Richard D. Erlich – författare
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5 produkter
5 produkter
Inbunden, Engelska, 1982
1 208 kr
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Inbunden, Engelska, 1983
1 206 kr
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Taken to extremes, social organization--however necessary in itself--leads to the creation of what editors Erlich and Dunn label Clockwork Worlds. This anthology has been organized to define and expand that concept for the reader. Arthur O. Lewis provides a comprehensive overview of clockwork worlds and sets them in their political and literary contexts. Following Lewis' introduction are two series of essays which show how the theme of mechanized environments has been developed in classic works of dystopian fiction, and how it has been treated by some of the major contemporary science fiction writers. The Special Topics section studies mechanized environments from a variety of viewpoints. The editors have included an extensive list of stories, novels, films, background readings, and other works useful for the study of mechanized environments.
Inbunden, Engelska, 1993
1 048 kr
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This volume provides an annotated list of works related to the interaction of humans and machines in SF, a field which includes science fiction, some fantasy and horror, and related types of speculative works. Though the book focuses on works produced in English between 1895 and 1990, foreign language material and works produced before 1895 and after 1990 are included as well. The reference contains works in a range of media, with entries grouped in chapters on literature, literary criticism, drama and dramatic criticism, graphic and plastic arts, music, and background. Each entry includes an annotation that overviews the significance of the human/machine interface in the work cited. The usefulness of the work is increased by the thorough author, title, and keyword and theme indexes.
Häftad, Engelska, 2009
381 kr
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E-bok
Engelska, 201718 kr
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These are essays, indeed, but generally not the sort taught in schools -- or that I taught for forty years: not in the elegant Intro/Thesis/Proof/Conclusion tradition but more in the older tradition of Michel de Montaigne and les essais, and of satire. That is, they are "attempts," explorations, and, well, also traps, where I wander around a bit in apparent innocence and then spring on readers a possibly outrageous idea, one they wouldn’t have considered for a moment if I hadn’t lulled them (you) into trusting me a bit. Some of the essays are also in the satiric tradition, where one tries for some startling combinations of learnéd language and vulgarity, short shocker sentences in the midst of some knotty convolutions.
Anyway, the essays usually do come to some fairly clear, fairly serious, non-random conclusion and Views can’t be entirely without form. So my initial editor and I have arranged them into categories. The over-arching, “meta” category for most is POLITICS or POLITICS AND CULTURE: I was brought up political in Chicago and have remained true to my breeding as a thoroughly political animal, and, of course, I am a student of, and participant in, at least a couple of cultures.