Raphael Zähringer – författare

The binary between a united Ireland and the current form of partition has provoked writers and scholars and established an important debate about what unity would look like. Discourses of Unity in Ireland and Europe charts and critically discusses the challenges of articulating unity while one-sided discourses—on either nationalist or unionist grounds—have gradually been integrating an Irish identity that finds itself between Britain and Europe. Crucial to all of this is the role of writers in reimagining Irish writing before and after the Northern Ireland peace process and in reconstituting an idea of Irish unity in their works. Maurice Fitzpatrick, Christoph Reinfandt, and Raphael Zähringer bring together scholars from the fields of philosophy, political science, diplomacy, history, and literary and cultural studies to interpret how the concept of unity has manifested in literary, historical, and political texts. This wide-ranging approach considers a variety of economic perspectives, including how generations of economic shifts have impacted the image of Ireland’s relationship with the UK and Europe. Ultimately, Discourses of Unity in Ireland and Europe provides coordinates for current debates about how to prepare for Irish unity and what shape it should or could take.

This book examines dystopian fiction’s recent paradigm shift towards urban dystopias. It links the dystopian tradition with the literary history of the novel, spatio-philosophical concepts against the backdrop of the spatial turn, and systems-theory. Five dystopian novels are discussed in great detail: China Miéville’s Perdido Street Station (2000) and The City & The City (2009), City of Bohane (2011) by Kevin Barry, John Berger’s Lilac and Flag (1992), and Divided Kingdom (2005) by Rupert Thomson. The book includes chapters on the literary history of the dystopian tradition, the referential interplay of maps and literature, urban spaces in literature, borders and transgressions, and on systems-theory as a tool for charting dystopian fiction. The result is a detailed overview of how dystopian fiction constantly adapts to – and reflects on – the actual world.