Who was Saint Valentine, the saint who gave his name to the festival of lovers? Where do red hearts and roses fit in? Or do they? This volume addresses these questions, but focuses more specifically on the previously unpublished Welsh poetry written over the centuries on the feast day of Saint Valentine in mid- February, the one saint’s day in the Christian calendar of saints that does not depend on the Church for its celebration. Far from resembling anything else on offer in any other part of the UK, these Welsh songs are lyrical, expressive, and often in cynghanedd. This volume analyses this rich collection of extant Welsh Saint Valentine’s Day poems, and advances a new understanding of societal propriety in settings where citizens paid great attention to tradition. In so doing, it offers new insights into the tradition of observing Saint Valentine’s Day in Wales and, indeed, argues that although it is the fifth-century Dwynwen who is today considered to be the patron saint of Welsh lovers, Saint Valentine also handed out aid and sympathy to lovers in Wales over many centuries.To read Rhiannon Ifans article on her volume, visit Parallel.Cymru website https://parallel.cymru/rhiannon-ifans-red-hearts-and-roses/

Who was Saint Valentine, the saint who gave his name to the festival of lovers in Wales? Where do red hearts and roses fit in? Or do they? This volume addresses these questions, but focuses more specifically on the previously unpublished Welsh poetry written over the centuries on the feast day of Saint Valentine in mid-February, the one saint’s day in the Christian calendar of saints that does not depend on the Church for a celebration of the feast day – far from resembling anything else on offer in any other part of Britain, these Welsh songs are lyrical, expressive, and often in cynghanedd (the concept of sound-arrangement within a line). This volume analyses the first extant Welsh Saint Valentine’s Day poems, and advances a new understanding of societal propriety in settings where citizens paid great attention to tradition. In so doing, it offers new insights into the tradition of observing Saint Valentine’s Day in Wales and, indeed, argues that although it is the fifth-century Dwynwen who is today considered to be the patron saint of Welsh lovers, Saint Valentine also handed out aid and sympathy to lovers in Wales over many centuries.To read Rhiannon Ifans article on her volume, visit Parallel.Cymru website https://parallel.cymru/rhiannon-ifans-red-hearts-and-roses/

Who was Saint Valentine, the saint who gave his name to the festival of lovers? Where do red hearts and roses fit in? Or do they? This volume addresses these questions, but focuses more specifically on the previously unpublished Welsh poetry written over the centuries on the feast day of Saint Valentine in mid- February, the one saint’s day in the Christian calendar of saints that does not depend on the Church for its celebration. Far from resembling anything else on offer in any other part of the UK, these Welsh songs are lyrical, expressive, and often in cynghanedd. This volume analyses this rich collection of extant Welsh Saint Valentine’s Day poems, and advances a new understanding of societal propriety in settings where citizens paid great attention to tradition. In so doing, it offers new insights into the tradition of observing Saint Valentine’s Day in Wales and, indeed, argues that although it is the fifth-century Dwynwen who is today considered to be the patron saint of Welsh lovers, Saint Valentine also handed out aid and sympathy to lovers in Wales over many centuries.To read Rhiannon Ifans article on her volume, visit Parallel.Cymru website https://parallel.cymru/rhiannon-ifans-red-hearts-and-roses/

Wassail songs are part of Welsh folk culture, but what exactly are they? When are they sung? Why? And where do stars and pretty ribbons fit in? This study addresses these questions, identifying and discussing the various forms of winter wassailing found in Wales in times past and present. It focuses specifically on the Welsh poetry written over the centuries at the celebration of several rituals - most particularly at Christmas, the turn of the year, and on Twelfth Night - which served a distinct purpose. The winter wassailing aspired to improve the quality of the earth's fertility in three specific spheres: the productivity of the land, the animal kingdom, and the human race. This volume provides a rich collection of Welsh songs in their original language, translated into English for the first time, and with musical notation. It also provides a comprehensive analysis of these poems and of the society in which they were sung.

Wassail songs are part of Welsh folk culture, but what exactly are they? When are they sung? Why? And where do stars and pretty ribbons fit in? This study addresses these questions, identifying and discussing the various forms of winter wassailing found in Wales in times past and present. It focuses specifically on the Welsh poetry written over the centuries at the celebration of several rituals – most particularly at Christmas, the turn of the year, and on Twelfth Night – which served a distinct purpose. The winter wassailing aspired to improve the quality of the earth’s fertility in three specific spheres: the productivity of the land, the animal kingdom, and the human race. This volume provides a rich collection of Welsh songs in their original language, translated into English for the first time, and with musical notation. It also provides a comprehensive analysis of these poems and of the society in which they were sung.

Wassail songs are part of Welsh folk culture, but what exactly are they? When are they sung? Why? And where do stars and pretty ribbons fit in? This study addresses these questions, identifying and discussing the various forms of winter wassailing found in Wales in times past and present. It focuses specifically on the Welsh poetry written over the centuries at the celebration of several rituals – most particularly at Christmas, the turn of the year, and on Twelfth Night – which served a distinct purpose. The winter wassailing aspired to improve the quality of the earth’s fertility in three specific spheres: the productivity of the land, the animal kingdom, and the human race. This volume provides a rich collection of Welsh songs in their original language, translated into English for the first time, and with musical notation. It also provides a comprehensive analysis of these poems and of the society in which they were sung.

The purpose of Y Golygiadur is to offer guidance to all those involved in the production of Welsh books, whether they be authors, editors, compositors, printers or designers. This is a revised new edition updated for the digital age, supported and promoted by Cymdeithas Cyfieithwyr Cymru.

Extracts from the world-famous Welsh medieval tales whose surreal magic and powerful characters enthralled the whole of Europe for centuries. Beautifully illustrated throughout by Welsh artist Helen Holmes, this volume is a wonderful introduction to these magical stories for readers of any age.

A new and long-awaited updated edition for today's readers of the collection of stories from the Mabinogion for children. Includes the stories of Rhiannon and Branwen from the Four Branches of the Mabinogi, and also Lludd and Llefelys, Macsen's Dream and others from the Arthurian legends.

Who was Saint Valentine, the saint who gave his name to the festival of lovers? Where do red hearts and roses fit in? Or do they? This volume addresses these questions, but focuses more specifically on the previously unpublished Welsh poetry written over the centuries on the feast day of Saint Valentine in mid- February, the one saint’s day in the Christian calendar of saints that does not depend on the Church for its celebration. Far from resembling anything else on offer in any other part of the UK, these Welsh songs are lyrical, expressive, and often in cynghanedd. This volume analyses this rich collection of extant Welsh Saint Valentine’s Day poems, and advances a new understanding of societal propriety in settings where citizens paid great attention to tradition. In so doing, it offers new insights into the tradition of observing Saint Valentine’s Day in Wales and, indeed, argues that although it is the fifth-century Dwynwen who is today considered to be the patron saint of Welsh lovers, Saint Valentine also handed out aid and sympathy to lovers in Wales over many centuries.To read Rhiannon Ifans article on her volume, visit Parallel.Cymru website https://parallel.cymru/rhiannon-ifans-red-hearts-and-roses/

Who was Saint Valentine, the saint who gave his name to the festival of lovers in Wales? Where do red hearts and roses fit in? Or do they? This volume addresses these questions, but focuses more specifically on the previously unpublished Welsh poetry written over the centuries on the feast day of Saint Valentine in mid-February, the one saint’s day in the Christian calendar of saints that does not depend on the Church for a celebration of the feast day – far from resembling anything else on offer in any other part of Britain, these Welsh songs are lyrical, expressive, and often in cynghanedd (the concept of sound-arrangement within a line). This volume analyses the first extant Welsh Saint Valentine’s Day poems, and advances a new understanding of societal propriety in settings where citizens paid great attention to tradition. In so doing, it offers new insights into the tradition of observing Saint Valentine’s Day in Wales and, indeed, argues that although it is the fifth-century Dwynwen who is today considered to be the patron saint of Welsh lovers, Saint Valentine also handed out aid and sympathy to lovers in Wales over many centuries.To read Rhiannon Ifans article on her volume, visit Parallel.Cymru website https://parallel.cymru/rhiannon-ifans-red-hearts-and-roses/

Who was Saint Valentine, the saint who gave his name to the festival of lovers? Where do red hearts and roses fit in? Or do they? This volume addresses these questions, but focuses more specifically on the previously unpublished Welsh poetry written over the centuries on the feast day of Saint Valentine in mid- February, the one saint’s day in the Christian calendar of saints that does not depend on the Church for its celebration. Far from resembling anything else on offer in any other part of the UK, these Welsh songs are lyrical, expressive, and often in cynghanedd. This volume analyses this rich collection of extant Welsh Saint Valentine’s Day poems, and advances a new understanding of societal propriety in settings where citizens paid great attention to tradition. In so doing, it offers new insights into the tradition of observing Saint Valentine’s Day in Wales and, indeed, argues that although it is the fifth-century Dwynwen who is today considered to be the patron saint of Welsh lovers, Saint Valentine also handed out aid and sympathy to lovers in Wales over many centuries.To read Rhiannon Ifans article on her volume, visit Parallel.Cymru website https://parallel.cymru/rhiannon-ifans-red-hearts-and-roses/

Wassail songs are part of Welsh folk culture, but what exactly are they? When are they sung? Why? And where do stars and pretty ribbons fit in? This study addresses these questions, identifying and discussing the various forms of winter wassailing found in Wales in times past and present. It focuses specifically on the Welsh poetry written over the centuries at the celebration of several rituals - most particularly at Christmas, the turn of the year, and on Twelfth Night - which served a distinct purpose. The winter wassailing aspired to improve the quality of the earth's fertility in three specific spheres: the productivity of the land, the animal kingdom, and the human race. This volume provides a rich collection of Welsh songs in their original language, translated into English for the first time, and with musical notation. It also provides a comprehensive analysis of these poems and of the society in which they were sung.

Wassail songs are part of Welsh folk culture, but what exactly are they? When are they sung? Why? And where do stars and pretty ribbons fit in? This study addresses these questions, identifying and discussing the various forms of winter wassailing found in Wales in times past and present. It focuses specifically on the Welsh poetry written over the centuries at the celebration of several rituals – most particularly at Christmas, the turn of the year, and on Twelfth Night – which served a distinct purpose. The winter wassailing aspired to improve the quality of the earth’s fertility in three specific spheres: the productivity of the land, the animal kingdom, and the human race. This volume provides a rich collection of Welsh songs in their original language, translated into English for the first time, and with musical notation. It also provides a comprehensive analysis of these poems and of the society in which they were sung.

Wassail songs are part of Welsh folk culture, but what exactly are they? When are they sung? Why? And where do stars and pretty ribbons fit in? This study addresses these questions, identifying and discussing the various forms of winter wassailing found in Wales in times past and present. It focuses specifically on the Welsh poetry written over the centuries at the celebration of several rituals – most particularly at Christmas, the turn of the year, and on Twelfth Night – which served a distinct purpose. The winter wassailing aspired to improve the quality of the earth’s fertility in three specific spheres: the productivity of the land, the animal kingdom, and the human race. This volume provides a rich collection of Welsh songs in their original language, translated into English for the first time, and with musical notation. It also provides a comprehensive analysis of these poems and of the society in which they were sung.

The purpose of Y Golygiadur is to offer guidance to all those involved in the production of Welsh books, whether they be authors, editors, compositors, printers or designers. This is a revised new edition updated for the digital age, supported and promoted by Cymdeithas Cyfieithwyr Cymru.

Extracts from the world-famous Welsh medieval tales whose surreal magic and powerful characters enthralled the whole of Europe for centuries. Beautifully illustrated throughout by Welsh artist Helen Holmes, this volume is a wonderful introduction to these magical stories for readers of any age.

A new and long-awaited updated edition for today's readers of the collection of stories from the Mabinogion for children. Includes the stories of Rhiannon and Branwen from the Four Branches of the Mabinogi, and also Lludd and Llefelys, Macsen's Dream and others from the Arthurian legends.