Reinier De Graaf – författare

Architecture, as we know it, is in crisis. The authority of architects is crumbling, their methods no longer tenable. In a highly critical introspection, architect and writer Reinier de Graaf explores the tough choices ahead and the course of action that must follow.Architecture Against Architecture demands we rethink both how and why we build. With wit and insight, De Graaf lays out the future of the profession, challenging readers to question the fundamental assumptions of the discipline. How do we end the feudal veneration of starchitects? When will architects finally recognize that it is in their own best interest to unionize? Why aren't more practices collectively owned? Why do so many architects over sixty-seven refuse to retire? How do we stop buildings from being copy-righted? What will remain of architecture after AI? What can prevent iconic structures from being embroiled in money laundering? And the vital question: What projects should architects refuse on moral grounds?

A Financial Times Best Book of the YearA Guardian Best Architecture Book of the Year“Sharp, revealing, funny.”—The Guardian“An original and even occasionally hilarious book about losing ideals and finding them again… [De Graaf] deftly shows that architecture cannot be better or more pure than the flawed humans who make it.”—The EconomistArchitecture, we like to believe, is an elevated art form that shapes the world as it pleases. Four Walls and a Roof turns this fiction on its head, offering a candid account of what it’s really like to work as an architect. Drawing on his own tragicomic experiences in the field, Reinier de Graaf reveals the world of contemporary architecture in vivid snapshots: from the corridors of wealth in London, Moscow, and Dubai to the demolished hopes of postwar social housing in New York and St. Louis. We meet ambitious oligarchs, developers for whom architecture is nothing more than an investment, and layers of bureaucrats, consultants, and mysterious hangers-on who lie between any architect’s idea and the chance of its execution.“This is a book about power, money and influence, and architecture’s complete lack of any of them… Witty, insightful and funny, it is a (sometimes painful) dissection of a profession that thinks it is still in control.”—Financial Times“This is the most stimulating book on architecture and its practice that I have read for years.”—Architects’ Journal

Architecture, as we know it, is in crisis. The authority of architects is crumbling, their methods no longer tenable. In a highly critical introspection, architect and writer Reinier de Graaf explores the tough choices ahead and the course of action that must follow.Architecture Against Architecture demands we rethink both how and why we build. With wit and insight, De Graaf lays out the future of the profession, challenging readers to question the fundamental assumptions of the discipline. How do we end the feudal veneration of starchitects? When will architects finally recognize that it is in their own best interest to unionize? Why aren't more practices collectively owned? Why do so many architects over sixty-seven refuse to retire? How do we stop buildings from being copy-righted? What will remain of architecture after AI? What can prevent iconic structures from being embroiled in money laundering? And the vital question: What projects should architects refuse on moral grounds?

No longer does it suffice to judge a building solely by its appearance; it must be measured and certified. When architects talk about 'Excellence', 'Sustainability', 'Well-being', 'Liveability', 'Placemaking', 'Creativity', 'Beauty' and 'Innovation', what do they actually mean? And what does this jargon tell us about the future of our homes, cities and planet?'With dry wit, humor, and honesty, sets out to debunk the myths of contemporary architecture.' Jaxson Stone, Metropolis'feels like a stealth mission - an effort to slip something explosive into the carry-on luggage of the TED Talks class.' Will Wiles, Literary Review'Reflects on the current state of his field, arguing that constraints on creative autonomy, overcommercialization and a poor understanding of good design have transformed 'spaces of spontaneity into preprogrammed, overdetermined areas.' The New York Times Book Review'No one else is identifying the problems or suggesting potential exits from them as wittily or as intelligently as he is.' Tim Abrahams, Architectural Record'Acerbic on an industry that continues to wallow in its self-congratulatory vocabulary while ignoring its role in the climate crisis and the brutalities of late capitalism' - Edwin Heathcote, Financial Times