Rebecca Miller - Böcker

The current state of medicine has witnessed the long-term adverse effects of certain medications, an increased rate of polypharmacy, and a cultural shift that emphasizes patient-centered practice. The term "deprescribing" refers to the optimization of the pharmacological regimen by reducing or cessing medications that incur more risks than benefits.Many people consider stopping their psychiatric medications, but prescribers may not know how to do this in a collaborative, systematic way. Deprescribing in Psychiatry presents a framework for deprescribing to guide the prescriber-patient dyad through the process of deciding if and when to reduce psychiatric medication, how to go about doing it, and at the same time, acknowledge the inherent risks in such an endeavour.As the first book on the subject, Deprescribing in Psychiatry stands to serve as a definitive text in this burgeoning field and as a 'rallying call' to raise crucial and topical questions in psychiatric practice, promote innovation, and act as a resource on the current state-of-the-art care. It describes the ins and outs of how clinicians can work closely with their patients to consider whether or not to try decreasing medications. It also discusses the anticipated future research directions, considerations for the field, and emphasizes collaboration with the patient, transparency, and the acknowledgement of uncertainty in psychiatric practice.

Partnering for Recovery in Mental Health is a practical guide for conducting person and family-centered recovery planning with individuals with serious mental illnesses and their families. It is derived from the authors’ extensive experience in articulating and implementing recovery-oriented practice and has been tested with roughly 3,000 providers who work in the field as well as with numerous post-graduate trainees in psychology, social work, nursing, and psychiatric rehabilitation. It has consistently received highly favorable evaluations from health care professionals as well as people in recovery from mental illness. This guide represents a new clinical approach to the planning and delivery of mental health care. It emerges from the mental health recovery movement, and has been developed in the process of the efforts to transform systems of care at the local, regional, and national levels to a recovery orientation. It will be an extremely useful tool for planning care within the context of current health care reform efforts and increasingly useful in the future, as systems of care become more person-centered. Consistent with other patient-centered care planning approaches, this book adapts this process specifically to meet the needs of persons with serious mental illnesses and their families. Partnering for Recovery in Mental Health is an invaluable guide for any person involved directly or indirectly in the provision, monitoring, evaluation, or use of community-based mental health care.

More than twenty years ago, Jack Slavin (Daniel Day-Lewis) walked away from the mainstream to live a more deliberate life. But the island commune he began in hopes of a better future has long since imploded, and he is now one of its final residents. Jack’s only companion is his sixteen-year-old daughter, Rose (Camilla Belle), whom he has carefully sheltered from the outside world. Now, beset by terminal illness, encroaching developers, and Rose’s emerging womanhood, Jack faces troubling questions about the days ahead.In an attempt to provide his daughter with the kind of family she’s never known, Jack invites Kathleen (Catherine Keener), the woman he’s been secretly seeing on the mainland, and her sons to live with them. But Rose feels betrayed rather than comforted, and lashes out with a willful retribution that places her innocence on the battlefield and Kathleen’s safety in danger. His carefully constructed world thrown into chaos, Jack finds himself trapped between two headstrong women and forced to take action.With The Ballad of Jack and Rose, the award-winning filmmaker Rebecca Miller has created a startling family drama. Miller’s screenplay, introduced by the author and accompanied by stills from the film, is a powerful, poetic work, primed to be savored page by page.

She’s wonderful - she’s just kind of destroying my life.Maggie (Greta Gerwig) is a young single woman in Brooklyn who is determined to have a baby on her own through a surrogate. However, she meets John (Ethan Hawke), an attractive, older university professor, caught in an unhappy marriage, and they start a relationship. Maggie’s rejuvenating enthusiasm lures John away from his wife, the domineering Danish critical theorist Georgette Norgaard (Julianne Moore).The film moves forward three years and the couple have married and settled down with a daughter together. Everything has gone according to Maggie’s plan, so why isn’t she happy? And what sort of meddlesome scheme will she concoct next?Maggie's Plan, based on an unpublished novel by Karen Rinaldi, is both an affectionate send-up of highbrow academic culture and a treatise on modern self-realization. Rebecca Miller exhibits her characteristic sensitivity to female experience, but with a playfulness given freer rein than ever before in her work.The film was premiered at the New York Film Festival in October 2015 and received its official US release in May 2016.

She’s wonderful - she’s just kind of destroying my life.Maggie (Greta Gerwig) is a young single woman in Brooklyn who is determined to have a baby on her own through a surrogate. However, she meets John (Ethan Hawke), an attractive, older university professor, caught in an unhappy marriage, and they start a relationship. Maggie’s rejuvenating enthusiasm lures John away from his wife, the domineering Danish critical theorist Georgette Norgaard (Julianne Moore).The film moves forward three years and the couple have married and settled down with a daughter together. Everything has gone according to Maggie’s plan, so why isn’t she happy? And what sort of meddlesome scheme will she concoct next?Maggie's Plan, based on an unpublished novel by Karen Rinaldi, is both an affectionate send-up of highbrow academic culture and a treatise on modern self-realization. Rebecca Miller exhibits her characteristic sensitivity to female experience, but with a playfulness given freer rein than ever before in her work.The film was premiered at the New York Film Festival in October 2015 and received its official US premiere in May 2016.

A middle-aged novelist devoid of inspiration alights on material in the form of an obsessive pet-shop worker from Cincinnati. A pregnant mother of two finds herself increasingly in thrall to her help, Nat. For Joad, the discovery of a haunting type-written document in an old desk in need of restoration is overwhelming. And when Roxanne rescues her sister from an institution, she comes to realise how vulnerable they both are.Each of the seven stories in Total is a full world, painted with vivid strokes. From the comforting mundanities of motherhood to a technologically infected near future that mirrors our present with dark prescience, each life captured in this collection is unforgettable.Deftly navigating the fault lines of relationships - new, established or remembered - Total is a powerful collection of brilliantly imaginative stories, and eloquent proof of Rebecca Miller's writing prowess.

A pregnant mother of two finds herself increasingly in thrall to her help, Nat. For Joad, the discovery of a haunting typewritten document in an old desk in need of restoration is overwhelming. And when Roxanne rescues her sister from an institution, she comes to realise how vulnerable they both are.Deftly navigating the fault lines of relationships - new, established or remembered - Total is a powerful collection of brilliantly imaginative stories. From the comforting mundanities of motherhood to a technologically infected near future that mirrors our present with dark prescience, each life captured in this collection is unforgettable.