Richard Miller – författare

Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product.A new edition of the authoritative, single-source handbook to the selection, design, specification, and installation of flowmeters measuring liquid, gas, and steam flows. Miller (president, RW Miller Consulting) supplies the key information on seven-place equation constants and simplifying equations and includes many examples, graphs, and tables to help improve performance, and save time and expense.The revised edition features the latest ISO, ASME, and ANSI-related standards, meter influence quantities for flowmeters, and proposed orifice and nozzle equations. The nine appendices present discussions and proofs, and the generalized properties of liquids and gas. Provides definitive information on selecting, sizing, and performing pipe-flow-rate calculations, using the latest ISO and ANSI standards in both SI and US equivalents. Also presents physical property data, support material for important fluid properties, accuracy estimation and installation requirements for all commonly used flowmeters, guides to meter selection and accuracy, and coverage of linear/differential producers. Includes tabular and graphical representations of equations and extensive cross-referenced appendices.

Singing Schumann is likely to become the standard introduction to some of the best-loved songs in the singer''s repertoire. Written by a distinguished performer and internationally known teacher, the book offers astute, practical advice for bringing Robert Schumann''s Lieder to life in performance. Richard Miller guides the reader through the interpretation of all of Schumann''s solo and duet songs, drawing thoroughly on Schumann''s compositional style and its historical background. In addition to covering the "familiar forty"--the much-performed songs Schumann composed in and around 1840 while trying to win the hand of Clara Wieck--Miller takes an in-depth look at the lesser known early and later songs. In particular, he focuses on the rich and varied repertoire of Schumann''s later years, challenging the conventional view that these works reflect a decline in the composer''s creative powers. Singing Schumann begins with an overview of Schumann as a song composer and then proceeds to survey the entire repertoire, song by song. It features the well-known cycles, including the Eichendorff Liederkreis, Frauenliebe und -leben, and Dichterliebe, as well as the Liederalbum für die Jugend and settings of texts by Goethe, Burns, Rückert, and Kulmann. Using numerous musical examples, Miller uncovers Schumann''s characteristic compositional devices and describes his novel and experimental approaches to the interpretation of texts, often achieved through exceptionally colorful keyboard accompaniments. Musically sensitive and eminently readable, Singing Schumann is an invaluable guide for teachers, coaches, pianists, and singers.

A comprehensive volume on all facets of vocal performance, On the Art of Singing considers in detail established comparative vocal techniques, the specifics of interpretation and communication, the factors that contribute to career preparation and maintainance, and the application of functional information to the art of singing. Topics that most frequently concern singers and teachers at all levels of accomplishment are reviewed. These include an examination of pedagogical approaches to breath management, to laryngeal freedom, and to resonance balance, advice on career building, considerations of style and interpretation, and information on the physiology and acoustics of the singing voice. Data from diverse sources, otherwise inaccessible to the singer, are assembled and interpreted in the light of performance artistry. From his own long and distinguished career as a performer, teacher of singing, and vocal researcher, the author aims at making practical the relationship of technical proficiency to freedom in performance.

All soprano voices have characteristics in common, but each type of soprano voice also has special features that require a particular approach in teaching. A young dramatic soprano must not be forced into a soubrette mold, nor should the soubrette soprano be assigned dramatic tasks. Training Soprano Voices offers a complete system for training each type of soprano voice based on historic vocal pedagogy coupled with modern-day research on the singing voice. Designed as a practical program for singers, teachers, and voice professionals, the book places emphasis on the special nature of the soprano voice and the proper physiological functioning for the establishment of vocal proficiency. For each category of voice, Miller supplies a detailed description, recommends appropriate literature, and provides an effective system for voice building, including techniques for breath management, vibratory response, resonance balancing, language articulation, vocal agility, sostenuto, proper vocal registration, and dynamic control. The book concludes with a daily regimen of vocal development for healthy singing and artistic performance. Dozens of technical exercises, vocalization material taken from the performance literature, and numerous anatomical illustrations are included.

Internationally recognized master teacher Richard Miller offers solutions to more than 200 significant questions on voice technique and performance, culled from hundreds of masterclasses and pedagogy courses. In this pragmatic guide for securing technique and artistry, Miller deals directly with problems faced by established professional performers, studio teachers, and students of singing, avoiding abstract generalities. The question-and-answer pairs are organized under 10 broad topic headings that constitute singers' most important concerns.

Perhaps the most renowned writer in the field of vocal pedagogy, Richard Miller has delivered a new and outstanding contribution to the study of vocal technique in Securing Baritone, Bass-Baritone, and Bass Voices. The first thorough and comprehensive treatment of low male voices, this book draws on techniques and practical advice from Miller's years of professional experience as a performer and pedagogue. With a unique focus on "securing" the technical stability of the male voice, the book offers practical advice to students, their teachers, and professional performers, through numerous practical exercises and repertoire suggestions appropriate to various stages of development. Miller synthesizes historic vocal pedagogy with the latest research on the singing voice, always emphasizing the special nature of the male voice and the proper physiological functioning for vocal proficiency. An indispensable guide to male low voices, this book is an essential text for performers, aspiring performers, and instructors alike.

Singing Schumann is likely to become the standard introduction to some of the best-loved songs in the singer''s repertoire. Written by a distinguished performer and internationally known teacher, the book offers astute, practical advice for bringing Robert Schumann''s Lieder to life in performance. Richard Miller guides the reader through the interpretation of all of Schumann''s solo and duet songs, drawing thoroughly on Schumann''s compositional style and its historical background. In addition to covering the "familiar forty"--the much-performed songs Schumann composed in and around 1840 while trying to win the hand of Clara Wieck--Miller takes an in-depth look at the lesser known early and later songs. In particular, he focuses on the rich and varied repertoire of Schumann''s later years, challenging the conventional view that these works reflect a decline in the composer''s creative powers. Singing Schumann begins with an overview of Schumann as a song composer and then proceeds to survey the entire repertoire, song by song. It features the well-known cycles, including the Eichendorff Liederkreis, Frauenliebe und -leben, and Dichterliebe, as well as the Liederalbum für die Jugend and settings of texts by Goethe, Burns, Rückert, and Kulmann. Using numerous musical examples, Miller uncovers Schumann''s characteristic compositional devices and describes his novel and experimental approaches to the interpretation of texts, often achieved through exceptionally colorful keyboard accompaniments. Musically sensitive and eminently readable, Singing Schumann is an invaluable guide for teachers, coaches, pianists, and singers.

Training Soprano Voices provides a complete and reliable system for training each type of soprano voice. Designed as a practical program for singers, teachers, and voice professionals, it couples historic vocal pedagogy with the latest research on the singing voice, emphasizing the special nature of the soprano voice and the proper physiological functioning for vocal proficiency. Renowned singing teacher Richard Miller supplies a detailed description for each of the nine categories of soprano voices. For each category he then surveys the appropriate literature and provides an effective system for voice building, including techniques for breath management, vibratory response, resonance balancing, language articulation, vocal agility, sostenuto, proper vocal registration, and dynamic control. The book concludes with a daily regimen of vocal development for healthy singing and artistic performance. It also features dozens of technical exercises, vocalization material taken from the performance literature, and numerous anatomical illustrations. Unique in its focus on a single voice, Training Soprano Voices is likely to set the standard in voice training for years to come.

While many texts and courses on the art of singing offer comprehensive overviews of technique and performance, few have time to delve into the specific questions they spawn. Solutions for Singers explores these unanswered questions, filling in gaps that professional performers, students of singing, and voice teachers have long sought to close.Fielding over 200 questions, distinguished teacher and performer Richard Miller tackles problems raised during hundreds of his master classes and pedagogy courses. He deliberately avoids abstract generalities, concentrating instead on specific, recurring questions: What are some good exercises to loosen or relax tension in the back of the tongue? Do you apply the same principles regarding breathing to a younger student that you do to older students? What is meant by voiced and unvoiced consonants? Is there a female falsetto? Through such specialized questions, Miller probes the very essence of artistic expression.The questions are organized under ten broad topics, which Miller considers from various angles. He couples traditional and modern philosophies to present the most relevant and precise solutions. The result is an invaluable handbook for singers, which, read either sequentially or selectively, provides a unique and pragmatic approach to vocal artistry and technique.

Perhaps the most renowned writer in the field of vocal pedagogy, Richard Miller has delivered a new and outstanding contribution to the study of vocal technique in Securing Baritone, Bass-Baritone, and Bass Voices. The first thorough and comprehensive treatment of low male voices, this book draws on techniques and practical advice from Miller''s years of professional experience as a performer and pedagogue. With a unique focus on "securing" the technical stability of the male voice, the book offers practical advice to students, their teachers, and professional performers, through numerous practical exercises and repertoire suggestions appropriate to various stages of development. Miller synthesizes historic vocal pedagogy with the latest research on the singing voice, always emphasizing the special nature of the male voice and the proper physiological functioning for vocal proficiency. An indispensable guide to male low voices, this book is an essential text for performers, aspiring performers, and instructors alike.

This engaging and long influential collection of essays looks at the art of singing in its totality. Written in a lively, non-technical style, On the Art of Singing is a comprehensive manual that deals with all aspects of singing, from the physiology and acoustics of the singing voice to career-building. Divided into four main sections -- vocal technique, style and interpretation, professional preparation, and vocal pedagogy - the book''s structure is such that the reader may pick and choose as personal interests and needs dictate. Containing essential information for all singers, including original research on the mechanics of the voice, this book collects in one volume everything that renowned instructor and singer Richard Miller considers essential to the art of vocal performance. To anyone seeking that elusive state of vocal freedom, whether as a singer or instructor of singers, and to anyone else interested in voice, vocal technique or vocal performance, On the Art of Singing will prove an indispensible guide.

This engaging and long influential collection of essays looks at the art of singing in its totality. Written in a lively, non-technical style, On the Art of Singing is a comprehensive manual that deals with all aspects of singing, from the physiology and acoustics of the singing voice to career-building. Divided into four main sections -- vocal technique, style and interpretation, professional preparation, and vocal pedagogy - the book's structure is such that the reader may pick and choose as personal interests and needs dictate. Containing essential information for all singers, including original research on the mechanics of the voice, this book collects in one volume everything that renowned instructor and singer Richard Miller considers essential to the art of vocal performance. To anyone seeking that elusive state of vocal freedom, whether as a singer or instructor of singers, and to anyone else interested in voice, vocal technique or vocal performance, On the Art of Singing will prove an indispensible guide.

This engaging and long influential collection of essays looks at the art of singing in its totality. Written in a lively, non-technical style, On the Art of Singing is a comprehensive manual that deals with all aspects of singing, from the physiology and acoustics of the singing voice to career-building. Divided into four main sections -- vocal technique, style and interpretation, professional preparation, and vocal pedagogy - the book''s structure is such that the reader may pick and choose as personal interests and needs dictate. Containing essential information for all singers, including original research on the mechanics of the voice, this book collects in one volume everything that renowned instructor and singer Richard Miller considers essential to the art of vocal performance. To anyone seeking that elusive state of vocal freedom, whether as a singer or instructor of singers, and to anyone else interested in voice, vocal technique or vocal performance, On the Art of Singing will prove an indispensible guide.

Training Soprano Voices provides a complete and reliable system for training each type of soprano voice. Designed as a practical program for singers, teachers, and voice professionals, it couples historic vocal pedagogy with the latest research on the singing voice, emphasizing the special nature of the soprano voice and the proper physiological functioning for vocal proficiency. Renowned singing teacher Richard Miller supplies a detailed description for each of the nine categories of soprano voices. For each category he then surveys the appropriate literature and provides an effective system for voice building, including techniques for breath management, vibratory response, resonance balancing, language articulation, vocal agility, sostenuto, proper vocal registration, and dynamic control. The book concludes with a daily regimen of vocal development for healthy singing and artistic performance. It also features dozens of technical exercises, vocalization material taken from the performance literature, and numerous anatomical illustrations. Unique in its focus on a single voice, Training Soprano Voices is likely to set the standard in voice training for years to come.

While many texts and courses on the art of singing offer comprehensive overviews of technique and performance, few have time to delve into the specific questions they spawn. Solutions for Singers explores these unanswered questions, filling in gaps that professional performers, students of singing, and voice teachers have long sought to close.Fielding over 200 questions, distinguished teacher and performer Richard Miller tackles problems raised during hundreds of his master classes and pedagogy courses. He deliberately avoids abstract generalities, concentrating instead on specific, recurring questions: What are some good exercises to loosen or relax tension in the back of the tongue? Do you apply the same principles regarding breathing to a younger student that you do to older students? What is meant by voiced and unvoiced consonants? Is there a female falsetto? Through such specialized questions, Miller probes the very essence of artistic expression.The questions are organized under ten broad topics, which Miller considers from various angles. He couples traditional and modern philosophies to present the most relevant and precise solutions. The result is an invaluable handbook for singers, which, read either sequentially or selectively, provides a unique and pragmatic approach to vocal artistry and technique.

Perhaps the most renowned writer in the field of vocal pedagogy, Richard Miller has delivered a new and outstanding contribution to the study of vocal technique in Securing Baritone, Bass-Baritone, and Bass Voices. The first thorough and comprehensive treatment of low male voices, this book draws on techniques and practical advice from Miller''s years of professional experience as a performer and pedagogue. With a unique focus on "securing" the technical stability of the male voice, the book offers practical advice to students, their teachers, and professional performers, through numerous practical exercises and repertoire suggestions appropriate to various stages of development. Miller synthesizes historic vocal pedagogy with the latest research on the singing voice, always emphasizing the special nature of the male voice and the proper physiological functioning for vocal proficiency. An indispensable guide to male low voices, this book is an essential text for performers, aspiring performers, and instructors alike.

Friends and Other Strangers argues for expanding the field of religious ethics to address the normative dimensions of culture, interpersonal desires, friendships and family, and institutional and political relationships. Richard B. Miller urges religious ethicists to turn to cultural studies to broaden the range of the issues they address and to examine matters of cultural practice and cultural difference in critical and self-reflexive ways. Friends and Other Strangers critically discusses the ethics of ethnography; ethnocentrism, relativism, and moral criticism; empathy and the ethics of self-other attunement; indignation, empathy, and solidarity; the meaning of moral responsibility in relation to children and friends; civic virtue, war, and alterity; the normative and psychological dimensions of memory; and religion and democratic public life. Miller challenges distinctions between psyche and culture, self and other, and uses the concepts of intimacy and alterity as dialectical touchstones for examining the normative dimensions of self-other relationships. A wholly contemporary, global, and interdisciplinary work, Friends and Other Strangers illuminates aspects of moral life ethicists have otherwise overlooked.

In 1977, Scarecrow Press published Richard Miller's study, English, French, German and Italian Techniques of Singing: A Study in National Tonal Preferences and How They Relate to Functional Efficiency. He compared the historic and then current techniques practiced in the four major Western European schools of vocalism and evaluated technical maneuvers found within each.Recent years have placed greater demands on the vocal talents of professional singers with the growth of performance spaces, the emergence of the stage director, louder orchestral sound, and even the infusion of pop culture sounds into traditional music. As "world culture" continues to expand, and vocal talent becomes more homogenous, the need for continued recognition of lingering national and regional vocal training techniques becomes more important for the singer's quest to develop a certain style. This update of Miller's original study incorporates these new concerns with a continued investigation into which techniques within the national schools are common to them all and which idiosyncratic regional tendencies remain.

This work addresses a broad range of problems related to observed manifestations of chaotic motions in galactic and stellar objects, by invoking basic theory, numerical modelling, and observational evidence. Methods of stochastic dynamics are applied to actually observed astronomical objects, that is, the gaseous disc of the spiral galaxy NGC 3631. In the latter case, the existence of chaotic trajectories in the boundary of giant vortices was recently found by the calculation of the Lyapunov characteristic number of these trajectories. The reader will find research results on the peculiarities of chaotic system behaviour; a study of the integrals of motion in self-consistent systems; numerical modeling results of the evolution process of disk systems involving resonance excitation of the density waves in spiral galaxies; a review of specific formations in stars and high-energy sources demonstrating their stochastic nature; a discussion of the peculiarities of the precessional motion of the accretion disk and relativistic jets in the double system SS 433; and so forth. This book is unusual in that it deals with the problem of chaos in real astrophysical objects.It is intended for graduate and post-graduate students in the fields of non-linear dynamics, astrophysics, planetary and space physics; specifically for those dealing with computer modelling of the relevant processes.

A guidebook to 66 via ferrata routes in the French Alps. Covering the region between Geneva and Briançon the routes range from very easy, protected routes suitable for children, through to extremely exposed and technical routes for experienced ferratists only.

Routes can be enjoyed in 1-9 hours Routes are graded by technical difficulty, exposure and seriousness Routes from keys areas including Chambery, Grenobe, the Tarentaise and Maurienne valleys Local points of interest are featured including the Mont Blanc, Vanoise and Queyras massifs Perfect June through to September although some routes are open from early Spring to early winter Sketch maps and topos included for each route

The 66 via ferrata routes in this guidebook are grouped by area - Geneva and the Northern Alps, Chambery, the Tarentaise and Maurienne valleys, Grenoble and Briancon - and run the full gamut of challenge, from very easy, protected routes suitable for children, through to extremely exposed and technical routes for experienced ferratists only. Routes are illustrated by topo diagrams on colour photographs, and simple sketch maps. Those used to the older Italian routes will find these French routes quite different, closer to scrambling or rock climbing and often seeking out the most vertigo-inducing terrain. But most routes should be within the reach of any strong hillwalker and protection is high and well maintained. Recent years have witnessed a surge in the number of via ferrata routes set up in the iconic mountains of the French Alps. With routes set on or near many classics including the massifs of Mont Blanc, the Vanoise and the Queyras, this guide shows the best of what is now available.

Clip on and climb into some of the most spectacular mountain terrain in Europe on 66 via ferrata routes across the French Alps, from the lakeside crags above Geneva and the dramatic gorges of the Chartreuse to the high alpine routes of the Vanoise, Écrins, and Queyras massifs near Briançon. The French Alps offer one of the most varied and rewarding via ferrata destinations in the world. Suitable for a wide range of abilities, this comprehensive Cicerone guide describes 66 via ferrata routes across six distinct areas of the French Alps between Geneva and Briançon. Routes can be enjoyed in 1 to 9 hours and are graded for technical difficulty, exposure, and the seriousness of the environment, from easy protected routes ideal for children and beginners to massively exposed technical challenges for experienced ferratists only. Choose from 66 via ferrata routes across six areas of the French Alps, covering Geneva and the Northern Alps, Chambéry, the Tarentaise and Maurienne valleys, Grenoble, and Briançon, with routes taking in some of the finest alpine scenery in France.Discover highlights including routes on or near the Mont Blanc massif, the Beaufortain and Vanoise massifs, the Chartreuse and Écrins massifs, and the dramatic Queyras range near the Italian border, with many routes offering spectacular views across the surrounding alpine landscape.Prepare thoroughly with a full introduction covering equipment, moving safely on via ferratas, climbing with children, dangers, accidents and mountain rescue, and insurance, giving you everything you need to tackle the routes safely and confidently.Plan your French Alps via ferrata trip with practical information on getting to and around the Alps, accommodation in key centres including Geneva, Chambéry, Grenoble, and Briançon, and a full glossary of via ferrata terminology in French and English.Navigate each route with confidence using sketch maps and topos included for every via ferrata, alongside a full appendix listing all 66 routes in order of difficulty to help you plan a programme of routes suited to your experience and ambition.Plan your visit for the best conditions on the via ferratas of the French Alps, with the bulk of routes open from early summer to mid-autumn and a good number accessible from early spring to early winter depending on local weather, making this one of the most flexible via ferrata destinations in the Alps. Take on the via ferratas of the French Alps with confidence using this trusted Cicerone guidebook. From beginner-friendly protected routes above the shores of Lac Bourget to the exposed technical challenges of the Écrins and Queyras, this is the essential companion for via ferrata in the French Alps.

Texts and translation of all Debussy's songs with valuable notes.This completely revised second edition of The Poetic Debussy contains the most recent discoveries in the composer's oeuvre, including a number of hitherto unknown songs. The texts of all Debussy's songs, both in the original French and with revised English translations on the facing page, are collected in chronological order, with notes and location of sources. In addition, Margaret Cobb has brought together a fascinating selection of Debussy's letters which have poetic refences, and has updated the notes on those twenty-six compositions based on or inspired by literary texts. This work will prove an invaluable aid to performers, scholars and students, as it contains the texts, with translations, of the full output of Debussy's songs, describes his works derived from literary sources, and includes important background material.

Using a framework combining Critical Race Theory and Critical Reflection and Generativity for Transformative Praxis, this book examines both how white preservice teachers conceive of race and racism (habits of mind) and how they react when dealing with race and racism in the classroom (patterns of acting). With firm grounding in real-world data, the authors detail ways in which teacher educators can recognize and deal with preservice teachers who cannot—or will not—translate their reflections on race into actions against racism.