Richard McGregor – författare

Richard McGregor's The Party has been established as the book on China and its political leadership. It is indispensable to understanding what may soon become the most powerful country on earth, and here is it is newly updated to include material on the once-in-a-decade leadership changes taking place in November 2012.Newly updated version including analysis of the once-in-a-decade leadership changes taking place in November 2012China's Communist Party is the largest, most powerful political machine in the world. Here, Richard McGregor delves deeply into its inner sanctum, revealing how this secretive cabal keeps control of every aspect of the country - its military and media, legal system and businesses, even its religious organizations. How has the Party merged Marx, Mao and the market to create a global superpower? And what does this mean for the world?'Extraordinary', Sunday Times'Masterful ... entertaining and insightful', Economist'Superb ... an essential, riveting guide to how the rising power really works', Jonathan Fenby'If you read only one book about China this year, it should be this one. And if you do not read this book, you probably do not understand China today', Arthur Kroeber, China Economic Quarterly'A compelling exploration of the world's largest and most successful political machine', New Statesman'A book that is as informative as it is entertaining ... China has been transformed. The system that takes the credit is brilliantly described by McGregor', Chris Patten, Financial TimesHaving joined the Financial Timesin 2000 in Shanghai and being appointed China bureau chief in 2005, Richard McGregor is now Washington Bureau Chief for the FT. McGregor has won numerous awards throughout his nearly two decades of reporting from north Asia, including a 2010 Society of Publishers in Asia Editorial Excellence Award for his coverage on the Xinjiang Riots and 2008 SOPA Awards for Editorial Intelligence. He has spent twenty years in north Asia, starting in Taiwan, and then in Tokyo, Hong Kong and Beijing, where he established offices for The Australian newspaper. He has also contributed articles and reports to the BBC, the International Herald Tribune and the Far Eastern Economic Review.

'Stunningly good' Michael Burleigh, Evening Standard, Books of the Year 2017 A Financial Times Best Book of 2017'A shrewd and knowing book.' Robert D. Kaplan, The Wall Street Journal'A compelling and impressive read.' The Economist'Skillfully crafted and well-argued.' Jeffrey Wasserstrom, Financial Times'An excellent modern history. . . . provides the context needed to make sense of the region's present and future.' Joyce Lau, South China Morning PostThe dramatic story of the relationship between the world's three largest economies, one that is shaping the future of us all, by one of the foremost experts on east AsiaFor more than half a century, American power in the Pacific has successfully kept the peace. But it has also cemented the tensions in the toxic rivalry between China and Japan, consumed with endless history wars and entrenched political dynasties. Now, the combination of these forces with Donald Trump's unpredictable impulses and disdain for America's old alliances threatens to upend the region, and accelerate the unravelling of the postwar order. If the United States helped lay the postwar foundations for modern Asia, now the anchor of the global economy, Asia's Reckoning will reveal how that structure is now crumbling.With unrivalled access to archives in the US and Asia, as well as many of the major players in all three countries, Richard McGregor has written a tale which blends the tectonic shifts in diplomacy with the domestic political trends and personalities driving them. It is a story not only of an overstretched America, but also of the rise and fall and rise of the great powers of Asia. The confrontational course on which China and Japan have increasingly set themselves is no simple spat between neighbors. And the fallout would be a political and economic tsunami, affecting manufacturing centers, trade routes, and political capitals on every continent.

This is a new English translation of a classic of medieval Islamic learning, which illuminates the intellectual debates of its age and speaks vividly to the concerns of our own. It is the most famous work of the Brethren of Purity, a tenth-century esoteric fraternity based in Basra and Baghdad. In this rich allegorical fable the exploited and oppressed animals pursue a case against humanity. They are granted the gift of speech and presented as subjects with views and interests of their own. Over the course of the hearing they rebuke and criticise human weakness, deny man's superiority, and make powerful demands for greater justice and respect for animals. This sophisticated moral allegory combines elements of satire with a thought-provoking thesis on animal welfare. Goodman and McGregor accompany their translation with an introduction and annotations that explore the rich historical and cultural context to the work.

"As a composer one forgets, in time, the fine detail of composition processes which produced past work... it must be left to scholars to recreate, slowly and painstakingly, earlier creative processes." Peter Maxwell Davies. In the eight essays presented here, leading scholars of the music of Peter Maxwell Davies explore some of the composer's creative processes. David Roberts, Peter Owens and Richard McGregor examine Davies's employment of pitch-class sets and other models evident in his sketch material, while Joel Lester looks at the serial elements that produce structure and effect in the work Ave Maris Stella. The political, literary and musical influences evident in the 1987 opera Resurrection and in subsequent orchestral works come under scrutiny from John Warnaby. Davies's use of older dramatic forms and ritual is the focus of Michael Burden's examination of his music theatre. The composer's own descriptions of his compositional process contain distinctly modernist overtones as Arnold Whittall suggests in the concluding essay in the volume. The sustained textural multiplicity evident in much of Davies's music points to this modernism. It is a multiplicity mirrored in the variety of approaches taken by the commentators in this volume. The differing points of view on offer complement and contrast each other, allowing the reader to appreciate the different levels on which Davies's music works.

Peter Maxwell Davies (1934-2016) was one of the leading international composers of the post-war period as well as one of the most productive.Peter Maxwell Davies (1934-2016) was one of the leading international composers of the post-war period as well as one of the most productive. This book provides a global view of his music, integrating a number of resonant themes in the composer's work while covering a representative cross-section of his vast output - his work list encompasses nearly 550 compositions in every established genre. Each chapter focuses on specific major works and offers generaldiscussion of other selected works connected to the main themes. These themes include compositional technique and process; genre; form and architecture; tonality and texture; allusion, quotation and musical critique; and place and landscape. Throughout, the book contends that Davies's works are not created in a vacuum but are intimately connected to, and are a reflection of, 'the past'. This deep engagement occurs on a number of levels, fluctuating and interacting with the composer's own predominantly modernist idiom and evoking a chain of historical resonances. Making sustained reference to Davies's own words, articles and programme notes as well as privileged access to primary source material from his estate, the book illuminates the composer's practices and approaches while shaping a discourse around his music.