Rebecca Hasselbach – författare

This book includes thirty contributions - twenty-nine papers and one artistic contribution - by John's colleagues, former students, and friends, on a variety of topics that represent John's versatility and many interests, including philology, history, natural history, and art. Many of the papers concentrate on the Akkadian speaking world, reflecting one of the major languages John Huehnergard has worked on throughout the years. Eran Cohen reviews and discusses the functional value of Akkadian iprus in conditional clauses in epistolary and legal texts. Lutz Edzard discusses the Akkadian injunctive umma, used in oath formulae. Daniel Fleming asks who were the 'Apiru people mentioned in Egyptian texts in the Late Bronze Age and what was their social standing as is reflected in the Amarna letters. Shlomo Izre'el offers a revised and improved version of his important study of the language of the Amarna letters. Leonid Kogan offers a comparative etymological study of botanical terminology in Akkadian, while Josef Tropper argues that Akkadian poetry, as well as Northwest Semitic poetry, are based on certain metric principles. Wilfred von Soldt lists and discusses personal names ending in -ayu from Amarna. A number of papers deal with Arabic grammarians and their concepts of language. Gideon Goldenberg discusses the concept of vocalic length in Arabic grammatical tradition and in the medieval Hebrew tradition that was its product. Wolfhart Heinrichs's contribution shows that Ibn Khaldun held innovative views of language and its evolution. Several other papers deal with Hebrew and the Hebrew Bible. Steven Fassberg deals with verbal t-forms that do not exhibit the expected metathesis in Hebrew and Aramaic of the Dead Sea Scrolls. Randall Garr studies one class of denominal hiphil verbs and asks why these verbs are assigned to the causative stem despite their non-causative semantic content. Ed Greenstein suggests that the roots of biblical wisdom can be located in second-millennium Canaanite literature by identifying wisdom sayings and themes in the Ugaritic corpus. Jeremy Hutton sheds more light on tG forms in Biblical Hebrew. Paul Korchin explains occurrences of the cohortative in Biblical Hebrew that do not conform to the normative volitive function. Dennis Pardee provides a detailed study of the Hebrew verbal system as primarily expressing aspect, not tense. Gary A. Rendsburg argues in favor of Late Biblical Hebrew features in the book of Haggai. Four papers deal with linguistic aspects of non-Classical Semitic languages. Charles Häberl looks into predicates of verbless sentences in Semitic and particularly in Neo-Mandaic. Geoffrey Khan discusses the functional differences between the preterite and the perfect in NENA. Aaron D. Rubin provides Semitic etymologies of two Modern South Arabian words. Ofra Tirosh-Becker discusses the language of the Judeo-Arabic translation of the books of Prophets. Papers on comparative Semitics are likewise numerous. Jo Ann Hackett takes another look at Ugaritic yaqtul and argues for the existence of a preterite yaqtul on comparative grounds, among others. Rebecca Hasselbach tackles the evasive origin of the Semitic verbal endings -u and -a. Na'ama Pat-El continues the discussion of the origin of the Hebrew relative particle seC- from a syntactic and comparative perspective. Richard C. Steiner proposes a new vowel syncope rule for Proto Semitic. David Testen argues for a different reconstruction of the Semitic case system. Tamar Zewi shows that prepositional phrases can function as subjects in a variety of Semitic languages. Andrzej Zaborski suggests that Berber and Cushitic preserve archaic features that have been lost for the most part in the Semitic languages. There is one paper on an Indo-European language with important ties to Semitic languages in P. Oktor Skjaervo discussion of the Pahlavi verb *awas 'to dry.' Finally, Richard Walton contributes a paper about the jumping spiders of Concord, Massachusetts, a project he labored on with John Huehnergard. The book is beautifully decorated by the drawings of the artist X Bonnie Woods, who prepared special illustration for this volume, based on cuneiform.