Rebecca L. Jones – författare

Available Open Access under CC-BY-NC licence. With an increasingly diverse ageing population, we need to expand our understanding of how social divisions intersect to affect outcomes in later life. This edited collection examines ageing, gender, and sexualities from multidisciplinary and geographically diverse perspectives and looks at how these factors combine with other social divisions to affect experiences of ageing. It draws on theory and empirical data to provide both conceptual knowledge and clear ‘real-world’ illustrations.The book includes section introductions to guide the reader through the debates and ideas and a glossary offering clear definitions of key terms and concepts.

Available Open Access under CC-BY-NC licence. With an increasingly diverse ageing population, we need to expand our understanding of how social divisions intersect to affect outcomes in later life. This edited collection examines ageing, gender, and sexualities from multidisciplinary and geographically diverse perspectives and looks at how these factors combine with other social divisions to affect experiences of ageing. It draws on theory and empirical data to provide both conceptual knowledge and clear ‘real-world’ illustrations.The book includes section introductions to guide the reader through the debates and ideas and a glossary offering clear definitions of key terms and concepts.

This book is the first comprehensive overview of the history of female-presenting AI and robots in US and UK live-action, science fiction films from 1949 to 2023. It offers an original taxonomy that aids in the examination of 80 films and over 135 characters’ representations, starting with The Perfect Woman (1949) and ending with Robots (2023). Using its representational taxonomy, this book analyses the evolution of these depictions, showing the continuations, revisions, and shifts in the depiction of female-presenting AI and robots from objectified, eroticised, subordinated things to being autonomous moral agents who assert their right to equality and refuse their abusive, typically sexual, use. This book shows how these fictional, gendered constructions are products of a heterosexual, cisgender, male fantasy of an idealised, subordinated form of femininity. These artificial characters, along with their real-world counterparts, highlight a desire for a subordinated femininity, but also show how that subordination is a social construction often reinforced and countered in onscreen depictions. By examining the trends within its asserted Galatea, Girlfriend, Mother, and Deadly Seductress types, this book presents an exploration of what our female-presenting artificial creations could be, while addressing their contemporary, and our current, AI technologies, and how science fiction is influencing real life, while our reality seeks to mirror science fiction.