Ralph Waldo Emerson – författare

The 6 essays and one address in this volume outline the great transcendentalist's moral idealism as well as hinting at the later scepticism that colored his thought. In addition to the celebrated title essay, the others included here are "History," "Friendship," "The Over-Soul," "The Poet" and "Experience," plus the well-known and frequently read Harvard Divinity School Address.

This is the penultimate volume in the continuation of Ralph L. Rusk's 1939 edition of Emerson's letters. Vol 9 covers the years 1860-1869, when Emerson switched from using small, local publishers to the prestigious firm of Ticknor and Fields. This edition contains correspondence with the major political figures of the time, including Henry David Thoreau, Samuel Gray Ward, Hermann Grimm, John Sterling and William Henry Furness. It also contains new information about Emerson's response to Thoreau's death in 1862.

This final volume marks the twilight years of this American writer's life. In the seventh decade of his life, Emerson was still a prolific writer and speaker, publishing "Society and Solitude" (1870), "Parnassus" (1875), and "Letters and Societal Aims" (1876) and lecturing frequently at Harvard University. Since Columbia University Press first published Ralph L. Rusk's six-volume set of "The Letters" in 1939, some 2000 new letters have been uncovered. These letters, including many to Henry David Thoreau, William Henry Furness, Margaret Fuller, and Thomas Carlyle among others offer an intimate portrait of Emerson. In the final four volumes of this edition, Tilton provides detailed annotations to create a running documentary history of Ralph Waldo Emerson's life and times. Volume Ten includes a name index covering volumes seven through ten, supplementing the index to the first six volumes included at the end of Volume Six.

This book presents the first comprehensive and authoritative collection of Emerson’s writings against slavery and the subjugation of American Indians—writings that reveal Emerson’s deep commitment to social reform. Included are speeches and lectures that have never before been published or collected in any other edition of Emerson’s writings."Taken together, this group of writings constitutes a critical mass of evidence that demonstrates Emerson’s continuous involvement in protest against slavery and other forms of social oppression much more dramatically than has been done before." —Lawrence Buell, Harvard University"This valuable collection contains eighteen works by Emerson on the subject of slavery written between 1838 and 1863. . . . The texts are well annotated, and a historical introduction rightly demonstrates Emerson’s important participation in the abolition movement." —Nineteenth-Century Literature"This new volume . . . seeks to put Emerson’s views on abolitionism in a clearer light while fitting the writings into the larger frame of his philosophy of social reform. . . . A skillfully edited volume . . . [that adds] to a deeper understanding of Emerson’s thought." —Charles Sermon, State

The selections include Emerson’s major sermons, lectures, essays, addresses, and poems, as well as excerpts from his journals, notebooks, and correspondence."Contexts" addresses the topics of American Transcendentalism, philosophy, and Emerson's contemporary reception."Criticism" includes thirteen twentieth-century essays by O. W. Firkins, Stephen E. Whicher, Perry Miller, Joel Porte, Hyatt H. Waggoner, Julie Ellison, Michael T. Gilmore, Barbara Packer, Stanley Cavell, Cornel West, Len Gougeon, Richard Poirier, and Saundra Morris.A Chronology, Selected Bibliography, and Index are included.

One of Fortune's 'Best Books of 2021'When Ralph Waldo Emerson published his seminal essay on self-reliance in 1841, the United States was still reeling from the effects of a calamitous financial collapse four years earlier. His positive vision for the power of individualism and personal responsibility was issued in a climate of panic and uncertainty, at a time when the values of society and humanity were shifting. Emerson’s text is widely available to read online, but this new edition, produced with Design Observer, elevates his wisdom through the printed word. The global pandemic of 2020 has reshaped our world as well as our thinking, but Emerson’s call to independence remains as relevant and energizing as ever. Written as the first waves of the virus surged, Jessica Helfand's twelve accompanying essays address various aspects of artistic engagement — writing, drawing, thinking, making — expanding on the spirit of Emerson’s essay to reimagine the process and practice of what it means to be truly creative. Presented in a covetable pocket-book format intended to be read, carried, consulted and to inspire throughout our new daily lives, and featuring two marker ribbons for easy reference, this is a timeless book for all places and all seasons.

The essays in this book, first published in 1860, were developed from a series of lectures on "The Conduct of Life" delivered by Emerson during the early 1850s. Some of the original lectures were dropped and the rest were considerably revised, with new topics introduced. The published essays, on "Fate," "Power," "Wealth," "Culture," "Behavior," "Worship," "Considerations by the Way," "Beauty," and "Illusions," show Emerson's interest in many practical aspects of human life, and reflect his increasing involvement in politics--chiefly in the antislavery movement--during the decade before the Civil War.This edition is based on Emerson's holograph manuscripts and published sources. The text incorporates Emerson's later corrections and revisions, and shows us what he actually wrote (or, perhaps in some cases, intended to write).The historical introduction traces the book's development and its relation to Emerson's own personal growth and political awareness. Joseph Slater's explanatory notes help the modern reader to understand many of Emerson's references and allusions that may not be readily apparent. Historical Introduction by Barbara L. PackerNotes by Joseph SlaterText Established and Textual Introduction and Apparatus by Douglas Emory Wilson

Society and Solitude, published in 1870, was the first collection of essays Emerson had put into press since The Conduct of Life ten years earlier. Of the twelve essays included in the volume, he had previously published seven in whole or in part: "Society and Solitude," "Civilization," "Art," "Eloquence," "Domestic Life," "Books," and "Old Age." Emerson added five previously unpublished lectures or essays, "Works and Days," "Clubs," "Courage," "Success," and "Farming."This edition is based on Emerson's holograph manuscripts and published sources. The text incorporates corrections and revisions he recorded in both sources, and thus restores for the reader the text he actually wrote. Although he is still visibly the insistent optimist of his early and middle career, here Emerson assumes a more pragmatic attitude than formerly toward the life of the mind and the imagination. Society and Solitude captures the penultimate expression of Emersonian Transcendentalism and Romanticism.Historical Introduction, Notes, and Parallel Passages by Ronald A. BoscoText Established and Textual Introduction and Apparatus by Douglas Emory Wilson

Letters and Social Aims, published in 1875, contains essays originally published early in the 1840s as well as those that were the product of a collaborative effort among Ralph Waldo Emerson, his daughter Ellen Tucker Emerson, his son Edward Waldo Emerson, and his literary executor James Eliot Cabot. The volume takes up the topics of “Poetry and Imagination,” “Social Aims,” “Eloquence,” “Resources,” “The Comic,” “Quotation and Originality,” “Progress of Culture,” “Persian Poetry,” “Inspiration,” “Greatness,” and, appropriately for Emerson’s last published book, “Immortality.”The historical introduction demonstrates for the first time the decline in Emerson’s creative powers after 1865; the strain caused by the preparation of a poetry anthology and delivery of lectures at Harvard during this time; the devastating effect of a house fire in 1872; and how the Emerson children and Cabot worked together to enable Emerson to complete the book. The textual introduction traces this collaborative process in detail and also provides new information about the genesis of the volume as a response to a proposed unauthorized British edition of Emerson’s works.Historical Introduction by Ronald A. BoscoNotes and Parallel Passages by Glen M. JohnsonText Established and Textual Introduction and Apparatus by Joel Myerson

At his death in 1882, Ralph Waldo Emerson was counted among the greatest poets in nineteenth-century America. This variorum edition of all the poems Emerson chose for publication during his lifetime offers readers the opportunity to situate Emerson’s poetic achievement alongside his celebrated essays and to consider their interrelationship.Decades before Walt Whitman and Emily Dickinson took their places in the firmament of American poets, Emerson was securely enthroned. Though his reputation as essayist now eclipses his reputation as poet, Emerson self-identified as a writer of verse and worked out his transcendental philosophy in this genre, establishing his belief in the authority of individual experience and in the essential metaphoric nature of language. Albert J. von Frank’s historical introduction traces the development of Emerson the poet, considering how life events, as well as his reading of German philosophy and Sufi poetry, influenced his thought and expression. Alongside accounts of the critical reception of his poems are public and private writings that reveal Emerson’s own estimation of his poetic project and achievement.The textual introduction and apparatus make transparent the theoretical and practical concerns that inform these critical texts. Also included are a chronological lists of variants and texts constituting the historical collation, notes clarifying obscure allusions, and headnotes identifying sources and context.

A brilliant essayist and a master of the aphorism (“Our moods do not believe in each other”; “Money often costs too much”), Emerson has inspired countless writers. He challenged Americans to shut their ears against Europe’s “courtly muses” and to forge a new, distinctly American cultural identity. But he remains one of America’s least understood writers. And, by his own admission, he spawned neither school nor follower (he valued independent thought too much). Now, in this annotated selection of Emerson’s writings, David Mikics instructs the reader in a larger appreciation of Emerson’s essential works and the remarkable thinker who produced them.Full of color illustrations and rich in archival photographs, this volume offers much for the specialist and general reader. In his running commentaries on Emerson’s essays, addresses, and poems, Mikics illuminates contexts, allusions, and language likely to cause difficulty to modern readers. He quotes extensively from Emerson’s Journal to shed light on particular passages or lines and examines Emerson the essayist, poet, itinerant lecturer, and political activist. Finally, in his Foreword, Phillip Lopate makes the case for Emerson as a spectacular truth teller—a model of intellectual labor and anti-dogmatic sanity.Anyone who values Emerson will want to own this edition. Those wishing to discover, or to reacquaint themselves with, Emerson’s writings but who have not known where or how to begin will not find a better starting place or more reliable guide than The Annotated Emerson.

With the appearance of the tenth and final volume of Collected Works, a project fifty years in the making reaches completion: the publication of critically edited texts of all of Emerson’s works published in his lifetime and under his supervision. The Uncollected Prose Writings is the definitive gathering of Emerson’s previously published prose writings that he left uncollected at the time of his death.The Uncollected Prose Writings supersedes the three posthumous volumes of Emerson’s prose that James Elliot Cabot and Edward Waldo Emerson added to his canon. Seeing as their primary task the expansion of the Emerson canon, they embellished and improvised. By contrast, Ronald A. Bosco and Joel Myerson have undertaken the restoration of Emerson’s uncollected prose canon, printing only what Emerson alone wrote, authorized for publication, and saw into print.In their Historical Introduction and Textual Introduction, the editors survey the sweep of Emerson’s uncollected published prose. The evidence they marshal reveals Emerson’s progressive reliance on lectures as forerunners to his published prose in major periodicals and clarifies what has been a slowly emerging portrait of the last decade and a half of his life as a public intellectual.

Ralph Waldo Emerson: The Major Poetry, like its companion prose volume, presents a selection of definitively edited texts drawn chiefly from the multivolume Collected Works. Accompanying each poem is a headnote prepared by Albert von Frank for the student and general reader, which serves as an entryway to the poem, offering critical and historical contexts. Detailed annotations provide further guidance.A master of the essay form, a philosopher of moods and self-reliance, and the central figure in the American romantic movement, Emerson makes many claims on our attention. Ralph Waldo Emerson: The Major Poetry reminds us exactly why his poetry also matters and why he remains one of our most important theoreticians of verse. Emerson saw his poetry and philosophy as coordinate ways of seeing the world. “It is not metres,” he once declared, “but a metre-making argument, that makes a poem,—a thought so passionate and alive, that, like the spirit of a plant or an animal, it has an architecture of its own, and adorns nature with a new thing.”All the major poems published in Emerson’s lifetime—chosen from Poems (1847), May-Day and Other Pieces (1867), and Selected Poems (1876) as well as uncollected poems—are represented here. Also included in an appendix is the first selection ever made of the poems and poetic fragments that Emerson addressed to his first wife, Ellen, during their courtship and marriage and concluding with the anguish of bereavement following her death on February 8, 1831, at the age of nineteen.