Rakesh H. Solomon - Böcker
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3 produkter
3 produkter
277 kr
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A premier playwright, Edward Albee is also a gifted director. Albee in Performance details Albee's directorial vision and how that vision animates his plays. Having had extraordinary access to Albee as director, Rakesh H. Solomon reveals how Albee has shaped his plays in performance, the attention he pays to each aspect of theater, and how his conception of the key plays he has directed has evolved over a five-decade career. Solomon pays careful attention to the major works, from The American Dream and Zoo Story to Albee's best-known work, Who's Afraid of Virginia Woolf?, as well as to later plays such as Marriage Play and Three Tall Women. The book also includes interviews with Albee and his collaborators on all aspects of staging, from rehearsal to performance.
Del 1 - Anthem South Asian Studies
Globalization, Nationalism and the Text of ‘Kichaka-Vadha’
The First English Translation of the Marathi Anticolonial Classic, with a Historical Analysis of Theatre in British India
Inbunden, Engelska, 2014
1 264 kr
Skickas inom 5-8 vardagar
In addition to providing the first English translation of the anticolonial Marathi classic ‘Kichaka-Vadha’, this volume is the only edition of the play, in any language, to provide an extensive historical-critical analysis which draws on a comprehensive range of archival documents. It is also the first study to locate this landmark text within such an expansive theatre-historical and political landscape. ‘Globalization, Nationalism and the Text of “Kichaka Vadha”’ illuminates the complex policies and mechanisms of theatrical censorship in the British Raj, and offers many rare production photographs.
Del 2 - Anthem Studies in Theatre and Performance
Globalization, Nationalism and the Text of ‘Kichaka-Vadha’
The First English Translation of the Marathi Anticolonial Classic, with a Historical Analysis of Theatre in British India
Häftad, Engelska, 2015
462 kr
Skickas inom 5-8 vardagar
In addition to providing the first English translation of the anticolonial Marathi classic ‘Kichaka-Vadha’, this volume is the only edition of the play, in any language, to provide an extensive historical-critical analysis which draws on a comprehensive range of archival documents. It is also the first study to locate this landmark text within such an expansive theatre-historical and political landscape. ‘Globalization, Nationalism and the Text of “Kichaka Vadha”’ illuminates the complex policies and mechanisms of theatrical censorship in the British Raj, and offers many rare production photographs.