Renee Middlemost - Böcker

Written in less than ten days in 1994, The Adventures of Priscilla: Queen of the Desert became a cultural phenomenon that fundamentally altered mainstream ideas about queer identity worldwide.The iconic imagery of Priscilla still resonates as a symbol of global queer pride and liberation in spite of a critical reception that has varied since its release. Renée Middlemost provides valuable insight into the key debates surrounding the film through an overview of its production, initial reception, and legacy – adaptation into a stage musical, theme for an Olympic float, and inspiration for reality television programs. The evolution of Priscilla’s reputation also offers insight into ever-changing cultural attitudes: wild praise upon release, academic and critical backlash, and finally a nuanced but warm welcome into the history of Australian cinema. Equal parts road movie, musical, and comedy, Priscilla moved between genres, pulling off a radical centring of queer lives for mainstream consumption in the mid-1990s.Passing its thirtieth anniversary, The Adventures of Priscilla: Queen of the Desert endures as cult object and cultural touchstone, adored by devoted audiences while serving as a reminder of progress made and the work still needed for acceptance. As Middlemost says of her first viewing in a suburban Sydney multiplex in 1994: “It was rude, it was sparkly, it shocked the family members who had begrudgingly taken me; I loved it.”

Sylvester Stallone’s action thriller, First Blood, hit cinema screens in 1982, leading to the cementing of what can be called the Action Movie Canon. With films like Die Hard, Under Siege and Total Recall pioneering post-millennial Action Movies such as Tomb Raider, The Bourne Identity and Atomic Blonde, there is a clear trajectorial line showing that the Action Movie has radically altered to incorporate much more complex portrayals of both ‘hero’ and ‘heroine’: the Action Movie Hero.Examining the changing face of Action Movies and their representations of gender since the release of First Blood, Gender and Action Films 1980-2000 examines masculinity and anxiety through subjects ranging from gender spaces in action films to the buddy cop film. From transformative femininity, motherhood and machoism, action women in contemporary Colombian cinema, reconsidering gender in Jurassic Park, to gender, politics and 80s action – the chapters dive into everything from sword-playing and gun-shooting women and rainbow-coloured riots on Hollywood boulevard.Gender and Action Films 1980-2000 offers a comprehensive insight into the intertwined concepts of gender and action, and how their portrayal developed in the Action Movie genre during the final two decades of the twentieth century. A necessity for academics, students and lovers of film and media and those interested in gender studies.

The noughties witnessed rapid change in Action Cinema, carrying with it the new action stars of the previous decade, and the boundary blurring experimentation of films such as The Matrix, that incorporated not only action but science fiction. The now dominant Marvel Cinematic Universe (MCU) debuted, and the Young Adult fictional worlds of Harry Potter and The Hunger Games further developed the scope of the action sequences. Despite this context, the action genre had still not engaged fully with contemporary social issues.Focusing on a less acknowledged period in Action Cinema history, Gender and Action Films: Road Warriors, Bombshells and Atomic Blondes examines specific action stars such as Michelle Rodriguez, Zhang Ziyi, and Pam Grier to analyse how female stars encounter the male gaze. Split into four parts – ‘Star Bodies’, ‘Transmedia Action’, ‘Intergenerational Action’ and ‘Politics and Race’, chapter authors prioritise female led action movies and champion a more meaningful interaction and representation between the action genre and contemporary issues of race, sexuality, and gender.Offering novel interpretations of depictions of gender within action movies, this edited collection demonstrates gender portrayal can be developed to incorporate meaningful representation in the wake of the movements such as #Oscarssowhite or #MeToo that have confronted Hollywood. The collection is a must-have for academics, students and lovers of film and media and those interested in gender studies.