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The often sensual and dark humour of Sally Mara’s Journal intime is founded on language and languages, so this translation, while prioritizing clarity, aims to maintain ‘Frenchness’, tinged of course with Dublinese. Surprisingly, for a French author, Irish words and phrases occur throughout; these are not translated but, like some challenging French phrases, are supported by footnotes. In 1949, when Raymond Queneau wrote Journal intime, published anonymously under the pseudonym Sally Mara, he was, as always, greatly influenced by James Joyce and fascinated by the limitations of language. He was also in need of the ready money provided by Éditions du Scorpion, publishers of erotic and violent pulp fiction, and of Journal intime.
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Pierrot Mon Ami, considered by many to be one of Raymond Queneau’s finest achievements, is a quirky coming-of-age novel concerning a young man’s initiation into a world filled with deceit, fraud, and manipulation. From his short-lived job at a Paris amusement park where he helps to raise women’s skirts to the delight of an unruly audience, to his frustrated and unsuccessful love of Yvonne, to his failed assignment to care for the tomb of the shadowy Prince Luigi of Poldevia, Pierrot stumbles about, nearly immune to the effects of duplicity.
This “innocent” implies how his story, at almost every turn, undermines, upsets, and plays upon our expectations, leaving us with more questions than answers, and doing so in a gloriously skewed style (admirably re-created by Barbara Wright, Queneau’s principle translator).
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Recueil d''essais publié en 1963. Trois d''entre eux sur des questions mathématiques sont repris de l''édition originale (1950) de Bâtons, chiffres et lettres. Y figure également la présentation de l''Encyclopédie de la Pléiade. Les autres textes proviennent de périodiques ou d''oeuvres collectives.
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