Ramón López Velarde – författare

RamÓn LÓpez Velarde (1888-1921) was one of the most Mexican of Mexican poets, whose sense of history found expression in many poems, including his best-known "La suave Patria" ("Sweet Land"). This bilingual collection, drawn primarily from PoesÍas completas y el minutero, offers English-language readers our first book-length introduction to his poetry.Often called a "poet of the provinces," LÓpez Velarde gives us a glimpse into a slower and more gentle way of life. His poems present the contrast between city and hometown and between urban and pastoral landscapes. Through these contrasts runs the thread of religious faith, while urgency of language informs the entire body of his poetic production.Original, specially commissioned drawings by noted contemporary Mexican artist Juan Soriano complement the poems. This combination of poetry and art speaks to universal emotions; indeed the poetry of LÓpez Velarde belongs to everyone who sings the Song of the Heart.

`La suave patria' is often regarded as the Mexican national poem, an extraordinary tour-de-force that would change forever the way that poetry would develop in Mexico. It was one of the last works by Ramon Lopez Velarde, who died of pneumonia at the age of only 33 in 1921, and is the work for which he is most remembered today. After his death, his reputation took some time to grow, but his later espousal by major figures such Xavier Villaurrutia and Octavio Paz has ensured that he will remain central to the story of Mexican 20th century literature. The translation offered here, by poet-novelist (and current President of PEN International), Jennifer Clement, is a remarkable achievement and brings the poem into English for a new generation of readers. The poem is contextualised in an essay by the Mexican poet, Luis Miguel Aguilar, and is embellished by a startling suite of paintings by Gustavo Monroy, from his `New Screen of the Conquest'-a 21st-century companion work to the original folding `Screen of the Conquest and View of the City of Mexico', an anonymous work from the late 17th century which measures some 2.1 meters high by 5.5 meters wide. Monroy's brutally ironic modern equivalent stands in the same museum as the original screen.

Selección de la obra poética de López Velarde acompañada por un ensayo-prólogo de Octavio Paz. Aquí se antologan poemas de los siguientes libros: Primeras poesías (1905-1912), La sangre devota (1916), Zozobra (1919), y El son del corazón (1919-1921; 1932).