Ray Robinson – författare

Hailed by critics as a long-overdue portrait of Sugar Ray Robinson, a man as elusive outside the ring as he was magisterial in it, Pound by Pound is a lively and nuanced profile of an athlete who is arguably the best boxer the scene has ever seen. But the same discipline that Robinson brought to the sport eluded him at home, leading him to emotionally and physically abuse his family. Exposing Robinson's flaws as well as putting his career in the context of his life, this book tells for the first time the full story of a truly complex man.

"An informative account of the life of Hollywood-handsome middleweight champion Sugar Ray Robinson" (Essence)."A rich history of the athlete, the man, the sport and a fascinating time in African American history." —EbonyHailed by critics as a long overdue portrait of Sugar Ray Robinson, a man who was as elusive out of the ring as he was magisterial in it, Pound for Pound is a lively and nuanced profile of an athlete who is arguably the best boxer the sport has ever known. So great were Robinson''s skills, he was eulogized by Woody Allen, compared to Joe Louis, and praised by Muhammad Ali, who called him "the king, the master, my idol." But the same discipline that Robinson brought to the sport eluded him at home, leading him to emotionally and physically abuse his family—particularly his wife, the gorgeous dancer Edna Mae, whose entrepreneurial skills helped Robinson build an empire to which Harlemites were inexorably drawn. Exposing Robinson''s flaws as well as putting his career in the context of his life and times, renowned journalist and bestselling author Herb Boyd, with Ray Robinson II, tells for the first time the full story of a complex man and sport-altering athlete."Boyd is particularly strong in placing [Robinson''s] life in a social context . . . and he captures the vagaries of this mercurial character." —Los Angeles Times

When all-time pitching great Christy Mathewson died of tuberculosis in 1925 at the age of 45, it touched off a wave of national mourning that remains without precedent for an American athlete. The World Series was underway, and the game the day after Mathewson''s death took on the trappings of a state funeral: officials slowly lowered the flag to half-mast, each ballplayer wore a black armband, and fans joined together in a chorus of "Nearer My God to Thee." Newspaper editorials recalled Mathewson''s glorious career with the New York Giants, but also emphasized his unstinting good sportsmanship and voluntary service in World War I. The pitcher known to one and all as "Matty" or "Big Six" was as beloved for the strength of character he brought to the national pastime, as for his stunning 373 career victories. "I do not expect to see his like again," said his best friend and former manager, John McGraw. "But I do know that the example he set and the imprint he left on the sport that he loved and honored will remain long after I am gone." In Matty, Ray Robinson tells the story of a man who became America''s first authentic sports hero. Until Mathewson, Robinson reveals, Americans loved baseball, but looked down on ballplayers and other athletes as hard-drinking, skirt-chasing ne''er-do-wells. Deprived of real-life role models, millions of readers followed the serialized exploits of Frank Merriwell, a fictional hero who excelled at sports from baseball to billiards and never drank, smoke, or swore. Robinson shows how an eager public greeted Mathewson as a flesh-and-blood version of Merriwell from his first year at Bucknell University, where he shone as star pitcher, premier field-goal kicker, and class president. Lured into the big leagues before he could graduate, the tall, handsome pitcher soon won over men, women and children with his sense of fair play and his arsenal of blazing fastballs, sweeping curves, and infamously deceptive fadeaway pitches. Robinson skillfully details the highlights of Mathewson''s career, including his showdowns against the great batters of his day and his encounters with the young Brooklyn, Chicago, Pittsburgh and St. Louis teams. Here are the six remarkable days in October, 1905 when Mathewson became the only pitcher ever to hurl three straight shutouts in a World Series, and the afternoon at West Point when he won $50 in a bet that he could throw 20 of his best pitches to exactly the same spot. Robinson does not underplay Mathewson''s occasional failings, but the most surprising aspect of this fascinating portrait is just how close America''s first Hall of Fame pitcher came to living up to his image. Drawing on rare interviews, press clips, and long overlooked eyewitness accounts, Matty brings baseball''s golden age to life--not only the great teams and the early superstars, but the long train trips between games, with cramped berths and no air conditioning; the small town ballplayers let loose amidst big city vice; and the two-bit gambling that eventually led to the infamous Black Sox Scandal of the 1919 Series (a scandal that might have escaped detection if the sportswriters in the press box with Mathewson had not been able to rely on his experienced eye for clues to how ballplayers might throw games). Offering rare insight into the making of an early twentieth century American hero, Matty is must reading for anyone who loves baseball.

In a mere twelve years, Rockne''s "Fighting Irish" won 105 games, including five astonishing undefeated seasons. But Rockne was more than the sum of his victories--he was an icon who, more than anyone, made football an American obsession. The book gives us colorful descriptions of such Rockne teams as the undefeated 1924 eleven led by the illustrious Four Horsemen, and the 1930 squad, Rockne''s last and greatest. A renowned motivator whose "Win one for the Gipper" is the most famous locker-room speech ever, Rockne was also football''s most brilliant innovator, a pioneer of the forward pass, a master of the psychological ploy, and an early advocate of conditioning. In this balanced account, Rockne emerges as an exemplary and complex figure: a fierce competitor who was generous in victory and defeat; an inspiring father figure to his players; and a man so revered nationwide that when he died in a plane crash in 1931, at the height of his career, he was mourned by the entire country. "A solid portrait of one of football''s most solid figures."--The New York Times Book Review

Hailed by The New York Times as "America's Aristophanes," Will Rogers was one of this century's most astute and beloved humorists. If as he often remarked, he never met a man he didn't like, it is also true that Rogers never met a man he didn't like to make fun of. Everyone from congressmen and Presidents to Hollywood movie moguls and wealthy industrialists bore the brunt of his gently lacerating wit--and seemed, mostly, to be charmed in the process. So popular did Rogers become--through dozens of films, a daily column that ran for nine years in newspapers across the country, and countless lectures and stage performances--that he was often urged to run for Congress and even the Presidency. Upon receiving a mock appointment as Congressman-at-Large for the whole United States, Rogers protested, "I regret the disgrace that's been thrust upon me here tonight. I've tried to live my whole life so that I would never become a congressman."In American Original, Ray Robinson chronicles the trajectory of Will Rogers' remarkable life. Written with engaging immediacy and filled with a wealth of delightful anecdotes, this lively portrait follows Rogers from his childhood in the Indian Territory of what is now Oklahoma, to his first spellbinding lariat performances in the Wild West shows (where he would often lasso prominent audience members and drag them on stage), to his stardom in vaudeville and the Ziegfeld Follies, to his early silent movies and the later "talkies," and finally to his astonishing influence as a "cowboy philosopher" columnist read by over 40 million Americans. Far more than other biographers, Robinson excels at conveying Rogers' impact as a political commentator ("I belong to no organized political party. I am a Democrat.") and his great success as an actor in Hollywood, where he was the leading star of Fox Films. And along the way, Robinson paints a vibrant portrait of one of America's most colorful eras. We follow the early evolution of modern entertainment, enjoy vivid snapshots of W.C. Fields, Charlie Chaplin, Florenz Ziegfeld, Eddie Cantor, Samuel Goldwyn, Shirley Temple, and John Ford, and, perhaps most important, witness the major political events of the era through Will Rogers' uniquely perceptive eyes.American Original succeeds most appealingly in bringing Will Rogers before us with all the spontaneity, intimacy, and honesty of a live performance. In it we are given front row seats to the life of a character unabashedly American and unforgettably original.

The compelling story of one of America's greatest athletes. Ray Robinson draws on rare interviews, press clips, and eyewitness accounts to tell the story of baseball's Golden Age at the turn of the century and that of one of its best players. finest pitcher in baseball history and America's first authentic sports hero, the first athlete who was truly admired and emulated.

In a mere twelve years, Rockne's "Fighting Irish" won 105 games, including five astonishing undefeated seasons. But Rockne was more than the sum of his victories--he was an icon who, more than anyone, made football an American obsession.The book gives us colorful descriptions of such Rockne teams as the undefeated 1924 eleven led by the illustrious Four Horsemen, and the 1930 squad, Rockne's last and greatest. A renowned motivator whose "Win one for the Gipper" is the most famous locker-room speech ever, Rockne was also football's most brilliant innovator, a pioneer of the forward pass, a master of the psychological ploy, and an early advocate of conditioning. In this balanced account, Rockne emerges as an exemplary and complex figure: a fierce competitor who was generous in victory and defeat; an inspiring father figure to his players; and a man so revered nationwide that when he died in a plane crash in 1931, at the height of his career, he was mourned by the entire country."A solid portrait of one of football's most solid figures."--The New York Times Book Review

In a mere twelve years, Rockne''s "Fighting Irish" won 105 games, including five astonishing undefeated seasons. But Rockne was more than the sum of his victories--he was an icon who, more than anyone, made football an American obsession. The book gives us colorful descriptions of such Rockne teams as the undefeated 1924 eleven led by the illustrious Four Horsemen, and the 1930 squad, Rockne''s last and greatest. A renowned motivator whose "Win one for the Gipper" is the most famous locker-room speech ever, Rockne was also football''s most brilliant innovator, a pioneer of the forward pass, a master of the psychological ploy, and an early advocate of conditioning. In this balanced account, Rockne emerges as an exemplary and complex figure: a fierce competitor who was generous in victory and defeat; an inspiring father figure to his players; and a man so revered nationwide that when he died in a plane crash in 1931, at the height of his career, he was mourned by the entire country. "A solid portrait of one of football''s most solid figures."--The New York Times Book Review

When all-time pitching great Christy Mathewson died of tuberculosis in 1925 at the age of 45, it touched off a wave of national mourning that remains without precedent for an American athlete. The World Series was underway, and the game the day after Mathewson''s death took on the trappings of a state funeral: officials slowly lowered the flag to half-mast, each ballplayer wore a black armband, and fans joined together in a chorus of "Nearer My God to Thee." Newspaper editorials recalled Mathewson''s glorious career with the New York Giants, but also emphasized his unstinting good sportsmanship and voluntary service in World War I. The pitcher known to one and all as "Matty" or "Big Six" was as beloved for the strength of character he brought to the national pastime, as for his stunning 373 career victories. "I do not expect to see his like again," said his best friend and former manager, John McGraw. "But I do know that the example he set and the imprint he left on the sport that he loved and honored will remain long after I am gone." In Matty, Ray Robinson tells the story of a man who became America''s first authentic sports hero. Until Mathewson, Robinson reveals, Americans loved baseball, but looked down on ballplayers and other athletes as hard-drinking, skirt-chasing ne''er-do-wells. Deprived of real-life role models, millions of readers followed the serialized exploits of Frank Merriwell, a fictional hero who excelled at sports from baseball to billiards and never drank, smoke, or swore. Robinson shows how an eager public greeted Mathewson as a flesh-and-blood version of Merriwell from his first year at Bucknell University, where he shone as star pitcher, premier field-goal kicker, and class president. Lured into the big leagues before he could graduate, the tall, handsome pitcher soon won over men, women and children with his sense of fair play and his arsenal of blazing fastballs, sweeping curves, and infamously deceptive fadeaway pitches. Robinson skillfully details the highlights of Mathewson''s career, including his showdowns against the great batters of his day and his encounters with the young Brooklyn, Chicago, Pittsburgh and St. Louis teams. Here are the six remarkable days in October, 1905 when Mathewson became the only pitcher ever to hurl three straight shutouts in a World Series, and the afternoon at West Point when he won $50 in a bet that he could throw 20 of his best pitches to exactly the same spot. Robinson does not underplay Mathewson''s occasional failings, but the most surprising aspect of this fascinating portrait is just how close America''s first Hall of Fame pitcher came to living up to his image. Drawing on rare interviews, press clips, and long overlooked eyewitness accounts, Matty brings baseball''s golden age to life--not only the great teams and the early superstars, but the long train trips between games, with cramped berths and no air conditioning; the small town ballplayers let loose amidst big city vice; and the two-bit gambling that eventually led to the infamous Black Sox Scandal of the 1919 Series (a scandal that might have escaped detection if the sportswriters in the press box with Mathewson had not been able to rely on his experienced eye for clues to how ballplayers might throw games). Offering rare insight into the making of an early twentieth century American hero, Matty is must reading for anyone who loves baseball.

Hailed by The New York Times as "America''s Aristophanes," Will Rogers was one of this century''s most astute and beloved humorists. If as he often remarked, he never met a man he didn''t like, it is also true that Rogers never met a man he didn''t like to make fun of. Everyone from congressmen and Presidents to Hollywood movie moguls and wealthy industrialists bore the brunt of his gently lacerating wit--and seemed, mostly, to be charmed in the process. So popular did Rogers become--through dozens of films, a daily column that ran for nine years in newspapers across the country, and countless lectures and stage performances--that he was often urged to run for Congress and even the Presidency. Upon receiving a mock appointment as Congressman-at-Large for the whole United States, Rogers protested, "I regret the disgrace that''s been thrust upon me here tonight. I''ve tried to live my whole life so that I would never become a congressman." In American Original, Ray Robinson chronicles the trajectory of Will Rogers'' remarkable life. Written with engaging immediacy and filled with a wealth of delightful anecdotes, this lively portrait follows Rogers from his childhood in the Indian Territory of what is now Oklahoma, to his first spellbinding lariat performances in the Wild West shows (where he would often lasso prominent audience members and drag them on stage), to his stardom in vaudeville and the Ziegfeld Follies, to his early silent movies and the later "talkies," and finally to his astonishing influence as a "cowboy philosopher" columnist read by over 40 million Americans. Far more than other biographers, Robinson excels at conveying Rogers'' impact as a political commentator ("I belong to no organized political party. I am a Democrat.") and his great success as an actor in Hollywood, where he was the leading star of Fox Films. And along the way, Robinson paints a vibrant portrait of one of America''s most colorful eras. We follow the early evolution of modern entertainment, enjoy vivid snapshots of W.C. Fields, Charlie Chaplin, Florenz Ziegfeld, Eddie Cantor, Samuel Goldwyn, Shirley Temple, and John Ford, and, perhaps most important, witness the major political events of the era through Will Rogers'' uniquely perceptive eyes. American Original succeeds most appealingly in bringing Will Rogers before us with all the spontaneity, intimacy, and honesty of a live performance. In it we are given front row seats to the life of a character unabashedly American and unforgettably original.

Electricity is now a film starring Agyness Deyn.Lily's epilepsy means she's used to seeing the world in terms of angles - you look at every surface, you weigh up every corner, and you think of your head slamming into it - but what would she be like without her sharp edges? Prickly, spiky, up-front honest and down-to-earth practical, Lily is thirty, and life's not easy but she gets by. Needing no-one and asking for nothing, it's just her and her epilepsy: her constant companion.But then Lily's long-estranged mother dies, and Lily is drawn back into a world she thought she'd left behind. Forced to renegotiate the boundaries of her life, she realises she has a lot to learn - about relationships, about the past, and about herself - and some difficult decisions ahead of her.

Lou Gehrig will go down in history as one of the best ballplayers of all time; he was elected to the Hall of Fame and played in a record-setting 2,130 consecutive games. ALS known today as "Lou Gehrig's Disease" robbed him of his physical skills at a relatively young age, and he died in 1941. Ray Robinson re-creates the life of this legendary ballplayer and also provides an insightful look at baseball, including all the great players of that era: Babe Ruth, Ty Cobb, Walter Johnson, and more.

“Don’t let it end like this. Tell them I said something.”—Pancho Villa “Drink to me!”—Pablo Picasso A collection of notable last recorded words of the dying, Famous Last Words is bursting with life, hope, wisdom, and often laughter. Here are writers, philosophers, athletes, kings and queens, movie stars, politicians, and more, in all sorts of moods and states of preparedness. Some merely want to say goodbye to loved ones, others want to create a legacy. Ultimately, every one of these parting statements is a reflection of the person behind it. Each is accompanied by a mini-biography of the speaker, including the context of death, from the golf course (“That was a great game of golf, fellers.”—Bing Crosby) to a favorite armchair (“Go on, get out. Last words are for fools who haven't said enough.”—Karl Marx).

Originally published in 1984, Privatisation and the Welfare State brings together a distinguished set of experts on the Welfare State and its main policy areas of health care, housing, education and transport. Each chapter provides some much-needed analysis of privatisation policies in areas where, too often, political rhetoric is allowed to dominate discussion. The book makes a major contribution to the reader’s understanding of the complex issues involved in this controversial area of social policy. As the first systematic evaluation of a broad range of welfare state privatisation proposals, it is essential reading for economists, social administrators, and political scientists.

Originally published in 1984, Privatisation and the Welfare State brings together a distinguished set of experts on the Welfare State and its main policy areas of health care, housing, education and transport. Each chapter provides some much-needed analysis of privatisation policies in areas where, too often, political rhetoric is allowed to dominate discussion. The book makes a major contribution to the reader’s understanding of the complex issues involved in this controversial area of social policy. As the first systematic evaluation of a broad range of welfare state privatisation proposals, it is essential reading for economists, social administrators, and political scientists.

This book explores the controversial dilemmas which meet at the intersection of medicine philosphy and law - questions concerning killing and not killing which are faced daily in health care. They embrace euthanasia abortion the care of the elderly and the demented the care of the mentally ill children and those in a persistent vegative state. Who Owns our Bodies? identifies a crisis both in ethics and in empowerment as people face often neccessarily wretched choices. It seeks a framework of guidance for practical decision-making and focuses on two key issues. First who decides on an individual''s quality of life and thus on their health care treatments? Second how can patients be empowered with a structure to enable choice self-realization self-reflection and self-responsibility? John Spiers with characteristic clarity and verve offers a fundamental choice between health care experienced as hierarchy and control and the alternative of choice and self-responsibilty. He argues that health care must rely on patients deciding how much power they have not on professionals deciding how much to grant them.

She's escaped her captor, but can she escape her past?Zoë Nielsen was just like any other ten-year-old walking to school, not knowing that a chance encounter with Thurman Hayes would lead to her abduction and imprisonment in a converted nuclear bunker, 4,000 miles away, beneath a remote ranch house in Arizona. Enslaved in her underground tomb, deprived of food and light and water, the girl Zoe once was steadily begins to disappear... But over time Thurman grows tired of the rapidly maturing Zoë, and when he decides it is time to get rid of her, Zoë must finally make her bid for freedom. Forgetting Zoë is a moving, epic tale of courage, survival, horror and loss, that explores how a bond of affection and intimacy can develop between captive and captor.

Electricity is now a film starring Agyness Deyn.Lily's epilepsy means she's used to seeing the world in terms of angles - you look at every surface, you weigh up every corner, and you think of your head slamming into it - but what would she be like without her sharp edges? Prickly, spiky, up-front honest and down-to-earth practical, Lily is thirty, and life's not easy but she gets by. Needing no-one and asking for nothing, it's just her and her epilepsy: her constant companion.But then Lily's long-estranged mother dies, and Lily is drawn back into a world she thought she'd left behind. Forced to renegotiate the boundaries of her life, she realises she has a lot to learn - about relationships, about the past, and about herself - and some difficult decisions ahead of her.

From the author of Electricity and Forgetting Zoë, comes a thought-provoking, beautifully written and taut thriller.Ravenstor, the Peak District. New Year’s Day. A young woman stands on the shore of a frozen lake and watches a Land Rover crash off the bridge wall and into the ice. Two hundred miles away, a young man is woken by a devastating telephone call. The accident, and what it brings to the surface, will change both of their lives for ever.

This book explores the controversial dilemmas which meet at the intersection of medicine philosphy and law - questions concerning killing and not killing which are faced daily in health care. They embrace euthanasia abortion the care of the elderly and the demented the care of the mentally ill children and those in a persistent vegative state. Who Owns our Bodies? identifies a crisis both in ethics and in empowerment as people face often neccessarily wretched choices. It seeks a framework of guidance for practical decision-making and focuses on two key issues. First who decides on an individual''s quality of life and thus on their health care treatments? Second how can patients be empowered with a structure to enable choice self-realization self-reflection and self-responsibility? John Spiers with characteristic clarity and verve offers a fundamental choice between health care experienced as hierarchy and control and the alternative of choice and self-responsibilty. He argues that health care must rely on patients deciding how much power they have not on professionals deciding how much to grant them.

‘Poetic and powerfully brutal...a one-off’ – The TimesThe lyrical new novel from the award-winning author of Electricity and Forgetting ZoëSHORTLISTED: Portico Prize Midwinter. As former farmhand Jake, a widower in his seventies, wanders the beautiful, austere moors of North Yorkshire trying to evade capture, we learn of the events of his past: the wife he loved and lost, their child he knows cannot be his, and the deep-seated need for revenge that manifests itself in a moment of violence.On the coast, Jake’s friend, Sheila, receives the devastating news. The aftermath of Jake’s actions, and what it brings to the surface, will change her life forever. But how will she react when he turns up at her door?The Mating Habits of Stags is a journey through a life of guilt and things unsaid – and as beauty and tenderness blend with violence, Robinson transports us to a different world, subtly exploring love and loss in a language that both bruises and heals.An early version of the story was released in 2016 as the short film Edith, starring Peter Mullan and Michelle Fairley, which was Bafta-longlisted for Best British Short Film.

‘Fast, feverish and arresting’ George HarrisonPaul lives quietly in a northern town. By day, he works at a café; by night, he channels his anguish into the dark, arresting panels of his graphic novel, burying childhood trauma beneath ink and imagination.When a chance conversation with a family member shatters this fragile equilibrium, he makes a decision that will change his life: he goes to the police. As rage, doubt and exhaustion threaten to overwhelm him, Paul must decide how far he is willing go in pursuit of the truth.Ray Robinson charts one man’s journey from silence to reckoning, in a powerful story of art, memory and the cost of justice.

The editor has realized several objectives in selecting pieces for inclusion: to document stylistic development from the late Middle Ages to the twentieth century; to illustrate the major categories of choral composition in different periods; and to provide a convenient library of works by major composers in the choral genre in a convenient format. The organization of the anthology is chronological: after surveying the sacred choral literature of the Middle Ages and the Renaissance, Dr. Robinson divides the secular music of the sixteenth century by nation; he then presents examples of the sacred and secular output of the seventeenth and eighteenth centuries. The Romantic period is organized geographically, as is the twentieth century, and includes representative works from all the major Western cultures. In all cases, the very best edition of a work has been chosen for inclusion. Where an acceptable version did not already exist a fresh edition was made especially for this anthology.