Richard Jenkyns – författare

Any list of the six greatest European poets would include Virgil, Aeschylus and Homer. A recent history of philosophy named Aristotle and Plato as two of the world's four greatest philosophers. The greatest historian of all is likely to be Thucydides. Why was Ancient Greek and Roman literature so great? Sweeping across a thousand years, acclaimed professor Richard Jenkyns provides a lucid and lively introduction to the foundation of all Western literature. As Jenkyns shows us, the Greeks were masters of invention - they pioneered nearly all the major literary forms, including epic poetry, tragedy, comedy, and history. The Romans, like us, already felt in the shadow of Greek literature, and, as Jenkyn puts it, they first invented imitation. In short, engaging chapters, Jenkyns illuminates the most enduring and influential works of the classical world, from the Homeric epics to the golden age of Latin poetry, and explores their unparalleled and continuing influence on Western literature.

God, Space, and City in the Roman Imagination is a unique exploration of the relationship between the ancient Romans'' visual and literary cultures and their imagination. Drawing on a vast range of ancient sources, poetry and prose, texts, and material culture from all levels of Roman society, it analyses how the Romans used, conceptualized, viewed, and moved around their city.Jenkyns pays particular attention to the other inhabitants of Rome, the gods, and investigates how the Romans experienced and encountered them, with a particular emphasis on the personal and subjective aspects of religious life. Through studying interior spaces, both secular (basilicas, colonnades, and forums) and sacred spaces (the temples where the Romans looked upon their gods) and their representation in poetry, the volume also follows the development of an architecture of the interior inthe great Roman public works of the first and second centuries AD. While providing new insights into the working of the Romans'' imagination, it also offers powerful challenges to some long established orthodoxies about Roman religion and cultural behaviour.

This book studies Virgil's ideas of nature, history, sense of nation, and sense of identity. It is exact and patient in its probing for nuance and detail, but also bold, wide, and original in its scope. It combines the study of Virgil with the study of attitudes to nature throughout antiquity. Blending literature with history, and in the case of Lucretius, philosophy, it offers a vision and an interpretation of the culture of the 1st century BC as a whole. It argues that Lucretius and Virgil affected a revolution in Western sensibility; claiming that a book about poetry should be a book about life, it combines scholarship and precision with a sense of the importance of literature and its capacity to enhance our understanding of our past and of ourselves.

The achievements of the Roman world have profoundly affected European and world civilization. The original Legacy of Rome, edited by Cyril Bailey, was published in 1923 and has been widely read and enjoyed. Nearly seventy years on, this new edition, illustrated with 24 pages of plates, offers an entirely fresh assessment of the influence of ancient Rome on the literature, art, culture, thought, and governance of later times.Fourteen contributors from a variety of disciplines each bring their individual knowledge and experience to the subjects discussed. Classical scholars consider the influence of Virgil, Horace, Ovid, pastoral, satire, and rhetoric. Historians assess Rome's impact through the ages, and textual transmission. Art, architecture, law, drama, and language are also individually discussed. The varied approach and content of this new appraisal bear witness to the richness of the civilization which forms such a large part of our heritage today.

What is it about Jane Austen's writing that brings such pleasure? There are good, even great novelists who are not good storytellers, and there are highly gifted storytellers who write thoroughly bad books. Jane Austen was both a very good storyteller and a great novelist. How did she do it? Richard Jenkyns's sparkling study delights in Austen's craft, wit, and pathos. His deep reading of the novels illuminates the subtlety, depth, and innovation that lie within them. He explores the development of her style, storytelling, and characterization, her technical prowess, and her place in comparison with her contemporaries, with a grace and wit worthy of the subject herself. All who read this book will come away with their admiration for Austen deepened, and their pleasure in her work enhanced.

God, Space, and City in the Roman Imagination is a unique exploration of the relationship between the ancient Romans' visual and literary cultures and their imagination. Drawing on a vast range of ancient sources, poetry and prose, texts, and material culture from all levels of Roman society, it analyses how the Romans used, conceptualized, viewed, and moved around their city. Jenkyns pays particular attention to the other inhabitants of Rome, the gods, and investigates how the Romans experienced and encountered them, with a particular emphasis on the personal and subjective aspects of religious life. Through studying interior spaces, both secular (basilicas, colonnades, and forums) and sacred spaces (the temples where the Romans looked upon their gods) and their representation in poetry, the volume also follows the development of an architecture of the interior in the great Roman public works of the first and second centuries AD. While providing new insights into the working of the Romans' imagination, it also offers powerful challenges to some long established orthodoxies about Roman religion and cultural behaviour.

The first book to re-assess the Oresteia for a new generation of Classicists. Bridging between the disciplines of Classics, literary studies, gender studies, moral philosophy, and theories of imagery, Jenkyns presents a close reading of the three plays and a sophisticated literary anaylsis that will become standard reading on the play.Rehabilitating the two central characters in the trilogy, Jenkyns gives a provocative and insightful new analysis of Agamemnon and Clytemnestra, prompting his readers to reconsider scholarship and current trends of interpretation. He proposes a wide and liberal view of the trilogy as showcasing a heroic ideal with a greater unity than is usually argued. For Jenkyns the characters are sympathetic and the tragic gaze is strongly centred around an inward and emotional perception of minor as well as major characters.Brilliantly argued and lucidly written, this study is set to become an influential core reading of perhaps the most influential and significant drama of the Classical world.

The first book to re-assess the Oresteia for a new generation of Classicists. Bridging between the disciplines of Classics, literary studies, gender studies, moral philosophy, and theories of imagery, Jenkyns presents a close reading of the three plays and a sophisticated literary anaylsis that will become standard reading on the play.Rehabilitating the two central characters in the trilogy, Jenkyns gives a provocative and insightful new analysis of Agamemnon and Clytemnestra, prompting his readers to reconsider scholarship and current trends of interpretation. He proposes a wide and liberal view of the trilogy as showcasing a heroic ideal with a greater unity than is usually argued. For Jenkyns the characters are sympathetic and the tragic gaze is strongly centred around an inward and emotional perception of minor as well as major characters.Brilliantly argued and lucidly written, this study is set to become an influential core reading of perhaps the most influential and significant drama of the Classical world.

The first book to re-assess the Oresteia for a new generation of Classicists. Bridging between the disciplines of Classics, literary studies, gender studies, moral philosophy, and theories of imagery, Jenkyns presents a close reading of the three plays and a sophisticated literary anaylsis that will become standard reading on the play.Rehabilitating the two central characters in the trilogy, Jenkyns gives a provocative and insightful new analysis of Agamemnon and Clytemnestra, prompting his readers to reconsider scholarship and current trends of interpretation. He proposes a wide and liberal view of the trilogy as showcasing a heroic ideal with a greater unity than is usually argued. For Jenkyns the characters are sympathetic and the tragic gaze is strongly centred around an inward and emotional perception of minor as well as major characters.Brilliantly argued and lucidly written, this study is set to become an influential core reading of perhaps the most influential and significant drama of the Classical world.

Westminster Abbey is the most complex church in the world in terms of its history, functions and memories - perhaps the most complex building of any kind. It has been an abbey and a cathedral and is now a collegiate church and a royal peculiar. It is the coronation church, a royal mausoleum, a Valhalla for the tombs of the great, a ''national cathedral'' and the ''Tomb of the Unknown Warrior''. This new edition recounts the story of this iconic building and the role it plays in our national psyche.