Rasmus Helles – författare

Emphasizing the perspective of ordinary users, this book compares the uses of the internet in three centers of the global economy and world politics: China, Europe, and the United States. It examines the internet as the current centerpiece of communication systems encompassing interpersonal communication, mass communication, and social networking.

The internet is unique as a medium in that it hosts both "old" media and "new" media. As such, it also integrates the prototypes of one-to-one (interpersonal) and one-to-many (broadcast) along with many-to-many (social media) and many-to-one (surveillance) communication. This book considers how all these media and communicative practices are embedded in social structures, cultural traditions, and historical legacies of place. Comparing conditions in China, Europe, and the United States, the chapters provide an overview of the distinctive regulatory regimes framing the internet and its local uses, the place of the internet in everyday life in each setting, and how the internet serves as a resource for political, economic, and cultural actions and interactions.

Linking comparative analysis of media and social systems with ethnographic studies of internet usage on the ground, this book will be of particular interest to students and scholars working in global media, intercultural communication, and internet studies.

Emphasizing the perspective of ordinary users, this book compares the uses of the internet in three centers of the global economy and world politics: China, Europe, and the United States. It examines the internet as the current centerpiece of communication systems encompassing interpersonal communication, mass communication, and social networking.

The internet is unique as a medium in that it hosts both "old" media and "new" media. As such, it also integrates the prototypes of one-to-one (interpersonal) and one-to-many (broadcast) along with many-to-many (social media) and many-to-one (surveillance) communication. This book considers how all these media and communicative practices are embedded in social structures, cultural traditions, and historical legacies of place. Comparing conditions in China, Europe, and the United States, the chapters provide an overview of the distinctive regulatory regimes framing the internet and its local uses, the place of the internet in everyday life in each setting, and how the internet serves as a resource for political, economic, and cultural actions and interactions.

Linking comparative analysis of media and social systems with ethnographic studies of internet usage on the ground, this book will be of particular interest to students and scholars working in global media, intercultural communication, and internet studies.

This book deals with the role of television drama in Europe as enabler of transnational, cultural encounters for audiences and the creative community. It demonstrates that the diversity of national cultures is a challenge for European TV drama but also a potential richness and source of creative variation. Based on data on the production, distribution and reception of recent TV drama from several European countries, the book presents a new picture of the transnational European television culture. The authors analyse main tendencies in television policy and challenges for national broadcasters coming from new global streaming services. Comparing cases of historical, contemporary and crime drama from several countries, this study shows the importance of creative co-production and transnational mediated cultural encounters between national cultures of Europe.