Rene Daumal – författare

You've Always Been Wrong is a collection of prose and poetic works by the French writer René Daumal (1908–1944). A fitful interloper among the Surrealists, Daumal rejected all forms of dogmatic thought, whether religious, philosophical, aesthetic, or political. Much like the Surrealists (and French theorists of more recent decades), Daumal saw in the strict forms and certainties of traditional metaphysics a type of thought that enslaves people even as it pretends to liberate them. These "cadavers of thought," Daumal wrote with youthful bravado, "must be met with storms of doubt, blasphemes, and kerosene for the temples."  Daumal tied Surrealism with mystical traditions. A devoted student of Eastern religions, philosophy, and literature, he combined his skepticism about Western metaphysics with a mystic's effort to maintain intense wakefulness to the present moment and to the irreducible particularity of all objects and experience. Such wakefulness, according to Daumal, leads inevitably to an overwhelming (and redemptive) "vision of the absurd." Daumal's important place in French culture of the late 1920s and 1930s has been assured by both his writings and his role as cofounder of the avant-garde journal Le Grand Jeu. Written between 1928 and 1930, You've Always Been Wrong reveals Daumal's thought as it was coalescing around the rejection of Western metaphysics and the countervailing allure of Eastern mysticism. Thomas Vosteen's nuanced translation provides English-language readers with a provocative introduction to this iconoclastic author.

Essays reflecting on the science of imaginary solutions, from an influential figure in pataphysical thoughtPataphysics: the science of imaginary solutions, of laws governing exceptions and of the laws describing the universe supplementary to this one. Alfred Jarry’s posthumous novel, Exploits and Opinions of Dr. Faustroll, Pataphysician, first appeared in 1911, and over the next 100 years, his pataphysical supersession of metaphysics would influence everyone from Marcel Duchamp and Boris Vian to Umberto Eco and Jean Baudrillard. In 1948 in Paris, a group of writers and thinkers would found the College of ’Pataphysics, still going strong today. The iconoclastic René Daumal was the first to elaborate upon Jarry’s unique and humorous philosophy. Though Daumal is better known for his unfinished novel Mount Analogue and his refusal to be adopted by the Surrealist movement, this newly translated volume of writings offers a glimpse of often overlooked Daumal: Daumal the pataphysician. Pataphysical Essays collects Daumal’s overtly pataphysical writings from 1929 to 1941, from his landmark exposition on pataphysics and laughter to his late essay, “The Pataphysics of Ghosts.” Daumal’s “Treatise on Patagrams” offers the reader everything from a recipe for the disintegration of a photographer to instructions on how to drill a fount of knowledge in a public urinal. This volume also includes Daumal’s column for the Nouvelle Revue Française, “Pataphysics This Month.” Reading like a deranged encyclopedia, “Pataphysics This Month” describes a new mythology for the field of science, and amply demonstrates that the twentieth century had been a distinctly pataphysical era.

Pataphysics: the science of imaginary solutions, of laws governing exceptions and of the laws describing the universe supplementary to this one. Alfred Jarry’s posthumous novel, Exploits and Opinions of Dr. Faustroll, Pataphysician, first appeared in 1911, and over the next 100 years, his pataphysical supersession of metaphysics would influence everyone from Marcel Duchamp and Boris Vian to Umberto Eco and Jean Baudrillard. In 1948 in Paris, a group of writers and thinkers would found the College of ’Pataphysics, still going strong today. The iconoclastic René Daumal was the first to elaborate upon Jarry’s unique and humorous philosophy. Though Daumal is better known for his unfinished novel Mount Analogue and his refusal to be adopted by the Surrealist movement, this newly translated volume of writings offers a glimpse of often overlooked Daumal: Daumal the pataphysician. Pataphysical Essays collects Daumal’s overtly pataphysical writings from 1929 to 1941, from his landmark exposition on pataphysics and laughter to his late essay, “The Pataphysics of Ghosts.” Daumal’s “Treatise on Patagrams” offers the reader everything from a recipe for the disintegration of a photographer to instructions on how to drill a fount of knowledge in a public urinal. This volume also includes Daumal’s column for the Nouvelle Revue Française, “Pataphysics This Month.” Reading like a deranged encyclopedia, “Pataphysics This Month” describes a new mythology for the field of science, and amply demonstrates that the twentieth century had been a distinctly pataphysical era.

Pierre Sogol, científico, aventurero y excéntrico, reúne a un grupo de personas para iniciar un viaje hacia el monte análogo; una misteriosa y legendaria montaña que, según suponen, une la tierra con el cielo. Uno de los participantes, Théodore, es el narrador y el encargado de llevar este magnífico diario de la expedición en el que comparte las peripecias de un viaje diferente a todos, un viaje que se transforma rápidamente en una iniciación, una metáfora vital, una aventura única que exigirá de los personajes todas sus fuerzas para lograr la tan ansiada meta de ascensión.

Pierre Sogol, científico, aventurero y excéntrico, reúne a un grupo de personas para iniciar un viaje hacia el monte análogo; una misteriosa y legendaria montaña que, según suponen, une la tierra con el cielo. Uno de los participantes, Théodore, es el narrador y el encargado de llevar este magnífico diario de la expedición en el que comparte las peripecias de un viaje diferente a todos, un viaje que se transforma rápidamente en una iniciación, una metáfora vital, una aventura única que exigirá de los personajes todas sus fuerzas para lograr la tan ansiada meta de ascensión.

A beloved cult classic of Surrealism, Pataphysics and Gurdjieffian mysticism, Rene Daumal's Mount Analogue is the allegorical tale of an expedition to a mountain whose existence can only be deduced, not observed. As its numerous editions (most now rare) over the decades attest, the book has been highly influential: Alejandro Jodorowsky's visionary 1973 film The Holy Mountain is a loose adaptation of the book, and John Zorn based an eponymous album on it. This edition, brings the original 1959 English translation by Roger Shattuck - widely considered the best - back into print.