros, who served as both his cultural informants and writers of the folklore samples. These stories, many of which are still part of the island's literary traditions and collected in a bilingual companion volume by Rafael Ocasio, reflect a strong Puerto Rican identity coalescing in the face of the U.S. political intervention on the island. A fascinating slice of Puerto Rican history and culture sure to delight any reader!

This exciting new anthology gathers together Puerto Rican folktales that were passed down orally for generations before finally being transcribed beginning in 1914 by the team of famous anthropologist Franz Boas. These charming tales give readers a window into the imaginations and aspirations of Puerto Rico’s peasants, the JÍbaro.  Some stories provide a distinctive Caribbean twist on classic tales including “Snow White” and “Cinderella.” Others fictionalize the lives of local historical figures, such as infamous pirate Roberto CofresÍ, rendered here as a Robin Hood figure who subverts the colonial social order. The collection also introduces such beloved local characters as Cucarachita Martina, the kind cockroach who falls in love with Ratoncito PÉrez, her devoted mouse husband who brings her delicious food.   Including a fresh English translation of each folktale as well as the original Spanish version, the collection also contains an introduction from literary historian Rafael Ocasio that highlights the historical importance of these tales and the JÍbaro cultural values they impart. These vibrant, funny, and poignant stories will give readers unique insights into Puerto Rico’s rich cultural heritage.  Esta nueva y emocionante antologÍa reÚne cuentos populares puertorriqueÑos que fueron transmitidos oralmente durante generaciones antes de ser finalmente transcritos comenzando en 1914 por el equipo del famoso antropÓlogo Franz Boas. Estos encantadores cuentos ofrecen a los lectores un vistazo a la imaginaciÓn y las aspiraciones de los jÍbaros, los campesinos de Puerto Rico.  Algunas historias brindan un distintivo toque caribeÑo a cuentos clÁsicos como "Blanca Nieves" y "Cenicienta". Otros ficcionalizan la vida de personajes histÓricos locales, como el famoso pirata Roberto CofresÍ, representado como una figura al estilo de Robin Hood, quien subvierte el orden social colonial. La colecciÓn tambiÉn presenta personajes locales tan queridos como Cucarachita Martina, la amable cucaracha que se enamora de Ratoncito PÉrez, su devoto esposo ratÓn que le trae deliciosa comida.   Incluyendo una nueva traducciÓn al inglÉs de estos cuentos populares, asÍ como las versiones originales en espaÑol, la colecciÓn tambiÉn contiene una introducciÓn del historiador literario Rafael Ocasio, quien destaca la importancia histÓrica de estos cuentos y los valores culturales del jÍbaro que Éstos imparten en los relatos. Estas historias vibrantes, divertidas y conmovedoras brindarÁn a los lectores una visiÓn Única de la rica herencia cultural de Puerto Rico.IntroducciÓn en espaÑol (https://d3tto5i5w9ogdd.cloudfront.net/wp-content/uploads/2021/02/03154419/Ocasio_Cuentos_Intro_Espan%CC%83ol.pdf)Rafael Ocasio will discussing his book, 'Folk Stories from the Hills of Puerto Rico / Cuentos folklÓricos de las montaÑas de Puerto Rico' at Biblioteca Juvenil de MayagÜez in Puerto Rico (https://youtu.be/o6Tub094EoI)