Richard Kostelanetz – författare

One of America's most distinguished independent artists/intellectuals, Richard Kostelanetz, has written a prescient volume that uses, as a starting point, the philosopher Robin Collingwood's notion that the historian and the novelist have much in common, for both attempt to define the largest lines of historical development. Aside from the introduction and conclusion, which were specifically written for this publication, these insightful chapters on four outstanding African-American novelists were composed and appeared in journals in the late 1960s. Kostelanetz saw the writing on the wall and told readers about it more than twenty years ago. In his analysis of the novels written by pioneering Black novelists James Weldon Johnson (1871-1938), W. E. B. Du Bois (1868-1963), Richard Wright (1908-1960), and Ralph Ellison (1914-), Kostelanetz culls their political meanings and interprets experience suggestive of political meanings. Kostelanetz places these meanings into a chronological framework that transforms the book from a political or literary history into a history of ideas in literature. This painstaking analysis of fiction--to deduce themes that are then interpreted as intellectual history--is an original scholarly approach to these novels.After presenting a typology of political alternatives for African-America, Kostelanetz looks at the work of writer/diplomat/editor James Weldon Johnson, whose groundbreaking novel, Autobiography of an Ex-Colored Man, appeared in 1912. Chapter three analyzes the novels of writer/editor/teacher W. E. B. Du Bois, whose work promoted greater understanding of African-Americans. Richard Wright, hailed as the most eloquent spokesman for African-Americans of his generation upon publication of his powerful first novel, Native Son, is considered in the following chapter. Chapter five is devoted to Ralph Ellison whose first novel, The Invisible Man, won the National Book Award and achieved prominence as a primary text on the experience of Blacks in America. This close reading of fiction for political implications closes with an appendix of two essays also written in the 1960s about the figures and issues discussed in this study. The novels treated here retain a kind of eye-witness account from the front immediacy that, combined with Kostelanetz's enduring insights, will make Politics in the African-American Novel an important addition to courses in American history, African-American politics, or African-American literature. Informed general readers will also find much to ponder in this book.

Conversing with Cage draws on over 150 interviews with John Cage conducted over four decades to draw a full picture of his life and art. Filled with the witty aphorisms that have made Cage as famous as an esthetic philosopher as a composer, the book offers both an introduction to Cage's way of thinking and a rich gathering of his many thoughts on art, life, and music. John Cage is perhaps this century's most radical classical composer. From his famous silent piece (4'33) to his proclamation that all sound is music, Cage stretched the aesthetic boundaries of what could be performed in the modern concert hall. But, more than that, Cage was a provocative cultural figure, who played a key role in inspiring scores of other artists-and social philosophers-in the second half of the 20th century. Through his life and work, he created revolutions in thinking about art, and its relationship to the world around us. Conversing with Cage is the ideal introduction to this world, offering in the artist's own words his ideas about life and art. It will appeal to all fans of this mythic figure on the American scene, as well as anyone interested in better understanding 20th century modernism.

Conversing with Cage draws on over 150 interviews with John Cage conducted over four decades to draw a full picture of his life and art. Filled with the witty aphorisms that have made Cage as famous as an esthetic philosopher as a composer, the book offers both an introduction to Cage's way of thinking and a rich gathering of his many thoughts on art, life, and music. John Cage is perhaps this century's most radical classical composer. From his famous silent piece (4'33) to his proclamation that all sound is music, Cage stretched the aesthetic boundaries of what could be performed in the modern concert hall. But, more than that, Cage was a provocative cultural figure, who played a key role in inspiring scores of other artists-and social philosophers-in the second half of the 20th century. Through his life and work, he created revolutions in thinking about art, and its relationship to the world around us. Conversing with Cage is the ideal introduction to this world, offering in the artist's own words his ideas about life and art. It will appeal to all fans of this mythic figure on the American scene, as well as anyone interested in better understanding 20th century modernism.

This essential reader includes Thomson's essays on making a living as a musician; his articles on classic composers; his relation to his contemporaries; his articles on newcomers in the music world, including John Cage and Pierre Boulez; his autobiographical writings and commentary on his own works.

This book presents a selection of the best writings, of the American composer and music legend Aaron Copland, on a wide variety of topics. It features excerpts from his correspondence and recommendations he wrote for other composers.

B.B. King is a national treasure. For more than five decades, he has been the consummate blues performer. His unique guitar playing, powerful vocals, and repertoire of songs have taken him from tiny Itta Bena, Mississippi, to worldwide renown. In this comprehensive volume, the best articles, interviews and reviews about B.B. King's life and career have been gathered. Learn how he first made his mark as a disc jockey in Memphis hawking “Pepticon” elixir and taking the moniker of the “Beale Street Blues Boy”; trace his early tours and recordings; see him be swept up in the blues revival; and finally, enjoy his fame as the greatest living exponent of the blues style.

The literary legacy of Gertrude Stein (1874-1946) consists of numerous works in which the traditional restraints of language are abandoned for spontaneous and surprising expression. Her writings challenge the reader, yet also offer an inviting liberation, and because of this they have not only endured but proven highly influential. The Gertrude Stein Reader collects fifty one of Stein's poems, stories, portraits, and plays, along with excerpts from Matisse, Picasso, and Gertrude Stein with Two Shorter Stories; A Book Concluding with As a Wife Has a Cow, A Love Story; Geography and Plays; An Acquaintance with a Description; and Useful Knowledge. The extensive introduction provides a brief biography and explains the impact her work had on subsequent writers and artists.

During the 1960s and 1970s in New York City, young artists exploited an industrial wasteland to create spacious studios where they lived and worked, redefining the Manhattan area just south of Houston Street. Its use fueled not by city planning schemes but by word-of-mouth recommendations, the area soon grew to become a world-class center for artistic creation—indeed, the largest urban artists' colony ever in America, let alone the world.Richard Kostelanetz's Artists' SoHo not only examines why the artists came and how they accomplished what they did but also delves into the lives and works of some of the most creative personalities who lived there during that period, including Nam June Paik, Robert Wilson, Meredith Monk, Richard Foreman, Hannah Wilke, George Macuinas, and Alan Suicide. Gallerists followed the artists in fashioning themselves, their homes, their buildings, and even their streets into transiently prominent exhibition and performance spaces.SoHo pioneer Richard Kostelanetz's extensively researched intimate history is framed within a personal memoir that unearths myriad perspectives: social and cultural history, the changing rules for residency and ownership, the ethos of the community, the physical layouts of the lofts, the types of art produced, venues that opened and closed, the daily rhythm, and the gradual invasion of "new people." Artists' SoHo also explores how and why this fertile bohemia couldn't last forever. As wealthier people paid higher prices, galleries left, younger artists settled elsewhere, and the neighborhood became a "SoHo Mall" of trendy stores and restaurants.Compelling and often humorous, Artists' SoHo provides an analysis of a remarkable neighborhood that transformed the art and culture of New York City over the past five decades.

As a poet, Cummings was a pioneer not only in linguistic and typographic inventions, but also in sound and concrete poetry. But his prose is no less experimental; he wrote memoirs, essays, and fiction that are constantly provocative and often radically experimental. To read the avant-garde Cummings is to read a writer who consistently broke with established norms, "never to rest and never to have: only to grow." To not read the avant-garde Cummings is to not read Cummings.

This work contains critical essays by Leslie Fiedler, High Kenner, Charles Olson, Northrop Frye, and many others.

How are we to understand, define, and critically evaluate the function, origin, and types of art and establish criteria for describing a work as "superior?" While such esthetic questions are unchanging, the answers vary markedly from decade to decade and even year to year, depending upon the prevailing opinion of critics, artists, and the public. Esthetics Contemporary has been revised and updated to include fourteen new selections from many of the most respected authorities on literature, dance, the visual arts, theatre, music, cinema, and architecture.Kostelanetz captures the rich diversity of our changing views of art while at the same time discloses its variegated influence on the contemporary art scene. Esthetics withers if compelled to remain within the stultifying confines of rigid theories. The experiential dimension of esthetic requires that it change if trends and breakthroughs in the arts are to be appreciated fully. Esthetics can ill afford to ignore the fluid reality of creative forces - that intimate and interpenetrating relationship between the esthetic theory of a particular period and the arts that dominate.Featured in this volume are discussions of the future of music, minimalist tendencies in dance, conceptual art, theatre esthetics, de-architecturalization, art as internal technology, the esthetics of the avant-garde, modernism and postmodernism, photography and esthetics, video art, radio drama, affirmation of space-time forces, criticism of imaginative writing, a structural-informational approach to cinema, phenomenal art, and much more.The first edition of Esthetics Contemporary distinguished itself as a pioneering volume that gave new meaning and clearer understanding to the often misunderstood world of contemporary art. This revised edition with its many new selections will continue that fine tradition into the next decade and beyond.

Kostelanetz captures the rich diversity of our changing views of art while at the same time discloses its variegated influence on the contemporary art scene. Featured in this volume are discussions of the future of music, minimalist tendencies in dance, conceptual art, theatre aesthetics, de-architecturalisation, art as internal technology, the aesthetics of the avant-garde, modernism and postmodernism, photography and aesthetics, video art, radio drama, affirmation of space-time forces, criticism of imaginative writing, a structural-informational approach to cinema, phenomenal art, and much more.

Twenty-five years after the publication of A Dictionary of the Avant-Gardes, the distinguished critic and arts historian Richard Kostelanetz returns to his favorite subject for a third edition. Rewriting earlier entries, adding hundreds of new ones, Kostelanetz provides intelligence and information unavailable anywhere else, no less in print than online, about a wealth of subjects and individuals. Focused upon what is truly innovative and excellent, he ranges widely with insight and surprise, including appreciations of artistic athletes such as Muhammad Ali, Johan Cruyff, and the Harlem Globetrotters and such collective creations as Las Vegas and his native New York City. Continuing the traditions of cheeky high-style Dictionarysts, honoring Samuel Johnson and Nicolas Slonimsky (both with individual entries), Kostelanetz offers a "reference book" to be enjoyed not only in bits and chunks, but continuously as one of the dozen books someone would take if they planned to be stranded on a desert isle.

Twenty-five years after the publication of A Dictionary of the Avant-Gardes, the distinguished critic and arts historian Richard Kostelanetz returns to his favorite subject for a third edition. Rewriting earlier entries, adding hundreds of new ones, Kostelanetz provides intelligence and information unavailable anywhere else, no less in print than online, about a wealth of subjects and individuals. Focused upon what is truly innovative and excellent, he ranges widely with insight and surprise, including appreciations of artistic athletes such as Muhammad Ali, Johan Cruyff, and the Harlem Globetrotters and such collective creations as Las Vegas and his native New York City. Continuing the traditions of cheeky high-style Dictionarysts, honoring Samuel Johnson and Nicolas Slonimsky (both with individual entries), Kostelanetz offers a "reference book" to be enjoyed not only in bits and chunks, but continuously as one of the dozen books someone would take if they planned to be stranded on a desert isle.

For this American edition of his legendary arts dictionary of information and opinion, the distinguished critic and arts historian Richard Kostelanetz has selected from the fuller third edition his entries on North Americans, including Canadians, Mexicans, and resident immigrants. Typically, he provides intelligence unavailable anywhere else, no less in print than online, about a wealth of subjects and individuals. Focused upon what is truly innovative and excellent, Kostelanetz also ranges widely with insight and surprise, including appreciations of artistic athletes such as Muhammad Ali and the Harlem Globetrotters, and such collective creations as Las Vegas and his native New York City. Continuing the traditions of cheeky high-style Dictionarysts, honoring Ambrose Bierce and Nicolas Slonimsky (both with individual entries), Kostelanetz offers a "reference book" to be treasured not only in bits and chunks, but continuously as one of the ten books someone would take if they planned to be stranded on a desert isle.

For this American edition of his legendary arts dictionary of information and opinion, the distinguished critic and arts historian Richard Kostelanetz has selected from the fuller third edition his entries on North Americans, including Canadians, Mexicans, and resident immigrants. Typically, he provides intelligence unavailable anywhere else, no less in print than online, about a wealth of subjects and individuals. Focused upon what is truly innovative and excellent, Kostelanetz also ranges widely with insight and surprise, including appreciations of artistic athletes such as Muhammad Ali and the Harlem Globetrotters, and such collective creations as Las Vegas and his native New York City. Continuing the traditions of cheeky high-style Dictionarysts, honoring Ambrose Bierce and Nicolas Slonimsky (both with individual entries), Kostelanetz offers a "reference book" to be treasured not only in bits and chunks, but continuously as one of the ten books someone would take if they planned to be stranded on a desert isle.

For a concise edition of his legendary arts dictionary of information and opinion, the distinguished critic and arts historian Richard Kostelanetz selects entries from the 2018 third edition. Typically he provides intelligence unavailable anywhere else, no less in print than online, about a wealth of subjects and individuals. Focused upon what is truly innovative and excellent, Kostelanetz also ranges widely with insight and surprise, including appreciations of artistic athletes such as Muhammad Ali and the Harlem Globetrotters and such collective creations as Las Vegas and his native New York City. Continuing the traditions of cheeky high-style Dictionarysts, honoring Ambrose Bierce and Samuel Johnson (both with individual entries), Kostelanetz offers a "reference book" to be enjoyed, not only in bits and chunks but continuously as one of the ten books someone would take if he or she planned to be stranded on a desert isle.

For a concise edition of his legendary arts dictionary of information and opinion, the distinguished critic and arts historian Richard Kostelanetz selects entries from the 2018 third edition. Typically he provides intelligence unavailable anywhere else, no less in print than online, about a wealth of subjects and individuals. Focused upon what is truly innovative and excellent, Kostelanetz also ranges widely with insight and surprise, including appreciations of artistic athletes such as Muhammad Ali and the Harlem Globetrotters and such collective creations as Las Vegas and his native New York City. Continuing the traditions of cheeky high-style Dictionarysts, honoring Ambrose Bierce and Samuel Johnson (both with individual entries), Kostelanetz offers a "reference book" to be enjoyed, not only in bits and chunks but continuously as one of the ten books someone would take if he or she planned to be stranded on a desert isle.

This essential reader includes Thomson's essays on making a living as a musician; his articles on classic composers; his relation to his contemporaries; his articles on newcomers in the music world, including John Cage and Pierre Boulez; his autobiographical writings and commentary on his own works.