Rex Wilder – författare

Yes, it’s safe to go back to poetry. In fact, it’s highly recommended, thanks to Rex Wilder and his engaging first book of poems. Waking Bodies has already been praised by luminaries as diverse as the metrical Richard Wilbur and the asymmetrical Billy Collins for its qualities of pure enjoyment. The highly popular Collins, a Two-Term Poet Laureate of the United States, says, "In Rex Wilder's poetry, the tired English of everyday use comes back to us refreshed and full of its original surprise. In a world glutted with poetry, that Wilder has found a new way to say the old things is a notable achievement."

Yes, it’s safe to go back to poetry. In fact, it’s highly recommended, thanks to Rex Wilder and his engaging first book of poems. Waking Bodies has already been praised by luminaries as diverse as the metrical Richard Wilbur and the asymmetrical Billy Collins for its qualities of pure enjoyment. The highly popular Collins, a Two-Term Poet Laureate of the United States, says, "In Rex Wilder's poetry, the tired English of everyday use comes back to us refreshed and full of its original surprise. In a world glutted with poetry, that Wilder has found a new way to say the old things is a notable achievement."

Rex Wilder’s second collection introduces the world to a new form: the boomerang, a four-line nouveau haiku, an anti-Tweet that aims for permanence in an evanescent world. These \u201cadmirable throwaways\u201d (so nicknamed by Richard Wilbur, who advised the author on their shape) must rhyme the first word or syllable with the last. The opening salvo must suggest a coda, the bullet must return to its chamber. In the process, the poem moves like a boomerang: according to Wilbur, \u201ca thrown boomerang has three phases: it flies to first base (as it were), then travels over to third and rises, then swoops home.\u201d Boomerangs in the Living Room catches in its sweep literature’s classic themes: love, death, family, sex. The poems that come swooping back are seductive, destructive, endlessly quotable, and heartbreakingly beautiful.