Richard H. Minear – författare

"I'll search you out, put my lips to your tender ear, and tell you...I'll tell you the real story--I swear I will."--from Little One by Toge Sankichi Three Japanese authors of note--Hara Tamiki, Ota Yoko, and Toge Sankichi--survived the atomic bombing of Hiroshima only to shoulder an appalling burden: bearing witness to ultimate horror. Between 1945 and 1952, in prose and in poetry, they published the premier first-person accounts of the atomic holocaust. Forty-five years have passed since August 6, 1945, yet this volume contains the first complete English translation of Hara's Summer Flowers, the first English translation of Ota's City of Corpses, and a new translation of Toge's Poems of the Atomic Bomb. No reader will emerge unchanged from reading these works. Different from each other in their politics, their writing, and their styles of life and death, Hara, Ota, and Toge were alike in feeling compelled to set down in writing what they experienced. Within forty-eight hours of August 6, before fleeing the city for shelter in the hills west of Hiroshima, Hara jotted down this note: "Miraculously unhurt; must be Heaven's will that I survive and report what happened."Ota recorded her own remarks to her half-sister as they walked down a street littered with corpses: "I'm looking with two sets of eyesthe eyes of a human being and the eyes of a writer." And the memorable words of Toge quoted above come from a poem addressed to a child whose father was killed in the South Pacific and whose mother died on August 6th--who would tell of that day? The works of these three authors convey as much of the "real story" as can be put into words.

The klieg-lighted Tokyo Trial began on May 3, 1946, and ended on November 4, 1948, a majority of the eleven judges from the victorious Allies finding the twenty-five surviving defendants, Japanese military and state leaders, guilty of most, if not all, of the charges. As at Nuremberg, the charges included for the first time "crimes against peace" and "crimes against humanity," as well as conventional war crimes. In a polemical account, Richard Minear reviews the background, proceedings, and judgment of the Tokyo Trial from its Charter and simultaneous Nuremberg "precedent" to its effects today. Mr. Minear looks at the Trial from the aspects of international law, of legal process, and of history. With compelling force, he discusses the motives of the Nuremberg and Tokyo proponents, the Trial's prejudged course--its choice of judges, procedures, decisions, and omissions--General MacArthur's review of the verdict, the criticisms of the three dissenting judges, and the dangers inherent in such an international, political trial. His systematic, partisan treatment pulls together evidence American lawyers and liberals have long suspected, feared, and dismissed from their minds.Contents: Preface. I. Introduction. II. The Tokyo Trial. III. Problems of International Law. IV. Problems of Legal Process. V. Problems of History. VI. After the Trial. Appendices. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The klieg-lighted Tokyo Trial began on May 3, 1946, and ended on November 4, 1948, a majority of the eleven judges from the victorious Allies finding the twenty-five surviving defendants, Japanese military and state leaders, guilty of most, if not all, of the charges. As at Nuremberg, the charges included for the first time "crimes against peace" and "crimes against humanity," as well as conventional war crimes. In a polemical account, Richard Minear reviews the background, proceedings, and judgment of the Tokyo Trial from its Charter and simultaneous Nuremberg "precedent" to its effects today. Mr. Minear looks at the Trial from the aspects of international law, of legal process, and of history. With compelling force, he discusses the motives of the Nuremberg and Tokyo proponents, the Trial's prejudged course--its choice of judges, procedures, decisions, and omissions--General MacArthur's review of the verdict, the criticisms of the three dissenting judges, and the dangers inherent in such an international, political trial. His systematic, partisan treatment pulls together evidence American lawyers and liberals have long suspected, feared, and dismissed from their minds.Contents: Preface. I. Introduction. II. The Tokyo Trial. III. Problems of International Law. IV. Problems of Legal Process. V. Problems of History. VI. After the Trial. Appendices. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

"Win or lose— What matter? We fight for freedom of spirit." Thus writes Ienaga Saburo, preeminent Japanese historian and courageous plaintiff in three lawsuits (1965–1997) against the government seeking to end Ministry of Education “certification” of textbooks, which even today constrains discussion of Japan's actions in China and elsewhere in the Pacific. The cases arose specifically from government censorship of Ienaga's forthright textbook accounts of the Pacific War and of such controversial events as the Nanjing massacre. The questions he has forced into the public arena are central both to the nature of Japanese democracy and to issues of war and memory. They have shaped Japanese politics and frictions with its Asian neighbors and with the United States for half a century. Spanning Japan's watershed twentieth century, this compelling autobiography traces Ienaga's childhood, education, wartime experience, academic career, and the two major battles that occupied his later years. One was the fight against the relocation of Tokyo University of Education to a new “research city” outside Tokyo; the other was the fight against “certification.” Neither battle ended in victory for Ienaga, but as he eloquently expresses in the short poem above, defeat did not make them any less worth fighting. Minear provides a masterly introduction of the man and his times and brings the story to the present with excerpts from Ienaga's court testimony and recent interviews. Illustrated with photos and textbook extracts, this volume brings to life the experience and intellectual odyssey of one of the leading shapers of contemporary Japan. It will be widely read and used by Japan specialists as well as all scholars and general readers concerned with issues of academic freedom and war and peace.

Takeyama Michio, the author of Harp of Burma, was thirty-seven in 1941, the year of the Japanese attack on Pearl Harbor. Husband, father of children born during the war, and teacher at Japan’s elite school of higher education in Tokyo, he experienced the war on its home front. His essays provide us with a personal record of the bombing of Tokyo, the shortage of food, the inability to get accurate information about the war, the frictions between civilians and military and between his elite students and other civilians, the mobilization of students into factory jobs and the military, and the relocation of civilians out of the Tokyo area. This intimate account of the “scars of war,” including personal anecdotes from Takeyama’s students and family, is one of very few histories from this unique vantage point. Takeyama’s writings educate readers about how the war affected ordinary Japanese and convey his thoughts about Japan's ally Germany, the Tokyo War Crimes Trial, and the immediate postwar years. Beautifully translated by Richard H. Minear, these honest and moving essays are a fresh look at the history of Japan during the Asia-Pacific War.

Takeyama Michio, the author of Harp of Burma, was thirty-seven in 1941, the year of the Japanese attack on Pearl Harbor. Husband, father of children born during the war, and teacher at Japan’s elite school of higher education in Tokyo, he experienced the war on its home front. His essays provide us with a personal record of the bombing of Tokyo, the shortage of food, the inability to get accurate information about the war, the frictions between civilians and military and between his elite students and other civilians, the mobilization of students into factory jobs and the military, and the relocation of civilians out of the Tokyo area. This intimate account of the “scars of war,” including personal anecdotes from Takeyama’s students and family, is one of very few histories from this unique vantage point. Takeyama’s writings educate readers about how the war affected ordinary Japanese and convey his thoughts about Japan's ally Germany, the Tokyo War Crimes Trial, and the immediate postwar years. Beautifully translated by Richard H. Minear, these honest and moving essays are a fresh look at the history of Japan during the Asia-Pacific War.

One of Japan's most important intellectuals, Nambara Shigeru defended Tokyo Imperial University against its rightist critics and opposed Japan's war. His poetic diary (1936–1945), published only after the war, documents his profound disaffection. In 1945 Nambara became president of Tokyo University and was an eloquent and ardent spokesman for academic freedom. Among his most impressive speeches are two memorials to fallen student-soldiers, which directly confront Nambara's wartime dilemma: what and how to advise students called up to fight a war he did not believe in. In this first English-language collection of his key work, historian and translator Richard H. Minear introduces Nambara's career and thinking before presenting translations of the most important of Nambara's essays, poems, and speeches. A courageous but lonely voice of conscience, Nambara is one of the few mid-century Japanese to whom we can turn for inspiration during that dark period in world history.