Ralph Berry – författare

Now in its fifth edition, this guide to project work continues to be an indispensable resource for all students undertaking research.Guiding the reader right through from preliminary stages to completion, The Research Project: How to write it sets out in clear and concise terms the main tasks involved in doing a research project, covering:* choosing a topic* using the library effectively* taking notes* shaping and composing the project* providing footnotes, documentation and a bibliography* avoiding common pitfalls.Fully updated throughout, this new edition features a chapter on making the most out of the Internet, from knowing where to start, to assessing the quality of the material found there. Other features include a model example of a well researched, clearly written paper with notes and bibliography and a chapter on getting published in a learned journal for more advanced researchers.Whether starting out or experienced in research, The Research Project: How to write it is an essential tool for success.

Now in its fifth edition, this guide to project work continues to be an indispensable resource for all students undertaking research.Guiding the reader right through from preliminary stages to completion, The Research Project: How to write it sets out in clear and concise terms the main tasks involved in doing a research project, covering:* choosing a topic* using the library effectively* taking notes* shaping and composing the project* providing footnotes, documentation and a bibliography* avoiding common pitfalls.Fully updated throughout, this new edition features a chapter on making the most out of the Internet, from knowing where to start, to assessing the quality of the material found there. Other features include a model example of a well researched, clearly written paper with notes and bibliography and a chapter on getting published in a learned journal for more advanced researchers.Whether starting out or experienced in research, The Research Project: How to write it is an essential tool for success.

First published in 1981. Each of Shakespeare''s plays is in a continuous state of development in performance. This book examines major changes whilst focusing on six plays in detail: Coriolanus, Measure for Measure, Troilus and Cressida, Henry V, Hamlet and Twelfth Night. Changing Styles in Shakespeare looks at representative and key productions to trace the evolution of each play on today''s stage, illustrating how production changes relate to a changed perception of the play, and thus to shifts in social attitudes. It singles out the salient features of many productions, paying special attention to reviews and prompt books.

First published in 1981. Each of Shakespeare''s plays is in a continuous state of development in performance. This book examines major changes whilst focusing on six plays in detail: Coriolanus, Measure for Measure, Troilus and Cressida, Henry V, Hamlet and Twelfth Night. Changing Styles in Shakespeare looks at representative and key productions to trace the evolution of each play on today''s stage, illustrating how production changes relate to a changed perception of the play, and thus to shifts in social attitudes. It singles out the salient features of many productions, paying special attention to reviews and prompt books.

First published in 1978, this book represents a study of the ways in which Shakespeare exploits the possibilities of metaphor. In a series of studies ranging from the early to the mature Shakespeare, the author concentrates on metaphor as a controlling structure — the extent to which a certain metaphoric idea informs and organises the drama. These studies turn constantly to the relations between symbol and metaphor, literal and figurative, and examine key plays such as Richard III, King John, Henry V, Romeo and Juliet, Troilus and Cressida, and Coriolanus. They also provide a key to The Tempest which is analysed in terms of power and possession — the dominant motif.

First published in 1978, this book represents a study of the ways in which Shakespeare exploits the possibilities of metaphor. In a series of studies ranging from the early to the mature Shakespeare, the author concentrates on metaphor as a controlling structure — the extent to which a certain metaphoric idea informs and organises the drama. These studies turn constantly to the relations between symbol and metaphor, literal and figurative, and examine key plays such as Richard III, King John, Henry V, Romeo and Juliet, Troilus and Cressida, and Coriolanus. They also provide a key to The Tempest which is analysed in terms of power and possession — the dominant motif.

Few playwrights have been more slandered, abused or honoured in performance than William Shakespeare.

First published in 1992, this collection of 300 stories focuses on Shakespeare’s plays on stage. Organised chronologically, it offers the reader the opportunity to witness the changes in theatrical approaches to Shakespeare from their own time to the present day.

This book will be of interest to those studying theatre, but also to those fascinated by the Shakespeare tradition.

Few playwrights have been more slandered, abused or honoured in performance than William Shakespeare.

First published in 1992, this collection of 300 stories focuses on Shakespeare’s plays on stage. Organised chronologically, it offers the reader the opportunity to witness the changes in theatrical approaches to Shakespeare from their own time to the present day.

This book will be of interest to those studying theatre, but also to those fascinated by the Shakespeare tradition.

The Art of John Webster, first published in 1972, is a study of the three extant plays of Webster known to be solely his work. These plays are seen as attempts to achieve in literature the effects of the baroque, a term which related Webster to the larger developments of European art. Their content is analysed in terms of a consistent opposition between evil and the law. The book seeks to re-establish a base for the claims that must be made for Webster as a serious artist. This title will be of interest to students of literature and drama.