Richard Cameron – författare

From its beginnings in the 1960s, sociolinguistics developed several different subfields with distinct methods and interests: the variationist tradition established by Labov, the anthropological tradition of Hymes, interactional sociolinguistics as developed by Gumperz, and the sociology of language represented by the work of Fishman. All of these areas have seen a great deal of growth in recent decades, and recent studies have led to a more broadly inclusive view of sociolinguistics. Hence there is a need for a handbook that will survey the main areas of the field, point out the lacunae in our existing knowledge base, and provide directions for future research.The Oxford Handbook of Sociolinguistics will differ from existing work in four major respects. First, it will emphasize new methodological developments, particularly the convergence of linguistic anthropology and variationist sociolinguistics. Second, it will include chapters on sociolinguistic developments in areas of the world that have been relatively neglected in the major journals. Third, its chapters are written by contributors who have worked in a range of languages and whose work addresses sociolinguistic issues in bi- and multilingual contexts, i.e. the contexts in which a majority of the world's population lives. Finally, it will include substantial material on the rapidly growing study of sign language sociolinguistics.

From its beginnings in the 1960s, sociolinguistics developed several different subfields with distinct methods and interests: the variationist tradition established by Labov, the anthropological tradition of Hymes, interactional sociolinguistics as developed by Gumperz, and the sociology of language represented by the work of Fishman. All of these areas have seen a great deal of growth in recent decades, and recent studies have led to a more broadly inclusive view of sociolinguistics. Hence there is a need for a handbook that will survey the main areas of the field, point out the lacunae in our existing knowledge base, and provide directions for future research.The Oxford Handbook of Sociolinguistics will differ from existing work in four major respects. First, it will emphasize new methodological developments, particularly the convergence of linguistic anthropology and variationist sociolinguistics. Second, it will include chapters on sociolinguistic developments in areas of the world that have been relatively neglected in the major journals. Third, its chapters are written by contributors who have worked in a range of languages and whose work addresses sociolinguistic issues in bi- and multilingual contexts, i.e. the contexts in which a majority of the world's population lives. Finally, it will include substantial material on the rapidly growing study of sign language sociolinguistics.

A witty energetic piece of young people's theatre When Wendy has an epileptic fit in the kitchen and burns herself, her friends in their last term at a special school come up with a way to help. They set themselves a goal and spend their last days struggling to reach it. Strugglers won the Sunday Times Playwriting Award in 1988 at the National Student Drama Festival.

Four short plays for young actors Making Scenes 3 is an exciting selection of plays commissioned by the Royal National Theatre for the BT National Connections festival for young actors in 1995. Indian Summer by Harwant Bains; Kulwant returns to India and becomes fascinated with an ice-cream seller and the Holy Man who has sat for years with a sword through his mouth. When Kulwant pulls out the sword and offers the man a tutti-frutti ice-cream, a remarkable friendship is established. Almost Grown by Richard Cameron; set in Yorkshire this is the story of how a tragic accident has affected the lives of three friends. The Ice Palace by Lucinda Coxon; in this magical rites of passage tale Siss and Unn are best friends at school, but when Siss goes to visit her one day they set out on an adventure into a magnificent frozen waterfall from which Unn will never return. The Dark Tower by Louis MacNeice; Roland must follow his ancestors' and brothers' footsteps on a journey through time, by ship across the sea of doubt, past ghost towns of history and through 'deserts of dried-up hopes', until he reaches the Dark Tower.Each play includes Production Notes, dealing with setting and staging, costume, lighting and casting.Also included are a set of questions and exercises for workshop classes.

Richard Cameron's most popular and acclaimed work together in one volume introduced by the author This volume includes Can't Stand Up for Falling Down, Pond Life, Mortal Ash and All of You Mine. Can't Stand Up for Falling Down, written as interweaving monologues, is a contemporary coming-of-age play set in rural Yorkshire and centres around a death that may not be quite as accidental as it seems "Cameron's play is itself cumulatively and salutarily devastating...building up a picture from many partial perspectives, the monologues are beautifully arranged" (Independent); Pond Life is a play about a life-changing fishing expedition "the unpatronisingly sensitive vignette of adolescence explores more angles than angling in these youngsters' lives" (Mail on Sunday); Mortal Ash is a tale of youthful love, death and regeneration; All of You Mine deals with the miners' strike of 1984 and it's effects on an ex-pit village near Doncaster "there is a remorseless Ibsen-like vigour about the way he uncovers lies, motives and bad faith" (Sunday Times)."Over the past few years, Cameron has emerged as the shrewd chronicler of a small-town, post industrial England whose experience is quite distinct from that of city dwellers." (Guardian)

A brilliant new play by one of the UK's most established contemporary playwrights The Glee Club, made up of five hard working, hard drinking miners and a church organist is preparing for the local gala. Though they're established on the working men's club circuit, they aren't exactly at the vanguard of a musical revolution. This is the summer of 1962; music and much else is about to change - so too the lives of these six men. Nothing and no-one will ever be the same again."Splendidly warm, sad, funny" Charles Spencer, Daily Telegraph "A right cracker" Michael Billington, Guardian "Dramatic dynamite" Rachel Halliburton, Evening Standard The Glee Club premiered at the Bush Theatre, London in February 2002.

A stunning new play by the award-winning writer of The Glee Club ("Dramatic Dynamite" - Evening Standard) School's out, and David has been sent to spend the holidays with his Aunt Deelie, Uncle Robert and cousin Charlene in the rough part of town. It's a summer of stories; In the shed, Uncle Robert prepares to impress the local history society with his revelations about Charles Dickens in Doncaster; On the allotment, Charlene acts out her favourite soaps; Even Gobbo and Wink, Charlene's non-too-bright conspirators, have rich fantasy lives brimming with the thrills and importance their real lives lack. But when a child goes missing, accusations are thrown at David's new friends, and the line between fact and fiction becomes dangerously blurred...Gong Donkeys is a hilarious, bizarre and touching story about storytelling, as told by The Catcher in The Rye, an SAS commando and Charlene from number 27.Gong Donkeys is published to tie in with the play's premiere at London's Bush Theatre in November 2004.

This new five-volume anthology of major works has been produced in consultation with an editorial advisory board of distinguished scholars. It brings together the key texts of language variation and change to provide a comprehensive collection that represents the field's development and showcases the diverse communities that have been the subjects of investigation.

Of all my years of growing up, I grew up in 1962…The Glee Club, made up of five hard-working, hard-drinking miners and a church organist, is preparing for the local gala. Though they’re established in the working men’s clubs, they aren’t exactly at the vanguard of a musical revolution.This is the summer of ’62. Britain and music are about to change, so too are the lives of these six men. Will anything ever be the same again?A raucous comedy featuring live music, this new edition of Richard Cameron's celebrated play was published to coincide with a 2020 revival by Out of Joint Theatre Company.

Flower Girls is the funny, beautifully observed and uplifting story of a group of disabled women who live and work at The Crippleage, Edgware. Inspired by the personal testimony and reminiscences of real-life Flower Girls, the play shifts effortlessly between the unsettled early years of World War II and the seemingly more liberated world of 1965. Their stories reveal an indomitable spirit and a fierce determination to find their place in the world, a world that prefers to keep them at a safe distance. "A red button. From a red coat...I collected them. From every coat of every new arrival at the orphanage, before they were sold to the rag man. And I would wait until they were at their homesick worst. A penny to hold it, a shilling to keep it." Britain's foremost disabled-led theatre company Graeae joins forces with The New Wolsey Theatre Ipswich to present the world premiere of this play on 5 October 2007. The play is published as a programme text to coincide with the production.

She could teach more folk round ‘ere about what’s bloody well important in their lives - when it comes down to it. What matters . . . That precious bit of you that gets buried in shit, and she’s there clearin’ it all away.Delie is special and she’s won a trophy for picking up litter from the mayor. Every summer she goes on her holidays to her Aunty Brenda who runs a women’s domestic abuse refuge in a Yorkshire mining village. Delie and her Aunty Brenda and a pawnbroker called George who wears a dress are The Flannelettes - a Motown tribute band. Delie is in her twenties but with a mental age of ten; when she meets Roma - who used to live on the streets in Rotherham - the two become best friends, sharing each others' secrets.By the award-winning writer of The Glee Club, The Flanelettes is a tough, uncompromising play which looks at love and violence in a shattered community, all playing to a bittersweet soundtrack of Sixties soul.

The New Shop Class connects the worlds of the maker and hacker with that of the scientist and engineer. If you are a parent or educator or a budding maker yourself, and you feel overwhelmed with all of the possible technologies, this book will get you started with clear discussions of what open source technologies like 3D printers, Arduinos, robots and wearable tech can really do in the right hands. Written by real "rocket scientist" Joan Horvath, author of Mastering 3D Printing, and 3D printing expert Rich Cameron (AKA whosawhatsis), The New Shop Class is a friendly, down-to-earth chat about how hands-on making things can lead to a science career.Get practical suggestions about how to use technologies like 3D printing, Arduino, and simple electronicsLearn how to stay a step ahead of the young makers in your life and how to encourage them in maker activitiesDiscover how engineers and scientists got their start, and how their mindsets mirror that of the maker