Richard Norton – författare

Norton's Complex Variables for Scientists and Engineers is a new textbook, originally written for the Complex Analysis term of an undergraduate Mathematical Methods of Physics sequence at UCLA. It does not assume any prior knowledge of complex numbers or functions and is therefore suitable for a first course in the subject for undergraduate students who have had an introductory course in the standard calculus of real variables. The book provides a thorough grounding in the theory of complex functions. The mathematics is careful, yet accessible to any student who knows basic calculus. It covers the subjects essential in any scientific or engineering discipline that uses mathematics beyond the elementary level. The reader will find a clear presentation of complex differentiation and integration, Cauchy's theorem and integral formula, and infinite series and products. There is a long and thorough section on applying the residue theorem to the evaluation of real integrals, and a section on special functions and their integral representations. The book includes the conformal property of analytic functions and its applications to boundary value problems in electrostatics; a topological analysis that leads to the extension of the residue theorem to multiply-connected regions and contours; a section on the method of steepest descent; a section on the Riemann zeta function; and a discussion of the convergence of integral representations, which is rarely presented in detail in introductory texts. Those who want to see the mathematics done carefully, and who are looking for more than a 'cook-book' treatment that presents the basic techniques without exploring all the nooks and crannies of the subject, will find these sections especially satisfying. The preface suggests how to extract a bare-bones course for those in a hurry, without losing sight of the beauty and depth of the subjects.

Norton's Complex Variables for Scientists and Engineers is a new textbook, originally written for the Complex Analysis term of an undergraduate Mathematical Methods of Physics sequence at UCLA. It does not assume any prior knowledge of complex numbers or functions and is therefore suitable for a first course in the subject for undergraduate students who have had an introductory course in the standard calculus of real variables. The book provides a thorough grounding in the theory of complex functions. The mathematics is careful, yet accessible to any student who knows basic calculus. It covers the subjects essential in any scientific or engineering discipline that uses mathematics beyond the elementary level. The reader will find a clear presentation of complex differentiation and integration, Cauchy's theorem and integral formula, and infinite series and products. There is a long and thorough section on applying the residue theorem to the evaluation of real integrals, and a section on special functions and their integral representations. The book includes the conformal property of analytic functions and its applications to boundary value problems in electrostatics; a topological analysis that leads to the extension of the residue theorem to multiply-connected regions and contours; a section on the method of steepest descent; a section on the Riemann zeta function; and a discussion of the convergence of integral representations, which is rarely presented in detail in introductory texts. Those who want to see the mathematics done carefully, and who are looking for more than a 'cook-book' treatment that presents the basic techniques without exploring all the nooks and crannies of the subject, will find these sections especially satisfying. The preface suggests how to extract a bare-bones course for those in a hurry, without losing sight of the beauty and depth of the subjects.

Hailed as "absolutely the best reference book on its subject" by Newsweek, American Musical Theatre: A Chronicle covers more than 250 years of musical theatre in the United States, from a 1735 South Carolina production of Flora, or Hob in the Well to The Addams Family in 2010. Authors Gerald Bordman and Richard Norton write an engaging narrative blending history, critical analysis, and lively description to illustrate the transformation of American musical theatre through such incarnations as the ballad opera, revue, Golden Age musical, rock musical, Disney musical, and, with 2010's American Idiot, even the punk musical. The Chronicle is arranged chronologically and is fully indexed according to names of shows, songs, and people involved, for easy searching and browsing. Chapters range from the "Prologue", which traces the origins of American musical theater to 1866, through several "intermissions" (for instance, "Broadway's Response to the Swing Era, 1937-1942") and up to "Act Seven", the theatre of the twenty-first century. This last chapter covers the dramatic changes in musical theatre since the last edition published-whereas Fosse, a choreography-heavy revue, won the 1999 Tony for Best Musical, the 2008 award went to In the Heights, which combines hip-hop, rap, meringue and salsa unlike any musical before it. Other groundbreaking and/or box-office-breaking shows covered for the first time include Avenue Q, The Producers, Billy Elliot, Jersey Boys, Monty Python's Spamalot, Wicked, Hairspray, Urinetown the Musical, and Spring Awakening.Discussion of these shows incorporates plot synopses, names of principal players, descriptions of scenery and costumes, and critical reactions. In addition, short biographies interspersed throughout the text colorfully depict the creative minds that shaped the most influential musicals. Collectively, these elements create the most comprehensive, authoritative history of musical theatre in this country and make this an essential resource for students, scholars, performers, dramaturges, and musical enthusiasts.

Julian of Norwich's Revelations of Divine Love grapples with the same fundamental question that has vexed philosophers and theologians since the advent of monotheistic religion, and continues as a barrier to belief for many today. Namely, if God is so good, how can natural disaster, genocide, trauma - and my present suffering - occur? Historically, there have been two apparently very different approaches to the problem: the pastoral, or practical, on the one hand and the systematic on the other. Richard Norton, however, suggests that these two lines of thought may not be as separate as they seem, and may indeed be dependent on one another for their cohesion. Drawing on Julian's medieval experience of personal and population-wide suffering, alongside that of more recent theologians such as Dorothy Solle and Jürgen Moltmann, Norton constructs a compassionate model of theodicy that can be of use to both pastoral and systematic theologians. Throughout, he remains sensitive to the raw atrocity of evil, while preserving a vision of God as the one who ensures that all shall be well.

This book celebrates the 640th anniversary of Juilan''s "Showings". It compares Julian''s prayer life with that of Teresa of Avila and shows how this leads to a system of Contemplative ethics for us today as we explore questions of ecology, empowerment and equality.

So many people have told me I should write a book because I almost always could come up with a true story for most any situation happening. So I am succumbing to all the prompting and writing down the many stories I have stored in me. It''s impossible to just sit down and write everything at once. I have to wait until an event happens that triggers my memory. For instance, when I was in the army, I recorded many of the happenings of army life that I thought funny or unusual. Stories I write will mostly be about other people that happened into my life and not necessarily about me, but I was there, an observer as much as a participant. I''ve relied on the opinions of generous friends who think my stories are worthwhile. I''m fortunate to have crossed paths with many luminaries and have been exposed to lots of humanity, both good and bad. I went from high school into army intelligence for three years during the Korean War. After being discharged, I attended Wayne State University for one year and sold cars for a short while. Then I went to the Chrysler Engineering Institute. I graduated from Chrysler and became a body design engineer. After a while, big layoffs got me looking for employment again, and I went to work as a mechanical engineer for several years at companies that were into the space programs. I drifted into acting and modeling and was one of the most working models around Detroit. I was in over one hundred movies and TV commercials in that career for nineteen years and worked all over the country. In 1980, I moved to the Palm Beach area in Florida and, after a short time engineering again, was hired as a salesman at one of the largest art galleries in the world. I spent sixteen years at the gallery and then retired as part owner. In retirement now, I occupy my time painting, golfing, and cruising around the waters in my boat. This book is about the unusual happenings in my varied life and of the many famous people I met and worked with. Every story is true and written as best I can recollect.