Rebecca Kay – författare

With the collapse of Soviet rule and the emergence of independent Russia, the image of Russian women in the Western imagination has changed dramatically. The robust tractor drivers and athletes have been replaced by glamorous but vulnerable beauty queens or the dishevelled and downcast women trading goods on the streets.The authors of this work take a closer look at what lies behind the above images and how Russian women are coping with a very different sort of life. The main focus is on the effect of unemployment on Russian women and how they are coping with it.Based on case studies and personal interviews carried out in the Moscow region in 1993-94, No More Heroines? will provide both specialist and non-specialist alike with access to the thinking of women and their organisations in Russia today.

With the collapse of Soviet rule and the emergence of independent Russia, the image of Russian women in the Western imagination has changed dramatically. The robust tractor drivers and athletes have been replaced by glamorous but vulnerable beauty queens or the dishevelled and downcast women trading goods on the streets.The authors of this work take a closer look at what lies behind the above images and how Russian women are coping with a very different sort of life. The main focus is on the effect of unemployment on Russian women and how they are coping with it.Based on case studies and personal interviews carried out in the Moscow region in 1993-94, No More Heroines? will provide both specialist and non-specialist alike with access to the thinking of women and their organisations in Russia today.

Research on migration has often focused on push and pull factors; and on the mobilities which drive migration. What has often received less attention, and what this book recognises, is the importance of the creative activities which occur when strangers meet and settle for long periods of time in new places. Contributions consider case studies in Italy, Kyrgyzstan, France, Portugal and Australia, as well as taking a careful look at the Commonwealth City of Glasgow. They explore the making and use of literature (for adults and children) of art installations; translation processes in immigration law; education materials; and intercultural understanding. The research reveals the extent to which migration takes a place, and takes different forms, as life is made anew out of intercultural encounters which have a geographical specificity. This shift in focus allows a different lens to be placed on languages, intercultural communication and the activities of migration, and enables the settings themselves to come under scrutiny. This book was originally published as a special issue of Language and Intercultural Communication.

Research on migration has often focused on push and pull factors; and on the mobilities which drive migration. What has often received less attention, and what this book recognises, is the importance of the creative activities which occur when strangers meet and settle for long periods of time in new places. Contributions consider case studies in Italy, Kyrgyzstan, France, Portugal and Australia, as well as taking a careful look at the Commonwealth City of Glasgow. They explore the making and use of literature (for adults and children) of art installations; translation processes in immigration law; education materials; and intercultural understanding. The research reveals the extent to which migration takes a place, and takes different forms, as life is made anew out of intercultural encounters which have a geographical specificity. This shift in focus allows a different lens to be placed on languages, intercultural communication and the activities of migration, and enables the settings themselves to come under scrutiny. This book was originally published as a special issue of Language and Intercultural Communication.