Red Chidgey – författare

The Routledge Companion to Media and Memory is an essential guide to one of the most dynamic and influential areas of contemporary scholarship. Bringing together leading international experts from across the arts, humanities and social sciences, it maps the evolving relationship between media forms, practices, technologies and ethics, to explore how individuals, communities, states and corporations make claim to memory.Across 42 original essays, the companion offers a cutting-edge introduction to key debates, methods and developments in the field, from AI memory and media memory industries to creative practice and political activism. This volume showcases how memory is shaped, circulated, contested and preserved through diverse media, including film, television, photography, digital platforms, video games, graphic novels, and emerging media forms. It highlights the power of media to construct collective identities, influence public understanding of the past, and frame the stories societies choose to tell, and forget.Designed for researchers, students and heritage practitioners, The Routledge Companion to Media and Memory provides an essential foundation for understanding how media and memory intersect in a world where the past is constantly being remediated. It is an indispensable resource for anyone seeking to grasp the cultural forces that define how we remember today.Chapter 2 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license.

This book interrogates why feminist memories matter. Feminist Afterlives explores how the images, ideas and feelings of past liberation struggles become freshly available and transmissible. In doing so, Red Chidgey examines how popular feminist memories travel as digital and material resources across protest, heritage, media, commercial and governmental sites, and in connection with the concerns and conditions of the present.  Central case studies track repeated invocations to militant suffragettes and the We Can Do It! post-feminist icon over time and space. Assembling interviews, archival research and ethnographic accounts with provocative examples drawn from postfeminist media culture, a UNESCO heritage bid, protest at the London 2012 Olympic Games, and activist remembrance in zines and blogs, this is a broad-ranging study of ‘restless’ feminist pasts – both real and imagined. Richly researched and argued, this volume offers an original framework of ‘assemblage memory’ and sets out a new research agenda for the intersections between everyday activism, protest, and memory practices.

This book addresses the emergence of ‘protest memory’ as a powerful contemporary shaper of ideas and practices in culture, media and heritage domains. Directly focused on the role of museum and archive practitioners in protest memory curation, it makes a compelling contribution to our understanding of how social movements and activist experiences are publicly remembered and activated for social and environmental justice.

This book interrogates why feminist memories matter. Feminist Afterlives explores how the images, ideas and feelings of past liberation struggles become freshly available and transmissible. In doing so, Red Chidgey examines how popular feminist memories travel as digital and material resources across protest, heritage, media, commercial and governmental sites, and in connection with the concerns and conditions of the present.  Central case studies track repeated invocations to militant suffragettes and the We Can Do It! post-feminist icon over time and space. Assembling interviews, archival research and ethnographic accounts with provocative examples drawn from postfeminist media culture, a UNESCO heritage bid, protest at the London 2012 Olympic Games, and activist remembrance in zines and blogs, this is a broad-ranging study of ‘restless’ feminist pasts – both real and imagined. Richly researched and argued, this volume offers an original framework of ‘assemblage memory’ and sets out a new research agenda for the intersections between everyday activism, protest, and memory practices.