Raia Prokhovnik - Böcker

Originally published in 1991. This book explicitly examines rhetoric as the art of persuasion in the practical world, and as in the expression of thinking in the language a speaker uses. It presents Leviathan in terms of the philosophical character of the work considered through Hobbes’ use of language to express and organise his thought. Throughout, the nature of the relationship between rhetoric and philosophy is discussed and the problems of language in philosophical understanding. The book is concerned with Hobbes’ political philosophy and his views on figurative language, interest in literary theory and particularly his allegory. A special feature is the chapter on engraved title pages in Leviathan and other texts of the era.

Originally published in 1991. This book explicitly examines rhetoric as the art of persuasion in the practical world, and as in the expression of thinking in the language a speaker uses. It presents Leviathan in terms of the philosophical character of the work considered through Hobbes’ use of language to express and organise his thought. Throughout, the nature of the relationship between rhetoric and philosophy is discussed and the problems of language in philosophical understanding. The book is concerned with Hobbes’ political philosophy and his views on figurative language, interest in literary theory and particularly his allegory. A special feature is the chapter on engraved title pages in Leviathan and other texts of the era.

To feminists and some postmodernists reason/emotion and man/woman represent two fundamental polarities, fixed deep within Western philosophy and reflected in the structures of our languages, and two sets of hierarchical power relations in patriarchal society. Raia Prokhovnik challenges the tradition of dualism and argues that rational woman need no longer be a contradiction in terms. Prokhovnik examines in turn: · the nature of dichotomy, its problems and an alternative · the reason/emotion dichotomy · dichotomies central to the man/woman dualism, such as sex/gender and the heterosexual/ist norm

This new book shows how from the end of the Cold War, the security agenda has been transformed and redefined, academically and politically. It focuses on the theme of protection. It moves away from the dominant question of whom or what is threatening to the crucial questions of who is to be protected, and in the case of conflicting claims, who has the capacity to define whose needs prevail.It also poses the question of political agency in relation to some of the most significant questions raised in relation to the governance of insecurity and protection in the contemporary world. The authors identify and explore issues that challenge or raise a number of questions about the traditional notion that states are to protect their citizens through retaining a monopoly over the legitimate use of violence.

This new book shows how from the end of the Cold War, the security agenda has been transformed and redefined, academically and politically. It focuses on the theme of protection. It moves away from the dominant question of whom or what is threatening to the crucial questions of who is to be protected, and in the case of conflicting claims, who has the capacity to define whose needs prevail.It also poses the question of political agency in relation to some of the most significant questions raised in relation to the governance of insecurity and protection in the contemporary world. The authors identify and explore issues that challenge or raise a number of questions about the traditional notion that states are to protect their citizens through retaining a monopoly over the legitimate use of violence.

To feminists and some postmodernists reason/emotion and man/woman represent two fundamental polarities, fixed deep within Western philosophy and reflected in the structures of our languages, and two sets of hierarchical power relations in patriarchal society. Raia Prokhovnik challenges the tradition of dualism and argues that rational woman need no longer be a contradiction in terms. Prokhovnik examines in turn: · the nature of dichotomy, its problems and an alternative · the reason/emotion dichotomy · dichotomies central to the man/woman dualism, such as sex/gender and the heterosexual/ist norm