Richard McCombs – författare

Richard McCombs presents Søren Kierkegaard as an author who deliberately pretended to be irrational in many of his pseudonymous writings in order to provoke his readers to discover the hidden and paradoxical rationality of faith. Focusing on pseudonymous works by Johannes Climacus, McCombs interprets Kierkegaardian rationality as a striving to become a self consistently unified in all its dimensions: thinking, feeling, willing, acting, and communicating. McCombs argues that Kierkegaard's strategy of feigning irrationality is sometimes brilliantly instructive, but also partly misguided. This fresh reading of Kierkegaard addresses an essential problem in the philosophy of religion—the relation between faith and reason.

Since art is essential to the love of one’s neighbor as oneself and to love’s chief goal of building up one another, we cannot understand love without also understanding its art. Observing that praise is ubiquitous in Søren Kierkegaard’s writings, Richard McCombs interprets Kierkegaard’s Works of Love as a eulogy of love’s arts of forgiveness, peace-making, and building up one’s neighbor in maturity and charity. Kierkegaard stresses love's ability to achieve results, calling love irresistible and almost magical in overcoming obstacles to its purposes; living the life of faith and love involves skillful attention to the specificity of the episodes in an individual’s life, and the creative imagining of new ways of enacting these virtues. McCombs argues that Kierkegaard’s ideas about the art of love reveal limits or exceptions to his individualism and to his anti-consequentialism in ethics. Art and Praise in Kierkegaard’s Works of Love explores Kierkegaard’s distinct praises of love through texts like Works of Love, The Brothers Karamazov, and Middlemarch to illustrate, complement, and sometimes correct Kierkegaard’s profound account of love’s art and wisdom, suggesting ways that the art of praise bears on other questions in aesthetics, ethics, and religion.