Richard Bodek – författare

In 1949, the year of the Berlin airlift and the founding of the two post-war German states, Elisabeth Kusian (nurse, black marketeer, morphine and methamphetamine addict, and pathological liar) garroted and dismembered two people in a mini crime spree. Her actions both fascinated and terrified the public – how could this woman, a nurse, commit such a violent act?West Berlin detectives attempted to run an efficient investigation under new democratic rules. Their East Berlin counterparts, newly structured along Soviet lines, employed their restricted resources to solve the case and prove the advantages of their socialist system. Both tried to use the investigation to demonstrate their distance from the Third Reich and build a brighter future. Based on the true story of Elisabeth Kusian, Death in the Rubble explores shifting identities, evolving gender expectations, post-fascist politics and norms, and the violence lurking beneath a city struggling to redefine itself.

In 1949, the year of the Berlin airlift and the founding of the two post-war German states, Elisabeth Kusian (nurse, black marketeer, morphine and methamphetamine addict, and pathological liar) garroted and dismembered two people in a mini crime spree. Her actions both fascinated and terrified the public – how could this woman, a nurse, commit such a violent act?West Berlin detectives attempted to run an efficient investigation under new democratic rules. Their East Berlin counterparts, newly structured along Soviet lines, employed their restricted resources to solve the case and prove the advantages of their socialist system. Both tried to use the investigation to demonstrate their distance from the Third Reich and build a brighter future. Based on the true story of Elisabeth Kusian, Death in the Rubble explores shifting identities, evolving gender expectations, post-fascist politics and norms, and the violence lurking beneath a city struggling to redefine itself.

Contributions by Richard Bodek, Claire P. Curtis, Joseph Kelly, Simon Lewis, Steve Mentz, J. Brent Morris, Peter Sands, Edward Shore, and James O''Neil Spady Commonly, the word maroon refers to someone cast away on an island. One becomes marooned, usually, through a storm at sea or by a captain as a method of punishment. But the term originally denoted escaped slaves. Though being marooned came to be associated mostly with white European castaways, the etymology invites comparison between true maroons (escaped slaves establishing new lives in the wilderness) and people who were marooned (through maritime disaster). This volume brings together literary scholars with historians, encompassing both literal maroons such as in Brazil and South Carolina as well as metaphoric scenarios in time-travel novels and postapocalyptic narratives. Included are examples from The Tempest; Margaret Atwood’s MaddAddam trilogy; A Connecticut Yankee in King Arthur’s Court; and Octavia Butler’s Kindred. Both runaways and castaways formed new societies in the wilderness. But true maroons, escaped slaves, were not cast away; they chose to fly towards the uncertainties of the wild in pursuit of freedom. In effect, this volume gives these maroons proper credit, at the very heart of American history.

Contributions by Richard Bodek, Claire P. Curtis, Joseph Kelly, Simon Lewis, Steve Mentz, J. Brent Morris, Peter Sands, Edward Shore, and James O''Neil Spady Commonly, the word maroon refers to someone cast away on an island. One becomes marooned, usually, through a storm at sea or by a captain as a method of punishment. But the term originally denoted escaped slaves. Though being marooned came to be associated mostly with white European castaways, the etymology invites comparison between true maroons (escaped slaves establishing new lives in the wilderness) and people who were marooned (through maritime disaster). This volume brings together literary scholars with historians, encompassing both literal maroons such as in Brazil and South Carolina as well as metaphoric scenarios in time-travel novels and postapocalyptic narratives. Included are examples from The Tempest; Margaret Atwood’s MaddAddam trilogy; A Connecticut Yankee in King Arthur’s Court; and Octavia Butler’s Kindred. Both runaways and castaways formed new societies in the wilderness. But true maroons, escaped slaves, were not cast away; they chose to fly towards the uncertainties of the wild in pursuit of freedom. In effect, this volume gives these maroons proper credit, at the very heart of American history.

This book offers fresh insights on an underexplored moment in intellectual history. ""The Fruits of Exile"" casts new light on the history of emigre thinkers escaping from the rise of fascism in Central Europe. Editors Richard Bodek and Simon Lewis, along with an international group of contributors, emphasize the contributions to American and British culture by the European intellectual diaspora of the 1930s through their careful study of artists, scientists, and cultural figures often ignored in previous studies of the era. The contributors explore the careers in exile of novelists Thomas Mann and Herman Broch; philosophers Karl Mannheim, Walter Kaufmann, and Theodore Adorno; artists Joseph Albers and Max Reinhardt; composers Arnold Schoenberg and Bela Bartok; and a host of other participants in the pre-World War II exodus from Central Europe. The essays enhance understanding of the diverse range of exile experience by analyzing larger groups of exiles than in earlier studies, by broadening the geographic area examined, and by delving into the initial difficulties these immigrants had in finding acceptance and welcome on foreign soil.