Rebecca Messbarger – författare

Anna Morandi Manzolini (1714-74), an artist and scientist, surmounted meager origins and limited formal education to become one of the most acclaimed anatomical sculptors of the Enlightenment. "The Lady Anatomist" tells the story of her arresting life and times, in light of the intertwined histories of science, gender, and art that complicated her rise to fame in the eighteenth century. Examining the details of Morandi's remarkable life, Rebecca Messbarger traces her intellectual trajectory from provincial artist to internationally renowned anatomical wax modeler for the University of Bologna's famous medical school. Placing Morandi's work within its cultural and historical context, as well as in line with the Italian tradition of anatomical studies and design, Messbarger uncovers the messages contained within Morandi's wax inscriptions, part complex theories of the body and part poetry. Widely appealing to those with an interest in the tangled histories of art and the body, and including lavish, full-color reproductions of Morandi's work, "The Lady Anatomist" is a sophisticated biography of a true visionary.

Anna Morandi Manzolini (1714-74), a woman artist and scientist, surmounted meager origins and limited formal education to become one of the most acclaimed anatomical sculptors of the Enlightenment. The Lady Anatomist tells the story of her arresting life and times, in light of the intertwined histories of science, gender, and art that complicated her rise to fame in the eighteenth century.

Examining the details of Morandi’s remarkable life, Rebecca Messbarger traces her intellectual trajectory from provincial artist to internationally renowned anatomical wax modeler for the University of Bologna’s famous medical school. Placing Morandi’s work within its cultural and historical context, as well as in line with the Italian tradition of anatomical studies and design, Messbarger uncovers the messages contained within Morandi’s wax inscriptions, part complex theories of the body and part poetry. Widely appealing to those with an interest in the tangled histories of art and the body, and including lavish, full-color reproductions of Morandi’s work, The Lady Anatomist is a sophisticated biography of a true visionary.

Eighteenth-century Italian playwright Pietro Chiari designated the age he lived in 'The Century of Women' - an age when women gained considerable power through education and admission to various academic positions and professions. Structured as an extended disputation, this book tells the tale of five paradigmatic and ideologically divergent eighteenth-century Italian texts by male and female authors whose leitmotif is woman. These include an academic debate, a scientific tract, an oration, an Enlightenment journal, and a fashion magazine. Analysis focuses on the specific ways in which the exigencies of the 'new science' and the burgeoning Enlightenment project founded on rational civil law, secular moral philosophy, and utilitarian social ethics forced a transformation in the formal controversy about women.By uncovering the characteristics of the expansive dominant discourse about women among Italian Enlightenment thinkers and of the counter-discourse women authors produced to assert their own distinct authority over constructions of femininity and the public sphere, this study reconceives eighteenth-century Italian culture and rectifies misconceptions about Italy's position and influence within the literary republic of the European Enlightenment. Groundbreaking and original, this study is the first to examine the contribution of women to the Republic of Letters of the Settecento, and will revise prevailing notions of eighteenth-century Italian culture and academia.

Pope Benedict XIV Lambertini (r. 1740–58) was one of the driving forces behind the Italian Enlightenment of the eighteenth century. His campaign to reconcile faith and empirical science, re-launch a dialogue between the Church and the European intellectual community, and expand papal patronage of the arts and sciences helped restore Italy’s position as a center of intellectual and artistic innovation.Benedict XIV and the Enlightenment offers a broad and nuanced assessment of Benedict’s engagement with Enlightenment art, science, spirituality, and culture. The collection’s essays, written by international experts in the field, cover topics ranging from Benedict’s revisions to the Church’s procedures for beatification and sanctification to his patronage of women scientists and mathematicians at the university in Bologna, his birthplace.

Pope Benedict XIV Lambertini (r. 1740–58) was one of the driving forces behind the Italian Enlightenment of the eighteenth century. His campaign to reconcile faith and empirical science, re-launch a dialogue between the Church and the European intellectual community, and expand papal patronage of the arts and sciences helped restore Italy’s position as a center of intellectual and artistic innovation.Benedict XIV and the Enlightenment offers a broad and nuanced assessment of Benedict’s engagement with Enlightenment art, science, spirituality, and culture. The collection’s essays, written by international experts in the field, cover topics ranging from Benedict’s revisions to the Church’s procedures for beatification and sanctification to his patronage of women scientists and mathematicians at the university in Bologna, his birthplace.

Pope Benedict XIV Lambertini (r. 1740–58) was one of the driving forces behind the Italian Enlightenment of the eighteenth century. His campaign to reconcile faith and empirical science, re-launch a dialogue between the Church and the European intellectual community, and expand papal patronage of the arts and sciences helped restore Italy’s position as a center of intellectual and artistic innovation.Benedict XIV and the Enlightenment offers a broad and nuanced assessment of Benedict’s engagement with Enlightenment art, science, spirituality, and culture. The collection’s essays, written by international experts in the field, cover topics ranging from Benedict’s revisions to the Church’s procedures for beatification and sanctification to his patronage of women scientists and mathematicians at the university in Bologna, his birthplace.

Eighteenth-century Italian playwright Pietro Chiari designated the age he lived in 'The Century of Women' - an age when women gained considerable power through education and admission to various academic positions and professions. Structured as an extended disputation, this book tells the tale of five paradigmatic and ideologically divergent eighteenth-century Italian texts by male and female authors whose leitmotif is woman. These include an academic debate, a scientific tract, an oration, an Enlightenment journal, and a fashion magazine. Analysis focuses on the specific ways in which the exigencies of the 'new science' and the burgeoning Enlightenment project founded on rational civil law, secular moral philosophy, and utilitarian social ethics forced a transformation in the formal controversy about women.By uncovering the characteristics of the expansive dominant discourse about women among Italian Enlightenment thinkers and of the counter-discourse women authors produced to assert their own distinct authority over constructions of femininity and the public sphere, this study reconceives eighteenth-century Italian culture and rectifies misconceptions about Italy's position and influence within the literary republic of the European Enlightenment. Groundbreaking and original, this study is the first to examine the contribution of women to the Republic of Letters of the Settecento, and will revise prevailing notions of eighteenth-century Italian culture and academia.