Richard Neupert – författare

Celebrated as Pixar's "Chief Creative Officer," John Lasseter is a revolutionary figure in animation history and one of today's most important filmmakers. Lasseter films from Luxo Jr. to Toy Story and Cars 2 highlighted his gift for creating emotionally engaging characters. At the same time, they helped launch computer animation as a viable commercial medium and serve as blueprints for the genre's still-expanding commercial and artistic development. Richard Neupert explores Lasseter's signature aesthetic and storytelling strategies and details how he became the architect of Pixar's studio style. Neupert contends that Lasseter's accomplishments emerged from a unique blend of technical skill and artistic vision, as well as a passion for working with collaborators. In addition, Neupert traces the director's career arc from the time Lasseter joined Pixar in 1984. As Neupert shows, Lasseter's ability to keep a foot in both animation and CGI allowed him to thrive in an unconventional corporate culture that valued creative interaction between colleagues. The ideas that emerged built an animation studio that updated and refined classical Hollywood storytelling practices--and changed commercial animation forever.

Celebrated as Pixar's "Chief Creative Officer," John Lasseter is a revolutionary figure in animation history and one of today's most important filmmakers. Lasseter films from Luxo Jr. to Toy Story and Cars 2 highlighted his gift for creating emotionally engaging characters. At the same time, they helped launch computer animation as a viable commercial medium and serve as blueprints for the genre's still-expanding commercial and artistic development. Richard Neupert explores Lasseter's signature aesthetic and storytelling strategies and details how he became the architect of Pixar's studio style. Neupert contends that Lasseter's accomplishments emerged from a unique blend of technical skill and artistic vision, as well as a passion for working with collaborators. In addition, Neupert traces the director's career arc from the time Lasseter joined Pixar in 1984. As Neupert shows, Lasseter's ability to keep a foot in both animation and CGI allowed him to thrive in an unconventional corporate culture that valued creative interaction between colleagues. The ideas that emerged built an animation studio that updated and refined classical Hollywood storytelling practices--and changed commercial animation forever.

Celebrated as Pixar''s "Chief Creative Officer," John Lasseter is a revolutionary figure in animation history and one of today''s most important filmmakers. Lasseter films from Luxo Jr. to Toy Story and Cars 2 highlighted his gift for creating emotionally engaging characters. At the same time, they helped launch computer animation as a viable commercial medium and serve as blueprints for the genre''s still-expanding commercial and artistic development.

Richard Neupert explores Lasseter''s signature aesthetic and storytelling strategies and details how he became the architect of Pixar''s studio style. Neupert contends that Lasseter''s accomplishments emerged from a unique blend of technical skill and artistic vision, as well as a passion for working with collaborators. In addition, Neupert traces the director''s career arc from the time Lasseter joined Pixar in 1984. As Neupert shows, Lasseter''s ability to keep a foot in both animation and CGI allowed him to thrive in an unconventional corporate culture that valued creative interaction between colleagues. The ideas that emerged built an animation studio that updated and refined classical Hollywood storytelling practices--and changed commercial animation forever.

The French New Wave cinema is arguably the most fascinating of all film movements, famous for its exuberance, daring, and avant-garde techniques. ""A History of the French New Wave Cinema"" offers a fresh look at the social, economic, and aesthetic mechanisms that shaped French film in the 1950s, as well as detailed studies of the most important New Wave movies of the late 1950s and early 1960s. Richard Neupert first tracks the precursors to New Wave cinema, showing how they provided blueprints for those who would follow. He demonstrates that it was a core group of critics-turned-directors from the magazine, ""Cahiers du Cinema"" - especially Francois Truffaut, Claude Chabrol, and Jean-Luc Godard - who really revealed that filmmaking was changing forever. Later, their cohorts Eric Rohmer, Jacques Rivette, Jacques Doniol-Valcroze, and Pierre Kast continued in their own unique ways to expand the range and depth of the New Wave. In an exciting new chapter, Neupert explores the subgroup of French film practice known as the Left Bank Group, which included directors such as Alain Resnais and Agnes Varda. With the addition of this new material and an updated conclusion, Neupert presents a comprehensive review of the stunning variety of movies to come out of this important era in filmmaking.

French Animation History is essential reading for anyone interested in the history of animation, illuminating the exceptional place France holds within that history. Selected by Choice as an Outstanding Academic Title for 2011The first book dedicated exclusively to this historyExplores how French animators have forged their own visual styles, narrative modes, and technological innovations to construct a distinct national style, while avoiding the clichés and conventions of Hollywood’s commercial cartoonsIncludes more than 80 color and black and white images from the most influential films, from early silent animation to the recent internationally renowned PersepolisEssential reading for anyone interested in the study of French film

French Animation History is essential reading for anyone interested in the history of animation, illuminating the exceptional place France holds within that history. Selected by Choice as an Outstanding Academic Title for 2011The first book dedicated exclusively to this historyExplores how French animators have forged their own visual styles, narrative modes, and technological innovations to construct a distinct national style, while avoiding the clichés and conventions of Hollywood’s commercial cartoonsIncludes more than 80 color and black and white images from the most influential films, from early silent animation to the recent internationally renowned PersepolisEssential reading for anyone interested in the study of French film

French Animation History is essential reading for anyone interested in the history of animation, illuminating the exceptional place France holds within that history. Selected by Choice as an Outstanding Academic Title for 2011 The first book dedicated exclusively to this history Explores how French animators have forged their own visual styles, narrative modes, and technological innovations to construct a distinct national style, while avoiding the clichés and conventions of Hollywood’s commercial cartoons Includes more than 80 color and black and white images from the most influential films, from early silent animation to the recent internationally renowned Persepolis Essential reading for anyone interested in the study of French film