A fascinating story of spiritual survival. The cultural and national reawakening that has accompanied the resurgence of Islam in Russia has contributed to the revival and renewal of Islamic thought throughout the Muslim world. The author explores how Islam vis-a-vis Russian Orthodox Christianity shaped national, political and cultural developments in the vast region of European Russia and Siberia. This volume thus presents an analysis of the history, development and future prospects for Islam in Russia based on exhaustive research of the primary and secondary sources as well as the author's own personal experience.

A fascinating story of spiritual survival. The cultural and national reawakening that has accompanied the resurgence of Islam in Russia has contributed to the revival and renewal of Islamic thought throughout the Muslim world. The author explores how Islam vis-a-vis Russian Orthodox Christianity shaped national, political and cultural developments in the vast region of European Russia and Siberia. This volume thus presents an analysis of the history, development and future prospects for Islam in Russia based on exhaustive research of the primary and secondary sources as well as the author's own personal experience.

This anthology expounds the rich history of Kazan Tatar poetry, which has its beginnings in the early 12th century. Poets bear witness to the cultural, political as well as spiritual history of their nations, and in this sense, the history of poetry is the history of the nation. The authors try to single out the main themes of Kazan Tatar poetry in every epoch and period of time, the most penetrating of which is the theme of forceful alienation from one's motherland. The anthology unfolds against a rich and colourful background of social, cultural and political settings of each epoch, and presents Kazan Tatar poetry as it is, preserving its rhythmical, visual and rhyming structure supported by commentaries.

This is a beautiful translation by John Farndon (with Olga Nakston) of the late Ravil Bukharaev’s literary existential novel memoir in which he explains to his wife how his Muslim faith and ideals influenced both his love for her and his understanding of life and self, particularly his quest for truth and ‘authenticity’. Throughout their long marriage, the writers and poets Ravil Bukharaev and Lydia Grigorieva had written in separate rooms in their home. In this deeply-felt and poetic memoir, Ravil writes to Lydia in order to try explain (at last) things left unsaid over the years. With immense honesty and insight, he explores how their journey together has been shaped by his profound Muslim beliefs and his lifelong search for what is authentic and true. Along the way, he creates finely defined and moving vignettes of eight very different people struggling to find meaning in their lives, from old Elizaveta Osipovna, alone in her Moscow flat, to proud Arzhana coping with a tough life in the Altai mountains.

This is a beautiful translation by John Farndon (with Olga Nakston) of the late Ravil Bukharaev’s literary existential novel memoir in which he explains to his wife how his Muslim faith and ideals influenced both his love for her and his understanding of life and self, particularly his quest for truth and ‘authenticity’. Throughout their long marriage, the writers and poets Ravil Bukharaev and Lydia Grigorieva had written in separate rooms in their home. In this deeply-felt and poetic memoir, Ravil writes to Lydia in order to try explain (at last) things left unsaid over the years. With immense honesty and insight, he explores how their journey together has been shaped by his profound Muslim beliefs and his lifelong search for what is authentic and true. Along the way, he creates finely defined and moving vignettes of eight very different people struggling to find meaning in their lives, from old Elizaveta Osipovna, alone in her Moscow flat, to proud Arzhana coping with a tough life in the Altai mountains.

This is a beautiful translation by John Farndon (with Olga Nakston) of the late Ravil Bukharaev’s literary existential novel memoir in which he explains to his wife how his Muslim faith and ideals influenced both his love for her and his understanding of life and self, particularly his quest for truth and ‘authenticity’. Throughout their long marriage, the writers and poets Ravil Bukharaev and Lydia Grigorieva had written in separate rooms in their home. In this deeply-felt and poetic memoir, Ravil writes to Lydia in order to try explain (at last) things left unsaid over the years. With immense honesty and insight, he explores how their journey together has been shaped by his profound Muslim beliefs and his lifelong search for what is authentic and true. Along the way, he creates finely defined and moving vignettes of eight very different people struggling to find meaning in their lives, from old Elizaveta Osipovna, alone in her Moscow flat, to proud Arzhana coping with a tough life in the Altai mountains.

A fascinating story of spiritual survival. The cultural and national reawakening that has accompanied the resurgence of Islam in Russia has contributed to the revival and renewal of Islamic thought throughout the Muslim world. The author explores how Islam vis-a-vis Russian Orthodox Christianity shaped national, political and cultural developments in the vast region of European Russia and Siberia. This volume thus presents an analysis of the history, development and future prospects for Islam in Russia based on exhaustive research of the primary and secondary sources as well as the author''s own personal experience.

A fascinating story of spiritual survival. The cultural and national reawakening that has accompanied the resurgence of Islam in Russia has contributed to the revival and renewal of Islamic thought throughout the Muslim world. The author explores how Islam vis-a-vis Russian Orthodox Christianity shaped national, political and cultural developments in the vast region of European Russia and Siberia. This volume thus presents an analysis of the history, development and future prospects for Islam in Russia based on exhaustive research of the primary and secondary sources as well as the author''s own personal experience.

This anthology expounds the rich history of Kazan Tatar poetry, which has its beginnings in the early 12th century. Poets bear witness to the cultural, political as well as spiritual history of their nations, and in this sense, the history of poetry is the history of the nation. The authors try to single out the main themes of Kazan Tatar poetry in every epoch and period of time, the most penetrating of which is the theme of forceful alienation from one''s motherland. The anthology unfolds against a rich and colourful background of social, cultural and political settings of each epoch, and presents Kazan Tatar poetry as it is, preserving its rhythmical, visual and rhyming structure supported by commentaries.

This anthology expounds the rich history of Kazan Tatar poetry, which has its beginnings in the early 12th century. Poets bear witness to the cultural, political as well as spiritual history of their nations, and in this sense, the history of poetry is the history of the nation. The authors try to single out the main themes of Kazan Tatar poetry in every epoch and period of time, the most penetrating of which is the theme of forceful alienation from one''s motherland. The anthology unfolds against a rich and colourful background of social, cultural and political settings of each epoch, and presents Kazan Tatar poetry as it is, preserving its rhythmical, visual and rhyming structure supported by commentaries.

Within every ancient city lies a heart and soul which breathe life into it, creating its own special character, embodying the memories of the past, the confidence of the present, and the hopes for the future. In the thousand-year old city of Kazan, this living heart is the Kazan Kremlin, rising above the city, and for centuries a unique feature not only of Kazan, but also of the entire landscape of the Middle Volga region. This large-size (approx. 20 by 30 cm) book explores the beauty, the history, the past and present uses and the mysteries of the Kazan Kremlin in words and images. The text is provided in parallel English and Russian versions, and all the photographs are reproduced in full colour, several of them as two-page spreads. All photographs have been especially commissioned for this volume. This book represents a unique record of this remarkable monument, now a UNESCO World Heritage Site, and should be of great interest to anyone interested in the great buildings of the world, the history of Kazan, and architecture in general.

This anthology expounds the rich history of Kazan Tatar poetry, which has its beginnings in the early 12th century. Poets bear witness to the cultural, political as well as spiritual history of their nations, and in this sense, the history of poetry is the history of the nation. The authors try to single out the main themes of Kazan Tatar poetry in every epoch and period of time, the most penetrating of which is the theme of forceful alienation from one's motherland. The anthology unfolds against a rich and colourful background of social, cultural and political settings of each epoch, and presents Kazan Tatar poetry as it is, preserving its rhythmical, visual and rhyming structure supported by commentaries.

This is a beautiful translation by John Farndon (with Olga Nakston) of the late Ravil Bukharaev’s literary existential novel memoir in which he explains to his wife how his Muslim faith and ideals influenced both his love for her and his understanding of life and self, particularly his quest for truth and ‘authenticity’. Throughout their long marriage, the writers and poets Ravil Bukharaev and Lydia Grigorieva had written in separate rooms in their home. In this deeply-felt and poetic memoir, Ravil writes to Lydia in order to try explain (at last) things left unsaid over the years. With immense honesty and insight, he explores how their journey together has been shaped by his profound Muslim beliefs and his lifelong search for what is authentic and true. Along the way, he creates finely defined and moving vignettes of eight very different people struggling to find meaning in their lives, from old Elizaveta Osipovna, alone in her Moscow flat, to proud Arzhana coping with a tough life in the Altai mountains.

A fascinating story of spiritual survival. The cultural and national reawakening that has accompanied the resurgence of Islam in Russia has contributed to the revival and renewal of Islamic thought throughout the Muslim world. The author explores how Islam vis-a-vis Russian Orthodox Christianity shaped national, political and cultural developments in the vast region of European Russia and Siberia. This volume thus presents an analysis of the history, development and future prospects for Islam in Russia based on exhaustive research of the primary and secondary sources as well as the author's own personal experience.

A fascinating story of spiritual survival. The cultural and national reawakening that has accompanied the resurgence of Islam in Russia has contributed to the revival and renewal of Islamic thought throughout the Muslim world. The author explores how Islam vis-a-vis Russian Orthodox Christianity shaped national, political and cultural developments in the vast region of European Russia and Siberia. This volume thus presents an analysis of the history, development and future prospects for Islam in Russia based on exhaustive research of the primary and secondary sources as well as the author's own personal experience.

This anthology expounds the rich history of Kazan Tatar poetry, which has its beginnings in the early 12th century. Poets bear witness to the cultural, political as well as spiritual history of their nations, and in this sense, the history of poetry is the history of the nation. The authors try to single out the main themes of Kazan Tatar poetry in every epoch and period of time, the most penetrating of which is the theme of forceful alienation from one's motherland. The anthology unfolds against a rich and colourful background of social, cultural and political settings of each epoch, and presents Kazan Tatar poetry as it is, preserving its rhythmical, visual and rhyming structure supported by commentaries.

This is a beautiful translation by John Farndon (with Olga Nakston) of the late Ravil Bukharaev’s literary existential novel memoir in which he explains to his wife how his Muslim faith and ideals influenced both his love for her and his understanding of life and self, particularly his quest for truth and ‘authenticity’. Throughout their long marriage, the writers and poets Ravil Bukharaev and Lydia Grigorieva had written in separate rooms in their home. In this deeply-felt and poetic memoir, Ravil writes to Lydia in order to try explain (at last) things left unsaid over the years. With immense honesty and insight, he explores how their journey together has been shaped by his profound Muslim beliefs and his lifelong search for what is authentic and true. Along the way, he creates finely defined and moving vignettes of eight very different people struggling to find meaning in their lives, from old Elizaveta Osipovna, alone in her Moscow flat, to proud Arzhana coping with a tough life in the Altai mountains.

This is a beautiful translation by John Farndon (with Olga Nakston) of the late Ravil Bukharaev’s literary existential novel memoir in which he explains to his wife how his Muslim faith and ideals influenced both his love for her and his understanding of life and self, particularly his quest for truth and ‘authenticity’. Throughout their long marriage, the writers and poets Ravil Bukharaev and Lydia Grigorieva had written in separate rooms in their home. In this deeply-felt and poetic memoir, Ravil writes to Lydia in order to try explain (at last) things left unsaid over the years. With immense honesty and insight, he explores how their journey together has been shaped by his profound Muslim beliefs and his lifelong search for what is authentic and true. Along the way, he creates finely defined and moving vignettes of eight very different people struggling to find meaning in their lives, from old Elizaveta Osipovna, alone in her Moscow flat, to proud Arzhana coping with a tough life in the Altai mountains.

This is a beautiful translation by John Farndon (with Olga Nakston) of the late Ravil Bukharaev’s literary existential novel memoir in which he explains to his wife how his Muslim faith and ideals influenced both his love for her and his understanding of life and self, particularly his quest for truth and ‘authenticity’. Throughout their long marriage, the writers and poets Ravil Bukharaev and Lydia Grigorieva had written in separate rooms in their home. In this deeply-felt and poetic memoir, Ravil writes to Lydia in order to try explain (at last) things left unsaid over the years. With immense honesty and insight, he explores how their journey together has been shaped by his profound Muslim beliefs and his lifelong search for what is authentic and true. Along the way, he creates finely defined and moving vignettes of eight very different people struggling to find meaning in their lives, from old Elizaveta Osipovna, alone in her Moscow flat, to proud Arzhana coping with a tough life in the Altai mountains.

A fascinating story of spiritual survival. The cultural and national reawakening that has accompanied the resurgence of Islam in Russia has contributed to the revival and renewal of Islamic thought throughout the Muslim world. The author explores how Islam vis-a-vis Russian Orthodox Christianity shaped national, political and cultural developments in the vast region of European Russia and Siberia. This volume thus presents an analysis of the history, development and future prospects for Islam in Russia based on exhaustive research of the primary and secondary sources as well as the author''s own personal experience.

A fascinating story of spiritual survival. The cultural and national reawakening that has accompanied the resurgence of Islam in Russia has contributed to the revival and renewal of Islamic thought throughout the Muslim world. The author explores how Islam vis-a-vis Russian Orthodox Christianity shaped national, political and cultural developments in the vast region of European Russia and Siberia. This volume thus presents an analysis of the history, development and future prospects for Islam in Russia based on exhaustive research of the primary and secondary sources as well as the author''s own personal experience.

This anthology expounds the rich history of Kazan Tatar poetry, which has its beginnings in the early 12th century. Poets bear witness to the cultural, political as well as spiritual history of their nations, and in this sense, the history of poetry is the history of the nation. The authors try to single out the main themes of Kazan Tatar poetry in every epoch and period of time, the most penetrating of which is the theme of forceful alienation from one''s motherland. The anthology unfolds against a rich and colourful background of social, cultural and political settings of each epoch, and presents Kazan Tatar poetry as it is, preserving its rhythmical, visual and rhyming structure supported by commentaries.

This anthology expounds the rich history of Kazan Tatar poetry, which has its beginnings in the early 12th century. Poets bear witness to the cultural, political as well as spiritual history of their nations, and in this sense, the history of poetry is the history of the nation. The authors try to single out the main themes of Kazan Tatar poetry in every epoch and period of time, the most penetrating of which is the theme of forceful alienation from one''s motherland. The anthology unfolds against a rich and colourful background of social, cultural and political settings of each epoch, and presents Kazan Tatar poetry as it is, preserving its rhythmical, visual and rhyming structure supported by commentaries.

Within every ancient city lies a heart and soul which breathe life into it, creating its own special character, embodying the memories of the past, the confidence of the present, and the hopes for the future. In the thousand-year old city of Kazan, this living heart is the Kazan Kremlin, rising above the city, and for centuries a unique feature not only of Kazan, but also of the entire landscape of the Middle Volga region. This large-size (approx. 20 by 30 cm) book explores the beauty, the history, the past and present uses and the mysteries of the Kazan Kremlin in words and images. The text is provided in parallel English and Russian versions, and all the photographs are reproduced in full colour, several of them as two-page spreads. All photographs have been especially commissioned for this volume. This book represents a unique record of this remarkable monument, now a UNESCO World Heritage Site, and should be of great interest to anyone interested in the great buildings of the world, the history of Kazan, and architecture in general.

This anthology expounds the rich history of Kazan Tatar poetry, which has its beginnings in the early 12th century. Poets bear witness to the cultural, political as well as spiritual history of their nations, and in this sense, the history of poetry is the history of the nation. The authors try to single out the main themes of Kazan Tatar poetry in every epoch and period of time, the most penetrating of which is the theme of forceful alienation from one's motherland. The anthology unfolds against a rich and colourful background of social, cultural and political settings of each epoch, and presents Kazan Tatar poetry as it is, preserving its rhythmical, visual and rhyming structure supported by commentaries.

This is a beautiful translation by John Farndon (with Olga Nakston) of the late Ravil Bukharaev’s literary existential novel memoir in which he explains to his wife how his Muslim faith and ideals influenced both his love for her and his understanding of life and self, particularly his quest for truth and ‘authenticity’. Throughout their long marriage, the writers and poets Ravil Bukharaev and Lydia Grigorieva had written in separate rooms in their home. In this deeply-felt and poetic memoir, Ravil writes to Lydia in order to try explain (at last) things left unsaid over the years. With immense honesty and insight, he explores how their journey together has been shaped by his profound Muslim beliefs and his lifelong search for what is authentic and true. Along the way, he creates finely defined and moving vignettes of eight very different people struggling to find meaning in their lives, from old Elizaveta Osipovna, alone in her Moscow flat, to proud Arzhana coping with a tough life in the Altai mountains.