Rainer Herrn – författare

Magnus Hirschfeld’s Institute for Sexual Science was founded in Berlin in 1919 as a place of research, political advocacy, counseling, and public education. Inspired by the world’s first gay rights organizations, it was closely allied with other groups fighting for sexual reform and women’s rights, and was destroyed in 1933 as the first target of the Nazi book burnings. Not Straight from Germany examines the legacy of that history, combining essays and a lavish array of visual materials. Scholarly essays investigate the ways in which sex became public in early 20th-century Germany, contributing to a growing awareness of Hirschfeld’s influence on histories of sexuality while also widening the perspective beyond the lens of identity politics.   Two visual sourcebooks and catalog essays on an exhibition of contemporary artists’ responses to the Hirschfeld historical materials interrogate the modes of visual representation that Hirschfeld employed by re-imagining the public visibility of his institute from a contemporary perspective. The archival material includes stunning, never-before-published images from Hirschfeld’s institute that challenge many received ideas, while the scholarly and art catalog essays explore collaboration and dialogue as methods of research and activism that resonate beyond the academy to pressing issues of public concern.  

Magnus Hirschfeld’s Institute for Sexual Science was founded in Berlin in 1919 as a place of research, political advocacy, counseling, and public education. Inspired by the world’s first gay rights organizations, it was closely allied with other groups fighting for sexual reform and women’s rights, and was destroyed in 1933 as the first target of the Nazi book burnings. Not Straight from Germany examines the legacy of that history, combining essays and a lavish array of visual materials. Scholarly essays investigate the ways in which sex became public in early 20th-century Germany, contributing to a growing awareness of Hirschfeld’s influence on histories of sexuality while also widening the perspective beyond the lens of identity politics.Two visual sourcebooks and catalog essays on an exhibition of contemporary artists’ responses to the Hirschfeld historical materials interrogate the modes of visual representation that Hirschfeld employed by re-imagining the public visibility of his institute from a contemporary perspective. The archival material includes stunning, never-before-published images from Hirschfeld’s institute that challenge many received ideas, while the scholarly and art catalog essays explore collaboration and dialogue as methods of research and activism that resonate beyond the academy to pressing issues of public concern.

A 2021 CHOICE Outstanding TitleFrom the turn of the twentieth century to the 1950s, a group of transgender people on both sides of the Atlantic created communities that profoundly shaped the history and study of sexuality. By exchanging letters and pictures among themselves they established private networks of affirmation and trust, and by submitting their stories and photographs to medical journals and popular magazines they sought to educate both doctors and the public.Others of My Kind draws on archives in Europe and North America to tell the story of this remarkable transatlantic transgender community. This book uncovers threads of connection between Germany, the United States, and the Netherlands to discover the people who influenced the work of authorities like Magnus Hirschfeld, Harry Benjamin, and Alfred Kinsey not only with their clinical presentations, but also with their personal relationships. It explores the ethical and analytical challenges that come with the study of what was once private, secret, or unacceptable to say.With more than 170 colour and black and white illustrations, including many stunning, previously unpublished photographs, Others of My Kind celebrates the faces, lives, and personal networks of those who drove twentieth-century transgender history.

A 2021 CHOICE Outstanding TitleFrom the turn of the twentieth century to the 1950s, a group of transgender people on both sides of the Atlantic created communities that profoundly shaped the history and study of sexuality. By exchanging letters and pictures among themselves they established private networks of affirmation and trust, and by submitting their stories and photographs to medical journals and popular magazines they sought to educate both doctors and the public.Others of My Kind draws on archives in Europe and North America to tell the story of this remarkable transatlantic transgender community. This book uncovers threads of connection between Germany, the United States, and the Netherlands to discover the people who influenced the work of authorities like Magnus Hirschfeld, Harry Benjamin, and Alfred Kinsey not only with their clinical presentations, but also with their personal relationships. It explores the ethical and analytical challenges that come with the study of what was once private, secret, or unacceptable to say.With more than 170 colour and black and white illustrations, including many stunning, previously unpublished photographs, Others of My Kind celebrates the faces, lives, and personal networks of those who drove twentieth-century transgender history.

1910 «erfand» Magnus Hirschfeld «die Transvestiten» mit seiner umfangreichen Studie über den «erotischen Verkleidungstrieb». 20 Jahre später erschien im Verlag von Friedrich Radszuweit die erste Zeitschrift für Transvestiten mit dem (etwas verwirrenden) Titel Das 3. Geschlecht (Die Transvestiten). Die insgesamt 5 zwischen 1930 und 1932 erschienenen Hefte werden hier als Reprint vorgelegt; sie enthalten autobiografische Fragmente, fiktionale Texte und Diskussionsbeiträge zum Selbstverständnis der Transvestiten sowie einige professionelle und zahlreiche Privatfotos.Herausgeber Rainer Herrn schildert die Entstehungsgeschichte der Zeitschrift, analysiert die Beiträge und macht so ein verschollenes Stück Emanzipationsgeschichte wieder sichtbar.