Richard Hoggart – författare

Richard Hoggart''s book, The Uses of Literacy, established his reputation as a uniquely sensitive and observant chronicler of English working-class life. This pioneering work, first published in 1957, examines changes in the life and values of the English working class in response to mass media. It maps out a new methodology in cultural studies based around interdisciplinary and a concern with how textsin this case, mass publicationsare stitched into the patterns of lived experience. Mixing personal memoir with social history and cultural critique. The Uses of Literacy anticipates recent interest in modes of cultural analysts that refuse to hide the author behind the mask of objective social scientific technique. In its method and in its rich accumulation of the detail of working-class life, this volume remains useful and absorbing.

The Tyranny of Relativism is an impassioned attempt by one of England''s most distinguished critics to capture the feel of British culture at the end of the twentieth century: its moods, attitudes, and institutions. Richard Hoggart presents a double argument, suggesting first that cultural dilemmas stem from a long slide towards moral relativism, as consumerism rather than authority increasingly determines the texture of life; and secondly, that despite its claims to the contrary, British Conservative governments have exploited these changes to their own ends.

Richard Hoggart''s book, The Uses of Literacy, established his reputation as a uniquely sensitive and observant chronicler of English working-class life. This pioneering work, first published in 1957, examines changes in the life and values of the English working class in response to mass media. It maps out a new methodology in cultural studies based around interdisciplinary and a concern with how textsin this case, mass publicationsare stitched into the patterns of lived experience. Mixing personal memoir with social history and cultural critique. The Uses of Literacy anticipates recent interest in modes of cultural analysts that refuse to hide the author behind the mask of objective social scientific technique. In its method and in its rich accumulation of the detail of working-class life, this volume remains useful and absorbing.

The Tyranny of Relativism is an impassioned attempt by one of England''s most distinguished critics to capture the feel of British culture at the end of the twentieth century: its moods, attitudes, and institutions. Richard Hoggart presents a double argument, suggesting first that cultural dilemmas stem from a long slide towards moral relativism, as consumerism rather than authority increasingly determines the texture of life; and secondly, that despite its claims to the contrary, British Conservative governments have exploited these changes to their own ends.

This pioneering work examines changes in the life and values of the English working class in response to mass media. First published in 1957, it mapped out a new methodology in cultural studies based around interdisciplinarity and a concern with how texts-in this case, mass publications-are stitched into the patterns of lived experience. Mixing personal memoir with social history and cultural critique, The Uses of Literacy anticipates recent interest in modes of cultural analysis that refuse to hide the author behind the mask of objective social scientific technique. In its method and in its rich accumulation of the detail of working-class life, this volume remains useful and absorbing.

Hoggart''s analysis achieves much of its power through a careful delineation of the complexities of working-class attitudes and its sensitivity to the physical and environmental facts of working-class life. The people he portrays are neither the sentimentalized victims of a culture of deference nor neo-fascist hooligans. Hoggart sees beyond habits to what habits stand for and sees through statements to what the statements really mean. He thus detects the differing pressures of emotion behind idiomatic phrases and ritualistic observances.

Through close observation and an emotional empathy deriving, in part, from his own working-class background, Hoggart defines a fairly homogeneous and representative group of working-class people. Against this background may be seen how the various appeals of mass publications and other artifacts of popular culture connect with traditional and commonly accepted attitudes, how they are altering those attitudes, and how they are meeting resistance. Hoggart argues that the appeals made by mass publicists-more insistent, effective, and pervasive than in the past-are moving toward the creation of an undifferentiated mass culture and that the remnants of an authentic urban culture are being destroyed.

In his introduction to this new edition, Andrew Goodwin, professor of broadcast communications arts at San Francisco State University, defines Hoggart''s place among contending schools of English cultural criticism and points out the prescience of his analysis for developments in England over the past thirty years. He notes as well the fruitful links to be made between Hoggart''s method and findings and aspects of popular culture in the United States.

This pioneering work examines changes in the life and values of the English working class in response to mass media. First published in 1957, it mapped out a new methodology in cultural studies based around interdisciplinarity and a concern with how texts-in this case, mass publications-are stitched into the patterns of lived experience. Mixing personal memoir with social history and cultural critique, The Uses of Literacy anticipates recent interest in modes of cultural analysis that refuse to hide the author behind the mask of objective social scientific technique. In its method and in its rich accumulation of the detail of working-class life, this volume remains useful and absorbing.

Hoggart''s analysis achieves much of its power through a careful delineation of the complexities of working-class attitudes and its sensitivity to the physical and environmental facts of working-class life. The people he portrays are neither the sentimentalized victims of a culture of deference nor neo-fascist hooligans. Hoggart sees beyond habits to what habits stand for and sees through statements to what the statements really mean. He thus detects the differing pressures of emotion behind idiomatic phrases and ritualistic observances.

Through close observation and an emotional empathy deriving, in part, from his own working-class background, Hoggart defines a fairly homogeneous and representative group of working-class people. Against this background may be seen how the various appeals of mass publications and other artifacts of popular culture connect with traditional and commonly accepted attitudes, how they are altering those attitudes, and how they are meeting resistance. Hoggart argues that the appeals made by mass publicists-more insistent, effective, and pervasive than in the past-are moving toward the creation of an undifferentiated mass culture and that the remnants of an authentic urban culture are being destroyed.

In his introduction to this new edition, Andrew Goodwin, professor of broadcast communications arts at San Francisco State University, defines Hoggart''s place among contending schools of English cultural criticism and points out the prescience of his analysis for developments in England over the past thirty years. He notes as well the fruitful links to be made between Hoggart''s method and findings and aspects of popular culture in the United States.

For years Richard Hoggart has observed the oddity of a common speech habit: the fondness for employing ready-made sayings and phrasings whenever we open our mouths, a disinclination to form our own sentences "from scratch," unless that becomes inescapable. But in this book he is interested in more specific questions. How far do the British, and particularly the English, share the same sayings across the social classes? If each group uses some different ones, are those differences determined by location, age, occupation or place in the social scale? Over the years, did such sayings indicate some of the main lines of their culture, its basic conditions, its stresses and strains, its indications of meaning, and significance? These and other concerns animate this fascinating exploration of how the English, and particularly working-class English, use the English language.Hoggart sets the stage by explaining how he has approached his subject matter, his manner of inquiry, and the general characteristics of sayings and speech. Looking back into time, he explores the idioms and epigrams in the poverty setting of the early working-class English. Hoggart examines the very innards of working-class life and the idioms, with the language that arose in relation to home, with its main characters of wives and mothers, husbands and fathers, and children; the wars; marriage; food, drink, health, and weather; neighbors, gossip, quarrels, old age, and death. He discusses related idioms and epigrams and their evolution from prewar to present.Hoggart identifies the sayings and special nuances of the English working-class people that have made them identifiable as such, from the rude and obscene to the intellectual and imaginative. Hoggart also examines the areas of tolerance, local morality, and public morality, elaborating on current usage of words that have evolved from the fourteen through the eighteenth centuries. He touches on religion, superstition, and time, the beliefs that animate language. And finally, he focuses on aphorisms and social change and the emerging idioms of relativism, concluding that many early adages still in use seem to refuse to die.With inimitable verve and humor, Hoggart offers adages, apothegms, epigrams and the like in this colorful examination drawn from the national pool and the common culture. This volume will interest scholars and general readers interested in culture studies, communications, and education.

For years Richard Hoggart has observed the oddity of a common speech habit: the fondness for employing ready-made sayings and phrasings whenever we open our mouths, a disinclination to form our own sentences "from scratch," unless that becomes inescapable. But in this book he is interested in more specific questions. How far do the British, and particularly the English, share the same sayings across the social classes? If each group uses some different ones, are those differences determined by location, age, occupation or place in the social scale? Over the years, did such sayings indicate some of the main lines of their culture, its basic conditions, its stresses and strains, its indications of meaning, and significance? These and other concerns animate this fascinating exploration of how the English, and particularly working-class English, use the English language.Hoggart sets the stage by explaining how he has approached his subject matter, his manner of inquiry, and the general characteristics of sayings and speech. Looking back into time, he explores the idioms and epigrams in the poverty setting of the early working-class English. Hoggart examines the very innards of working-class life and the idioms, with the language that arose in relation to home, with its main characters of wives and mothers, husbands and fathers, and children; the wars; marriage; food, drink, health, and weather; neighbors, gossip, quarrels, old age, and death. He discusses related idioms and epigrams and their evolution from prewar to present.Hoggart identifies the sayings and special nuances of the English working-class people that have made them identifiable as such, from the rude and obscene to the intellectual and imaginative. Hoggart also examines the areas of tolerance, local morality, and public morality, elaborating on current usage of words that have evolved from the fourteen through the eighteenth centuries. He touches on religion, superstition, and time, the beliefs that animate language. And finally, he focuses on aphorisms and social change and the emerging idioms of relativism, concluding that many early adages still in use seem to refuse to die.With inimitable verve and humor, Hoggart offers adages, apothegms, epigrams and the like in this colorful examination drawn from the national pool and the common culture. This volume will interest scholars and general readers interested in culture studies, communications, and education.

Part meditation, part commonplace book, First and Last Things is an attempt by a writer of great distinction and strong convictions to take stock of his beliefs and values. Here, Richard Hoggart considers the big questions without shortchanging readers with easy answers. He examines problems (as he sees them) of faith; the mysterious origins of conscience; the importance of family and friends; the value of literature; the nature of memory; and the need, in old age, to find some value in existence. To these issues, and many others, the author brings a lifetime of rich experience and a mind well stocked with the best that has been written by those who have gone before.

What emerges above all in this work is Richard Hoggart''s love of, almost obsession with, quotations from great authors, especially, of course, Shakespeare. He muses on the business of capitalism and democracy, noting a reluctant conclusion that democracy is the least worst form of government, and that capitalism is its inevitable partner, but one which democratic societies should treat with "a very long spoon." He argues that market and consumer driven societies are inevitably led to relativism, head-counting, and populism. The result is a book that is introspective without being self-absorbed, that is thought-provoking but never preaching, that is, profound without being portentous. First and Last Things is a work that the young should read, if only to discover how much there is still to understand, and one that the old will treasure.

Part meditation, part commonplace book, First and Last Things is an attempt by a writer of great distinction and strong convictions to take stock of his beliefs and values. Here, Richard Hoggart considers the big questions without shortchanging readers with easy answers. He examines problems (as he sees them) of faith; the mysterious origins of conscience; the importance of family and friends; the value of literature; the nature of memory; and the need, in old age, to find some value in existence. To these issues, and many others, the author brings a lifetime of rich experience and a mind well stocked with the best that has been written by those who have gone before.

What emerges above all in this work is Richard Hoggart''s love of, almost obsession with, quotations from great authors, especially, of course, Shakespeare. He muses on the business of capitalism and democracy, noting a reluctant conclusion that democracy is the least worst form of government, and that capitalism is its inevitable partner, but one which democratic societies should treat with "a very long spoon." He argues that market and consumer driven societies are inevitably led to relativism, head-counting, and populism. The result is a book that is introspective without being self-absorbed, that is thought-provoking but never preaching, that is, profound without being portentous. First and Last Things is a work that the young should read, if only to discover how much there is still to understand, and one that the old will treasure.