Richard Nelson – författare

In this book, the editors and a team of distinguished international contributors analyse the nature of organizational capabilities–how organizations do things, use their knowledge base, and diffuse that knowledge in a competitive environment. Dosi is the author and editor of numerous books including Technology, Organization, and Competitiveness (OUP, 1998). He is also one of the editors of the journal Industrial and Corporate Change published by Oxford University Press. Nelson and Winter are recognized as leading proponents of evolutionary perspectives in economics and management. The book includes chapters from David Teece, Keith Pavitt, Benjamin Coriat, and Richard Florida amongst others.

In this book, the editors and a team of distinguished international contributors analyse the nature of organizational capabilities–how organizations do things, use their knowledge base, and diffuse that knowledge in a competitive environment. Dosi is the author and editor of numerous books including Technology, Organization, and Competitiveness (OUP, 1998). He is also one of the editors of the journal Industrial and Corporate Change published by Oxford University Press. Nelson and Winter are recognized as leading proponents of evolutionary perspectives in economics and management. The book includes chapters from David Teece, Keith Pavitt, Benjamin Coriat, and Richard Florida amongst others.

The first of three volumes that will serve as a comprehensive and inclusive finding tool, this work defines propaganda in an uncertain postmodern information age. Linked to the U.S. Constitution, mass media, and business, the role propaganda plays must be understood in terms of an information-based economy. An extensive chronology of propaganda-related events, plus an A-Z guide defining hundreds of important terms (some ill-defined in context, such as backdoor contact and spin doctor), combine to meet an immediate need for an easy-to-use resource that not only credibly defines the field but stimulates new research.Americans have had a love-hate relationship with propaganda since before the nation itself existed. The thesis of this work is that propaganda is as American as apple pie. The right to persuade and communicate is enshrined in the First Amendment to the U.S. Constitution. The technologies and business aspects of mass media that shape culture around the world were perfected in America; hundreds of thousands of people find employment in various persuasion industries. Propaganda is becoming even more essential to maintaining social cohesion in a multiculturally diverse society. The three volumes in this series act as a finding tool that distinctively crossed over artificial barriers to open new approaches to understanding the phenomenon that defines our time. This work clarifies what propaganda is or is not as it knives through the confusion surrounding the imprecise terminology and lack of historical background to often associated with its study.

The poster as we know it dates from the Industrial Revolution, although one form of outdoor advertising has existed for many centuries. Industrialisation meant that producer became separated from consumer while production for mass consumption rapidly increased, so that a development was necessary in the methods employed in bringing to public notice the merits and very existence of many goods. Billsticking began, a business rife with skulduggery, and in the second half of the nineteenth century an enterprising billposter took the step that changed outdoor advertising forever: he rented a site. From there the industry has grown apace, and Outdoor Advertising makes sense of these changes by looking at its practical side, the contractor, the agent, the designer, and the planning side, including site selection, as well as looking at specific campaigns and how their audience have received them. This, then, is a book about outdoor advertising, its design and colourful presentation, its place in the advertising and marketing story.First published in 1953.

This collection of Richard Nelson's plays brings together five major works for the stage, including three - Some Americans Abroad, Two Shakespearean Actors and New England - written for the Royal Shakespeare Company.The collection also includes the plays Principia Scriptoriae and Left, and is introduced by the author.

Three Plays of Adolescence: Goodnight Children Everywhere; Franny's Way; Madame MelvilleGoodnight Children EverywhereOlivier Award for Best Play, 2000'Exile - both literal and emotional - has been a haunting preoccupation for this dramatist. And with all themes of displacement and loss comes the yearning for a sense of place, for those attachments we cannot always rationalize but know as home. In Goodnight Children Everywhere, the safe harbor of home has been dynamited by war... A disturbing and lovely domestic drama about the loss of childhood.'New York ObserverFranny's Way'Boundaries warp and melt in the dense urban heat that pervades Franny's Way, Nelson's sensitively drawn portrait of love in the age of J.D.Salinger. The lines between childhood and adulthood blur disorientatingly for the three generations of characters gathered in a cramped apartment in Greenwich Village at the height of the summer in the 1950's... Nelson continues to give compassionate and insightful life to such erotic waywardness.'New York Times'It moves with the breathless haste of a horny teen on prom night.'Time Out New YorkMadame Melville'A memory play of wonderful delicacy, tenderness and humour... I left the theatre elated at having discovered such a terrific new play. An exquisite reminder of lost love, innocence and youth.' Daily Telegraph'An elegant, tender, beguiling play.' Guardian'It moves with the breathless haste of a horny teen on prom night.'Time Out New YorkMadame Melville'A memory play of wonderful delicacy, tenderness and humour... I left the theatre elated at having discovered such a terrific new play. An exquisite reminder of lost love, innocence and youth.' Daily Telegraph'An elegant, tender, beguiling play.' Guardian

Harley Granville Barker, the most influential theatre-maker of his time, finds himself adrift in America during the Great War. Estranged from the theatre, and with his spirit almost broken by an acrimonious divorce, he seeks refuge in the relative obscurity of a quiet, backwater, Williamstown, Massachusetts. He finds comfort in the congeniality of his fellow refugees and in the courtesy of strangers - and gradually begins to regain his faith in humanity and his belief in the central role of Theatre in the civilised community.

These three plays were written and performed over the memorable summer of 2020. Forced into isolation as the pandemic raged and protests against racism spread after the murder of George Floyd, the Apple Family of Rhinebeck, New York, gather over Zoom to share meals and weather the storms. Together, virtually, they swap jokes, stories and their adventures with grocery shopping and dating; they reveal their depression and fears, they mourn lost friends and even watch a dance performance, as the world outside sputters out of control, amidst anger, illness, and a coming election.With an introduction and afterword by the author.

These three plays were written and performed in real time over the course of the memorable summer of 2020. Forced into isolation as the pandemic raged and massive protests against racism spread after the murder of George Floyd, the Apple Family of Rhinebeck, New York, gather over Zoom to share meals and weather the storms. Together, virtually, they share jokes, stories and their adventures with grocery shopping and dating; they reveal their depression, fears and anxieties, they mourn lost friends and even watch together a dance performance, all while the world outside sputters increasingly out of control, amidst anger, illness, and a coming election.With an introduction and afterword by the author.

He told me about some bloke who was sick and then got well - by placing a poem by William Blake in his shirt pocket . . . Heading for the West Country by train, an actor takes the scenic route from Waterloo to spend a weekend with an old friend. He recalls staying there one summer with his late partner Michael, another actor. Glad to be alive but uncertain of his future, he shares stories and his thoughts about Shakespeare, friends, his career and the trials of his own health. Richard Nelson's funny and compelling monologue opened at Hampstead Theatre, London, in March 2024.

Now what I need to explain to you, my friend, what your countrymen need to understand, is that when that day comes, and it will come, when my countrymen wake up, I'm not at all sure that it'll be your side that they choose . . .June, 1939. A weekend at a country house. King George VI has one chance to convince President Roosevelt to support him in the impending war. But it all seems to depend on whether the king and his wife can navigate a public picnic with the decorum expected of British royalty. The fate of nations rests upon beer and hot dogs.In Richard Nelson's humane, richly observed play, private fears and personal indiscretions spill out over a summer night, as the world waits on the brink of war.Springwood opened at Hampstead Theatre, London, in June 2026.

The book of Joshua has many textual problemsprimarily differences between the Hebrew and Greek texts. Much of the inconsistency stems from the varied forms of storytelling in the book, including the war narratives, folktales, sermons, and city lists. In this commentary, now available in a new casebound edition, Richard D. Nelson addresses Joshua's textual issues while offering historical, literary, and theological insights.The Old Testament Library provides fresh and authoritative treatments of important aspects of Old Testament study through commentaries and general surveys. The contributors are scholars of international standing.