Richard Buxton – författare

From the first millennium BC onwards, Greek myths have been repeated in an inexhaustible series of variations and reinterpretations. Nowadays they can be found in film, television and computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed. Throughout, the author draws upon the latest research into ancient Greek story-telling, presenting the material in an attractive, accessible and authoritative style. With its lavish illustrations, detailed genealogical tables of gods and heroes, box features and specially commissioned maps, this is the one essential resource on these classic stories that lie at the heart of western civilization.

A Cyclops is popularly assumed to be nothing more than a flesh-eating, one-eyed monster. In an accessible, stylish, and academically authoritative investigation, this book seeks to demonstrate that there is far more to it than that - quite apart from the fact that in myths the Cyclopes are not always one-eyed!This book provides a detailed, innovative, and richly illustrated study of the myths relating to the Cyclopes from classical antiquity until the present day. The first part is organised thematically: after discussing various competing scholarly approaches to the myths, the authors analyse ancient accounts and images of the Cyclopes in relation to landscape, physique (especially eyes, monstrosity, and hairiness), lifestyle, gods, names, love, and song. While the man-eating Cyclops Polyphemus, famous already in the Odyssey, plays a major part, so also do the Cyclopes who did monumental building work, as well as those who toiled as blacksmiths. The second part of the book concentrates on the post-classical reception of the myths, including medieval allegory, Renaissance grottoes, poetry, drama, the visual arts, contemporary painting and sculpture, film, and even a circus performance. This book aims to explore not just the perennial appeal of the Cyclopes as fearsome monsters, but the depth and subtlety of their mythology which raises complex issues of thought and emotion.

Forms of Astonishment sets out to interpret a number of Greek myths about the transformations of humans and gods. Such tales have become familiar in their Ovidian dress, as in the best-selling translation by Ted Hughes; Richard Buxton explores their Greek antecedents. One pressing question which often occurs to the reader of these tales is: Did the Greeks take them seriously? Buxton repeatedly engages with this topic, and attempts to answer it context by context and author by author. His book raises issues relevant to an understanding of broad aspects of Greek culture (e.g. how ''strange'' were Greek beliefs?''); in so doing, it also illuminates issues explored by anthropologists and students of religion.

This work brings together eleven of Richard Buxton''s studies of Greek mythology and Greek tragedy, focusing especially on the interrelationship between the two, and their importance to the Greeks themselves.Situating and contextualising topics and themes, such as mountains, (were)wolves, mythological names, movement/stillness, blindness, and feminization, within the world of ancient Greece - its landscapes, social and moral priorities, and mental structures - he traces the intricate variations and retellings which they underwent in Greek antiquity. Although each chapter has appeared in print in some form before, each has been thoroughly revised for the present book, taking into account recentresearch. The introduction sets out the principles and objectives which underlie Buxton''s approach to Greek myths, and how he sees his own method in relation to those of his predecessors and contemporaries.

A Cyclops is popularly assumed to be nothing more than a flesh-eating, one-eyed monster. In an accessible, stylish, and academically authoritative investigation, this book seeks to demonstrate that there is far more to it than that - quite apart from the fact that in myths the Cyclopes are not always one-eyed!This book provides a detailed, innovative, and richly illustrated study of the myths relating to the Cyclopes from classical antiquity until the present day. The first part is organised thematically: after discussing various competing scholarly approaches to the myths, the authors analyse ancient accounts and images of the Cyclopes in relation to landscape, physique (especially eyes, monstrosity, and hairiness), lifestyle, gods, names, love, and song. While the man-eating Cyclops Polyphemus, famous already in the Odyssey, plays a major part, so also do the Cyclopes who did monumental building work, as well as those who toiled as blacksmiths. The second part of the book concentrates on the post-classical reception of the myths, including medieval allegory, Renaissance grottoes, poetry, drama, the visual arts, contemporary painting and sculpture, film, and even a circus performance. This book aims to explore not just the perennial appeal of the Cyclopes as fearsome monsters, but the depth and subtlety of their mythology which raises complex issues of thought and emotion.

It has often been asserted that Greek civilization underwent a transition from myth to reason. But what does such an assertion mean? And how much truth is there in it? Were the Greeks special in having evolved our sort of reason, or is that a mirage? In this book, some of the world's leading experts on ancient Greek myth, religion, philosophy, and history reconsider these fundamental issues. Among the problems they explore are: the history of the Mythos/Logos opposition; myth and reason in practice; logic(s) of myth; intersections involving myth/philosophy, myth/history, myth/ethnography, and myth/technology. Some contributors are more sceptical than others about whether the myth/reason polarity has any future as a tool for the understanding of Greek society - or any society. But what they all agree on is that a reconsideration of the Greek case can help us to clarify much broader debates, for example the debate about the cross-cultural viability (or not) of myth and reason/rationality.

In this illustrated study Richard Buxton analyses Greek literary narratives and visual representations of the metamorphosis of humans and gods, as evidenced from Homer to Nonnos. Such tales have become familiar in their Ovidian dress, as in the best-selling translation by Ted Hughes; Buxton explores their Greek antecedents. He investigates such issues as: How do different contexts shape the way in which metamorphosis is narrated? How do the assumptions of commentators about 'strangeness' affect how metamorphosis is interpreted? How far should an interpreter allow 'contextual charity' to render more acceptable a belief such as that in metamorphosis? What are the implications of the notions of 'astonishment' (Greek: thambos) in a range of narratives about transformation?Throughout Forms of Astonishment Buxton draws comparisons between the Greek evidence and data from other religious traditions, ancient and modern; he also introduces comparative material from the sciences, from modern painting and literature, and from the cinema and computer graphics. In investigating metamorphoses of gods Buxton revisits the concept of anthropomorphism, arguing that the fact that Greek divinities were believed to change shape does not undermine the fundamentally humanlike form of Greek divinity. He also examines certain strands of Greek tradition, particularly among the philosophers, which called metamorphosis into question, whether in relation to the gods or to humans. Individual chapters deal with transformations into the landscape and into plants or trees--in the latter case transformation stories are set against a background of cultural beliefs about 'seminal' substances such as blood and tears. Overall, Forms of Astonishment raises issues relevant to an understanding of broad aspects of Greek culture, and illuminates issues explored by anthropologists and students of religion.

A Cyclops is popularly assumed to be nothing more than a flesh-eating, one-eyed monster. In an accessible, stylish, and academically authoritative investigation, this book seeks to demonstrate that there is far more to it than that - quite apart from the fact that in myths the Cyclopes are not always one-eyed!This book provides a detailed, innovative, and richly illustrated study of the myths relating to the Cyclopes from classical antiquity until the present day. The first part is organised thematically: after discussing various competing scholarly approaches to the myths, the authors analyse ancient accounts and images of the Cyclopes in relation to landscape, physique (especially eyes, monstrosity, and hairiness), lifestyle, gods, names, love, and song. While the man-eating Cyclops Polyphemus, famous already in the Odyssey, plays a major part, so also do the Cyclopes who did monumental building work, as well as those who toiled as blacksmiths. The second part of the book concentrates on the post-classical reception of the myths, including medieval allegory, Renaissance grottoes, poetry, drama, the visual arts, contemporary painting and sculpture, film, and even a circus performance. This book aims to explore not just the perennial appeal of the Cyclopes as fearsome monsters, but the depth and subtlety of their mythology which raises complex issues of thought and emotion.

The study of ancient Greek religion has been excitingly renewed in the last thirty years. Key areas of interest have been: the relationship between religion and politics; new and unexpected perspectives opened up by archaeological finds; the symbiosis between myth and ritual; the role of gender differences in the practice and perception of religion; conceptual problems raised by the very notion of 'religion'. This volume gathers together challenging papers by many of the most innovative participants in this renewal. Almost all the articles have been revised by their authors and/or provided with Addenda, to take account of the most recent scholarship. One article has been translated specifically for this collection; another is for the first time provided with illustrations. No single school or style of approach is privileged: the aim is to illustrate a range of possible methods which may be adopted in the investigation of this endlessly fascinating material.

The study of ancient Greek religion has been excitingly renewed in the last thirty years. Key areas of interest have been: the relationship between religion and politics; new and unexpected perspectives opened up by archaeological finds; the symbiosis between myth and ritual; the role of gender differences in the practice and perception of religion; conceptual problems raised by the very notion of 'religion'. This volume gathers together challenging papers by many of the most innovative participants in this renewal. Almost all the articles have been revised by their authors and/or provided with Addenda, to take account of the most recent scholarship. One article has been translated specifically for this collection; another is for the first time provided with illustrations. No single school or style of approach is privileged: the aim is to illustrate a range of possible methods which may be adopted in the investigation of this endlessly fascinating material. The volume also contains an important introductory essay by Richard Buxton.

This work brings together eleven of Richard Buxton's studies of Greek mythology and Greek tragedy, focusing especially on the interrelationship between the two, and their importance to the Greeks themselves. Situating and contextualizing topics and themes, such as mountains, (were)wolves, mythological names, movement/stillness, blindness, and feminization, within the world of ancient Greece - its landscapes, social and moral priorities, and mental structures - he traces the intricate variations and retellings which they underwent in Greek antiquity. Although each chapter has appeared in print in some form before, each has been thoroughly revised for the present book, taking into account recent research. The introduction sets out the principles and objectives which underlie Buxton's approach to Greek myths, and how he sees his own method in relation to those of his predecessors and contemporaries.

Forms of Astonishment sets out to interpret a number of Greek myths about the transformations of humans and gods. Such tales have become familiar in their Ovidian dress, as in the best-selling translation by Ted Hughes; Richard Buxton explores their Greek antecedents. One pressing question which often occurs to the reader of these tales is: Did the Greeks take them seriously? Buxton repeatedly engages with this topic, and attempts to answer it context by context and author by author. His book raises issues relevant to an understanding of broad aspects of Greek culture (e.g. how 'strange' were Greek beliefs?'); in so doing, it also illuminates issues explored by anthropologists and students of religion.

It has often been asserted that Greek civilization underwent a transition from myth to reason. But what does such an assertion mean? And how much truth is there in it? Were the Greeks special in having evolved our sort of reason, or is that a mirage?In this book, some of the world's leading experts on ancient Greek myth, religion, philosophy, and history reconsider these fundamental issues. Among the problems they explore are: the history of the Mythos/Logos opposition; myth and reason in practice; logic(s) of myth; intersections involving myth/philosophy, myth/history, myth/ethnography, and myth/technology. Some contributors are more sceptical than others about whether the myth/reason polarity has any future as a tool for the understanding of Greek society - or any society. But what they all agree on is that a reconsideration of the Greek case can help us to clarify much broader debates, for example the debate about the cross-cultural viability (or not) of myth and reason/rationality.

This work brings together eleven of Richard Buxton's studies of Greek mythology and Greek tragedy, focusing especially on the interrelationship between the two, and their importance to the Greeks themselves. Situating and contextualising topics and themes, such as mountains, (were)wolves, mythological names, movement/stillness, blindness, and feminization, within the world of ancient Greece - its landscapes, social and moral priorities, and mental structures - he traces the intricate variations and retellings which they underwent in Greek antiquity. Although each chapter has appeared in print in some form before, each has been thoroughly revised for the present book, taking into account recent research. The introduction sets out the principles and objectives which underlie Buxton's approach to Greek myths, and how he sees his own method in relation to those of his predecessors and contemporaries.

‘[A] bountiful, beautifully illustrated guide to eight Greek myths … packed with fascinating curios, intriguing asides and spiralling sub-plots' The Spectator The Greek myths seem to speak to us universally, their deities tantalizingly human – often indulging in behaviours morally ambiguous at best and obscene at worst – and their heroes dealing with dilemmas and destinies that echo, if exaggeratedly, conflicts in our own lives. The dramatic choices that such figures as Prometheus, Medea and Oedipus face have resonated with audiences over thousands of years. These legends have been retold countless times, first by the conquering Romans, then through the medieval and Renaissance eras of Europe, and finally finding new expression in masterworks of art, literature and cinema on the global stage. Richard Buxton explores the stories at the heart of this ancient mythology and how they have come to influence our society today. Each chapter focuses on a mythical character and the powerful stories and interpretations that surround them. Yet the myths’ relevance has not been uniform; they shift with the cultural tide. They have endured moments of censure, criticism and even ridicule, but now their influence can be recognized almost everywhere, from opera to psychology, from fashion to contemporary art. How is it that these tales have retained their power to connect with our own fascinations, fears and desires, though they came from a world very different from our own? Buxton charts their cultural impact through a rich variety of re-imaginings, examining the many guises they have taken through the ages and the profound truths that they continue to illuminate.

A sophisticated look into the eight Greek myths that remain the most relevant to us today, exploring their powerful cultural impact from their ancient origins to the present. The Greek myths have been retold countless times, first by the conquering Romans, then through the medieval and Renaissance eras of Europe, and finally finding new expression in masterworks of art, literature and cinema on the global stage. Classical scholar Richard Buxton explores the stories at the heart of this ancient mythology and how they have come to influence our society today. The Greek legends seem to speak to us universally, their deities tantalizingly human - often indulging in behaviours morally ambiguous at best and obscene at worst - and their heroes dealing with dilemmas and destinies that echo, if exaggeratedly, conflicts in our own lives. The dramatic choices that such figures as Prometheus, Medea and Oedipus face have resonated with audiences over thousands of years. Each chapter focuses on a mythical character and the powerful stories and interpretations that surround them. Yet the myths’ relevance has not been uniform; they shift with the cultural tide. They have endured moments of censure, criticism, and even ridicule, but now their influence can be recognized almost everywhere, from opera to psychology, from fashion to contemporary art. How is it that these tales have retained their power to connect with our own fascinations, fears and desires, though they came from a world very different from our own? Here Buxton charts their cultural impact through a rich variety of re-imaginings, examining the many guises they have taken through the ages and the profound truths that they continue to illuminate.

This is a study of Greek mythology in relation to its original contexts. Part one deals with the contexts in which myths were narrated: the home, public festivals, the lesche. Part two, the heart of the book, examines the relation between the realities of Greek life and the fantasies of mythology: the landscape, the family and religion are taken as case-studies. Part three focuses on the function of myth-telling, both as seen by the Greeks themselves and as perceived by later observers. The author sees his role as that of a cultural historian trying to recover the contexts and horizons of expectation which simultaneously make possible and limit meaning. He seeks to demonstrate how the seemingly endless variations of Greek mythology are a product of a particular community, situated in a particular landscape, and with these particular institutions.

Fine Margins is the definitive story of how two mainstays of English football took their feuding on to the game's biggest stages. The Manchester City and Liverpool rivalry is synonymous with the Premier League, but its roots go back much further. For over half a century, these two clubs from opposite ends of the M62 have been perennial thorns in each other's side. Bill Shankly laid the groundwork in the late 1960s before a series of clashes a decade later further stoked the fires, culminating in an attack on City's team bus in 1981 after they beat Liverpool 3-1 at Anfield. The feud was reignited in the mid-1990s when Liverpool relegated City on the final day of the 1995/96 Premier League season. When they returned to the top flight, Manchester's blue half became the scourge of Merseyside's Redmen, snatching players and points away from them. Countless managers, players and directors have continued what started in the Bill Shankly era, with the rivalry ramped up a notch through the reigns of Pep Guardiola and Jurgen Klopp.

Fine Margins is the definitive story of how two mainstays of English football took their feuding on to the game''s biggest stages. The Manchester City and Liverpool rivalry is synonymous with the Premier League, but its roots go back much further. For over half a century, these two clubs from opposite ends of the M62 have been perennial thorns in each other''s side. Bill Shankly laid the groundwork in the late 1960s before a series of clashes a decade later further stoked the fires, culminating in an attack on City''s team bus in 1981 after they beat Liverpool 3-1 at Anfield. The feud was reignited in the mid-1990s when Liverpool relegated City on the final day of the 1995/96 Premier League season. When they returned to the top flight, Manchester''s blue half became the scourge of Merseyside''s Redmen, snatching players and points away from them. Countless managers, players and directors have continued what started in the Bill Shankly era, with the rivalry ramped up a notch through the reigns of Pep Guardiola and Jurgen Klopp.