Reiner Stach – författare

This is the acclaimed central volume of the definitive biography of Franz Kafka. Reiner Stach spent more than a decade working with over four thousand pages of journals, letters, and literary fragments, many never before available, to re-create the atmosphere in which Kafka lived and worked from 1910 to 1915, the most important and best-documented years of his life. This period, which would prove crucial to Kafka's writing and set the course for the rest of his life, saw him working with astonishing intensity on his most seminal writings--The Trial, The Metamorphosis, The Man Who Disappeared (Amerika), and The Judgment. These are also the years of Kafka's fascination with Zionism; of his tumultuous engagement to Felice Bauer; and of the outbreak of World War I. Kafka: The Decisive Years is at once an extraordinary portrait of the writer and a startlingly original contribution to the art of literary biography.

How did Kafka become Kafka? This eagerly anticipated third and final volume of Reiner Stach's definitive biography of the writer answers that question with more facts and insight than ever before, describing the complex personal, political, and cultural circumstances that shaped the young Franz Kafka (1883-1924). It tells the story of the years from his birth in Prague to the beginning of his professional and literary career in 1910, taking the reader up to just before the breakthrough that resulted in his first masterpieces, including "The Metamorphosis." Brimming with vivid and often startling details, Stach's narrative invites readers deep inside this neglected period of Kafka's life. The book's richly atmospheric portrait of his German Jewish merchant family and his education, psychological development, and sexual maturation draws on numerous sources, some still unpublished, including family letters, schoolmates' memoirs, and early diaries of his close friend Max Brod. The biography also provides a colorful panorama of Kafka's wider world, especially the convoluted politics and culture of Prague.Before World War I, Kafka lived in a society at the threshold of modernity but torn by conflict, and Stach provides poignant details of how the adolescent Kafka witnessed violent outbreaks of anti-Semitism and nationalism. The reader also learns how he developed a passionate interest in new technologies, particularly movies and airplanes, and why another interest--his predilection for the back-to-nature movement--stemmed from his "nervous" surroundings rather than personal eccentricity. The crowning volume to a masterly biography, this is an unmatched account of how a boy who grew up in an old Central European monarchy became a writer who helped create modern literature.

This volume of Reiner Stach's acclaimed and definitive biography of Franz Kafka tells the story of the final years of the writer's life, from 1916 to 1924--a period during which the world Kafka had known came to an end. Stach's riveting narrative, which reflects the latest findings about Kafka's life and works, draws readers in with nearly cinematic precision, zooming in for extreme close-ups of Kafka's personal life, then pulling back for panoramic shots of a wider world blighted by World War I, disease, and inflation. In these years, Kafka was spared military service at the front, yet his work as a civil servant brought him into chilling proximity with its grim realities. He was witness to unspeakable misery, lost the financial security he had been counting on to lead the life of a writer, and remained captive for years in his hometown of Prague. The outbreak of tuberculosis and the collapse of the Austro-Hungarian Empire constituted a double shock for Kafka, and made him agonizingly aware of his increasing rootlessness.He began to pose broader existential questions, and his writing grew terser and more reflective, from the parable-like Country Doctor stories and A Hunger Artist to The Castle. A door seemed to open in the form of a passionate relationship with the Czech journalist Milena Jesenska. But the romance was unfulfilled and Kafka, an incurably ill German Jew with a Czech passport, continued to suffer. However, his predicament only sharpened his perceptiveness, and the final period of his life became the years of insight.

How did Kafka become Kafka? This eagerly anticipated third and final volume of Reiner Stach's definitive biography of the writer answers that question with more facts and insight than ever before, describing the complex personal, political, and cultural circumstances that shaped the young Franz Kafka (1883-1924). It tells the story of the years from his birth in Prague to the beginning of his professional and literary career in 1910, taking the reader up to just before the breakthrough that resulted in his first masterpieces, including "The Metamorphosis." Brimming with vivid and often startling details, Stach's narrative invites readers deep inside this neglected period of Kafka's life. The book's richly atmospheric portrait of his German Jewish merchant family and his education, psychological development, and sexual maturation draws on numerous sources, some still unpublished, including family letters, schoolmates' memoirs, and early diaries of his close friend Max Brod. The biography also provides a colorful panorama of Kafka's wider world, especially the convoluted politics and culture of Prague.Before World War I, Kafka lived in a society at the threshold of modernity but torn by conflict, and Stach provides poignant details of how the adolescent Kafka witnessed violent outbreaks of anti-Semitism and nationalism. The reader also learns how he developed a passionate interest in new technologies, particularly movies and airplanes, and why another interest--his predilection for the back-to-nature movement--stemmed from his "nervous" surroundings rather than personal eccentricity. The crowning volume to a masterly biography, this is an unmatched account of how a boy who grew up in an old Central European monarchy became a writer who helped create modern literature.

A splendid new translation of an extraordinary work of modern literature—featuring facing-page commentary by Kafka’s acclaimed biographerIn 1917 and 1918, Franz Kafka wrote a set of more than 100 aphorisms, known as the Zürau aphorisms, after the Bohemian village in which he composed them. Among the most mysterious of Kafka’s writings, they explore philosophical questions about truth, good and evil, and the spiritual and sensory world. This is the first annotated, bilingual volume of these extraordinary writings, which provide great insight into Kafka’s mind. Edited, introduced, and with commentaries by preeminent Kafka biographer and authority Reiner Stach, and freshly translated by Shelley Frisch, this beautiful volume presents each aphorism on its own page in English and the original German, with accessible and enlightening notes on facing pages.The most complex of Kafka’s writings, the aphorisms merge literary and analytical thinking and are radical in their ideas, original in their images and metaphors, and exceptionally condensed in their language. Offering up Kafka’s characteristically unsettling charms, the aphorisms at times put readers in unfamiliar, even inhospitable territory, which can then turn luminous: “I have never been in this place before: breathing works differently, and a star shines next to the sun, more dazzlingly still.”Above all, this volume reveals that these multifaceted gems aren’t far removed from Kafka’s novels and stories but are instead situated squarely within his cosmos—arguably at its very core. Long neglected by Kafka readers and scholars, his aphorisms have finally been given their full due here.

A splendid new translation of an extraordinary work of modern literature—featuring facing-page commentary by Kafka’s acclaimed biographerIn 1917 and 1918, Franz Kafka wrote a set of more than 100 aphorisms, known as the Zürau aphorisms, after the Bohemian village in which he composed them. Among the most mysterious of Kafka’s writings, they explore philosophical questions about truth, good and evil, and the spiritual and sensory world. This is the first annotated, bilingual volume of these extraordinary writings, which provide great insight into Kafka’s mind. Edited, introduced, and with commentaries by preeminent Kafka biographer and authority Reiner Stach, and freshly translated by Shelley Frisch, this beautiful volume presents each aphorism on its own page in English and the original German, with accessible and enlightening notes on facing pages.The most complex of Kafka’s writings, the aphorisms merge literary and analytical thinking and are radical in their ideas, original in their images and metaphors, and exceptionally condensed in their language. Offering up Kafka’s characteristically unsettling charms, the aphorisms at times put readers in unfamiliar, even inhospitable territory, which can then turn luminous: “I have never been in this place before: breathing works differently, and a star shines next to the sun, more dazzlingly still.”Above all, this volume reveals that these multifaceted gems aren’t far removed from Kafka’s novels and stories but are instead situated squarely within his cosmos—arguably at its very core. Long neglected by Kafka readers and scholars, his aphorisms have finally been given their full due here.

In the course of compiling his highly acclaimed three-volume biography of Kafka, while foraying to libraries and archives from Prague to Israel, Reiner Stach made one astounding discovery after another: unexpected photographs, inconsistencies in handwritten texts, excerpts from letters, and testimonies from Kafka’s contemporaries that shed surprising light on his personality and his writing. Is that Kafka? presents the crystal granules of the real Kafka: he couldn’t lie, but he tried to cheat on his high-school exams; bitten by the fitness fad, he avidly followed the regime of a Danish exercise guru; he drew beautifully; he loved beer; he read biographies voraciously; he made the most beautiful presents, especially for children; odd things made him cry or made him furious; he adored slapstick. Every discovery by Stach turns on its head the stereotypical version of the tortured neurotic—and as each one chips away at the monolithic dark Kafka, the keynote, of all things, becomes laughter.For Is that Kafka? Stach has assembled 99 of his most exciting discoveries, culling the choicest, most entertaining bits, and adding his knowledge-able commentaries. Illustrated with dozens of previously unknown images, this volume is a singular literary pleasure.

In the course of compiling his highly acclaimed three-volume biography of Kafka, while foraying to libraries and archives from Prague to Israel, Reiner Stach made one astounding discovery after another: unexpected photographs, inconsistencies in handwritten texts, excerpts from letters, and testimonies from Kafka’s contemporaries that shed surprising light on his personality and his writing.Is That Kafka? presents the crystal granules of the real Kafka: he couldn’t lie, but he tried to cheat on his high-school exams; bitten by the fitness fad, he avidly followed the regime of a Danish exercise guru; he drew beautifully; he loved beer; he read biographies voraciously; he made the most beautiful presents, especially for children; odd things made him cry or made him furious; he adored slapstick. Every discovery by Stach turns on its head the stereotypical version of the tortured neurotic—and as each one chips away at the monolithic dark Kafka, the keynote, of all things, becomes laughter.For Is That Kafka? Stach has assembled 99 of his most exciting discoveries, culling the choicest, most entertaining bits, and adding his knowledgeable commentaries. Illustrated with dozens of previously unknown images, this volume is a singular literary pleasure.

Selected by the preeminent Kafka biographer and scholar Reiner Stach and newly translated by the peerless Michael Hofmann, the seventy-four pieces gathered here have been lost to sight for decades and two of them have never been translated into English before. Some stories are several pages long; some run about a page; a handful are only a few lines long: all are marvels. Even the most fragmentary texts are revelations. These pieces were drawn from two large volumes of the S. Fischer Verlag edition Nachgelassene Schriften und Fragmente (totaling some 1100 pages).“Franz Kafka is the master of the literary fragment,” as Stach comments in his afterword: "In no other European author does the proportion of completed and published works loom quite so...small in the overall mass of his papers, which consist largely of broken-off beginnings.”   In fact, as Hofmann recently added: “‘Finished' seems to me, in the context of Kafka, a dubious or ironic condition, anyway. The more finished, the less finished. The less finished, the more finished. Gregor Samsa’s sister Grete getting up to stretch in the streetcar. What kind of an ending is that?! There’s perhaps some distinction to be made between ‘finished' and ‘ended.' Everything continues to vibrate or unsettle, anyway. Reiner Stach points out that none of the three novels were ‘completed.' Some pieces break off, or are concluded, or stop—it doesn’t matter!—after two hundred pages, some after two lines. The gusto, the friendliness, the wit with which Kafka launches himself into these things is astonishing.”

Die groß angelegte Kafka-Biographie von Reiner Stach übt eine sogartige Wirkung aus. Vor allem die szenische Vergegenwärtigung, die bisweilen an die Erzählformen des Films erinnert, führt sehr nahe an Kafkas private Existenz und eröffnet zugleich das Panorama seiner Zeit.Dieser hoch gelobte Band behandelt die Jahre von 1916 bis zu Kafkas Tod 1924 — eine Zeit, in der Kafkas vertraute Welt unterging, politisch ebenso wie physisch. Er war nun deutscher Jude mit tschechischem Pass, und er litt an einer Krankheit, welche die seit Jahren erträumte literarische Existenz unmöglich machte. Beides steigerte seine Hellsicht: Für Kafka wurden es die Jahre der Erkenntnis.

1910 bis 1915: Dies sind die Jahre, in denen sich der junge, ungebundene, beeinflussbare Kafka verwandelt in den verantwortungsbewussten Beamten und zugleich in den Meister des präzisen Alptraums und des ›kafkaesken‹ Humors. In kürzester Frist entstehen ›Das Urteil‹, ›Die Verwandlung‹, ›Der Verschollene‹ und ›Der Process‹, und in rascher Folge werden alle Weichen gestellt, die Kafkas weiteren Weg bis zum Ende bestimmen werden: die Begegnung mit dem religiösen Judentum, die ersten Schritte in die Öffentlichkeit, die Katastrophe des Kriegsausbruchs und vor allem die verzweifelt umkämpfte und dann doch scheiternde Beziehung zu Felice Bauer. Es sind Jahre beispielloser Intensität: das Zentrum von Kafkas Existenz.Stachs Schilderung ist atmosphärisch dicht und bietet Panoramablicke über Kafkas Welt ebenso wie Nahaufnahmen aus seinem Alltag, wobei auch neueste, bisher unveröffentlichte Forschungsergebnisse aufgenommen werden. Die bildhafte Erzählweise, die den Leser alle Entscheidungssituationen fast filmisch miterleben lässt, setzt neue Maßstäbe in der deutschsprachigen Biographik.

Auf seinen Streifzügen durch Bibliotheken und Archive, auf den Forschungsreisen nach Prag oder Israel stößt der Kafka-Biograph Reiner Stach immer wieder auf unglaubliche Funde: Handschriftliche Ungereimtheiten, unerwartete Fotografien, Briefausschnitte und Zeugnisse von Zeitgenossen, die ein überraschendes Licht auf die Persönlichkeit und das Schreiben Franz Kafkas werfen. Für den Band ›Ist das Kafka?‹ hat Reiner Stach die 99 aufregendsten Fundstücke zusammengetragen und kenntnisreich kommentiert. Durch die zahlreichen bisher unbekannten Abbildungen ist dieser Band ein einzigartiges literarisches Vergnügen und zweifellos eine Sensation.

DER ABSCHLUSS DER GROSSEN KAFKA-BIOGRAPHIE»Das Beste, was in diesem Genre hervorgebracht werden kann. Selbst ein Roman.« Imre KertészNach den fulminant gefeierten ersten zwei Bänden seiner Kafka-Biographie schließt Reiner Stach sein großes Werk mit Kafkas Kindheit und Jugend, Studium und ersten Berufsjahren ab. Die Entfaltung von Kafkas Sprachtalent, seine Bildungserlebnisse, die Reifung seiner Sexualität und nicht zuletzt die Auseinandersetzung mit neuen Technologien und Medien sind die entscheidenden Wegmarken. Reiner Stachs Kafka-Biographie genießt schon jetzt den Ruf eines internationalen Standardwerks, das die Möglichkeiten der literarischen Biographie neu ausgelotet hat. Erneut bietet Reiner Stach ein erzählerisch dichtes und farbiges Panorama der Zeit und zugleich die einfühlsame Studie eines außergewöhnlichen Menschen.Das Gesamtwerk:Kafka. Die frühen Jahre (1883 - 1910)Kafka. Die Jahre der Entscheidung (1910 - 1915)Kafka. Die Jahre der Erkenntnis (1916 - 1924)

Ein Schatz für alle Kafka-LiebhaberÜber drei Jahrzehnte hat der große Kafka-Biograph Reiner Stach Daten rund um das Leben von Franz Kafka gesammelt: Er hat eine unendliche Fülle an Material zusammengetragen, gesichtet und ausgewertet. Der Ertrag ist eine ebenso umfassende wie präzise Chronik, die Kafkas privates Umfeld – Familie, Freunde, Geliebte – ebenso einbezieht wie seine Lektüre, die Entstehungsgeschichte seiner Werke, seine berufliche Laufbahn, seine Reisen und die für ihn bedeutsamsten kulturellen und politischen Ereignisse. Außerdem bietet Reiner Stach knappe Zusammenfassungen sämtlicher Briefe und Tagebucheinträge, wodurch Kafkas Reaktionen auf die Ereignisse lebendig werden und sich nicht selten auch verblüffende Parallelen, Widersprüche und Querverbindungen zeigen. Ein Schatz an Informationen, der zum Nachschlagen ebenso anregt wie zum Weiterlesen.

»Ich bestehe aus Literatur« Franz KafkaMit seinen oft unvollendet gebliebenen, bis heute ihr Rätsel nicht offenbarenden Romanen, Geschichten und Parabeln ist Franz Kafka eine der maßgeblichen Säulenfiguren der modernen Literatur. Niemanden kann die Lektüre seiner Werke kalt lassen. Sie fordert heraus und wühlt auf. In einem vom Kafka-Biographen Reiner Stach erstmals in dieser Form zusammengestellten Auswahlband »Geschichten von Tieren«, der die Erzählungen Kafkas aus Sicht von Tieren oder über Tiere versammelt, zeigt sich die immer noch brennende Aktualität Kafkas und seiner nie alternden visionären literarischen Ideen, auch 100 Jahre nach seinem Tod.

Kafkas Aphorismen sind Schlüsseltexte zum Verständnis seines Denkens.Die Aphorismen und Denkbilder, die Kafka während eines etwa acht Monate währenden Aufenthalts in dem böhmischen Dorf Zürau auf mehr als hundert nummerierte Zettel notierte, gehören zu den geheimnisvollsten seiner Texte. Sie umkreisen klassische philosophische Fragen wie das Verhältnis von Wahrheit und Lüge, Gut und Böse, geistiger und sinnlicher Welt, und dennoch verzichten sie auf jegliches Fachvokabular und sprechen stattdessen in Bildern.Mit dieser kommentierten Ausgabe der Zürauer Aphorismen zeigt Reiner Stach, dass Kafkas konsequente Bildlogik den Weg zu einem Verständnis dieser scheinbar hermetischen Sätze eröffnet. Jedem Aphorismus ist eine Seite mit Materialien beigegeben: bedeutsame Korrekturvorgänge Kafkas, parallele Aufzeichnungen aus seinen Zürauer Notizheften sowie Erläuterungen des Herausgebers zur vielfältigen thematischen und bildlichen Vernetzung der Aphorismen. Auch überraschende Querverbindungen zu Kafkas Briefen, Tagebüchern und literarischen Werken werden aufgezeigt. Die Entstehungsbedingungen und den biographischen Kontext erläutert Reiner Stach in einem Nachwort.