Richard Norton-Taylor – författare

Value Engineering: Scenes from the Grenfell Inquiry is a verbatim reconstruction of the Grenfell Tower Public Inquiry. Using only the words spoken at the Inquiry, the play deals predominantly with Part 2 which ran between January 2020 - July 2021 in which evidence was heard from those responsible for the disastrous refurbishment of Grenfell Tower before the tragic fire.Edited by Richard Norton-Taylor and directed by Nicholas Kent, the team behind previous testimonial plays The Colour of Justice: The Stephen Lawrence Inquiry and Bloody Sunday: Scenes from the Saville Inquiry, this edited verbatim account of the Grenfell Inquiry is aimed at giving the public an overview and access to some of the most important evidence.The play shows how companies involved in the refurbishment of the Tower conspired to cover up what they knew about the dangerous and life-threatening materials used to refurbish the Tower. It also reveals the incompetence and neglect of local authorities.Staged in Notting Hill Tabernacle in October 2021, this features the full text of the play alongside additional information on the context of Grenfell and the ongoing inquiry.

Value Engineering: Scenes from the Grenfell Inquiry is a verbatim reconstruction of the Grenfell Tower Public Inquiry. Using only the words spoken at the Inquiry, the play deals predominantly with Part 2 which ran between January 2020 - July 2021 in which evidence was heard from those responsible for the disastrous refurbishment of Grenfell Tower before the tragic fire.Edited by Richard Norton-Taylor and directed by Nicholas Kent, the team behind previous testimonial plays The Colour of Justice: The Stephen Lawrence Inquiry and Bloody Sunday: Scenes from the Saville Inquiry, this edited verbatim account of the Grenfell Inquiry is aimed at giving the public an overview and access to some of the most important evidence.The play shows how companies involved in the refurbishment of the Tower conspired to cover up what they knew about the dangerous and life-threatening materials used to refurbish the Tower. It also reveals the incompetence and neglect of local authorities.Staged in Notting Hill Tabernacle in October 2021, this features the full text of the play alongside additional information on the context of Grenfell and the ongoing inquiry.

Value Engineering: Scenes from the Grenfell Inquiry is a verbatim reconstruction of the Grenfell Tower Public Inquiry. Using only the words spoken at the Inquiry, the play deals predominantly with Part 2 which ran between January 2020 - July 2021 in which evidence was heard from those responsible for the disastrous refurbishment of Grenfell Tower before the tragic fire.Edited by Richard Norton-Taylor and directed by Nicholas Kent, the team behind previous testimonial plays The Colour of Justice: The Stephen Lawrence Inquiry and Bloody Sunday: Scenes from the Saville Inquiry, this edited verbatim account of the Grenfell Inquiry is aimed at giving the public an overview and access to some of the most important evidence.The play shows how companies involved in the refurbishment of the Tower conspired to cover up what they knew about the dangerous and life-threatening materials used to refurbish the Tower. It also reveals the incompetence and neglect of local authorities.Staged in Notting Hill Tabernacle in October 2021, this features the full text of the play alongside additional information on the context of Grenfell and the ongoing inquiry.

Described by a former senior Intelligence official as a ‘long-term thorn in the side of the intelligence establishment’, Richard Norton-Taylor reveals the secrets of his forty-year career as a journalist covering the world of spies and their masters in Whitehall.Early in his career, Norton-Taylor successfully campaigned against official secrecy, gaining a reputation inside the Whitehall establishment and the outside world alike for his relentless determination to expose wrongdoing and incompetence. His special targets have always been the security and intelligence agencies and the Ministry of Defence, institutions that often hide behind the cloak of national security to protect themselves from embarrassment and accountability. Encouraged by his trusted contacts in intelligence agencies and Whitehall departments, Norton-Taylor was among the first of the few journalists to consistently attack the planned invasion of Iraq in 2003, and subsequently covered the devastating evidence of every witness in the Chilcot inquiry in the Guardian . With unique access to a wide array of defence sources, The State of Secrecy offers a provocative and rare insight into the disputes among top military commanders as they struggled to fight wars in Iraq and Afghanistan with under-resourced and ill-equipped troops.Winner of numerous awards for his journalism, Norton-Taylor is one of the most respected defence and security journalists of his generation. The State of Secrecy is an illuminating, critical and provocative account of the author’s experiences investigating this secret world.

Grenfell: System Failure asks further vital questions raised by the Grenfell Tower Inquiry since the critically acclaimed 2021 play Grenfell: Value Engineering.Based entirely on the words of those involved in the final phase of the Inquiry (which ended in November 2022), this new play interrogates why the testing regime failed to warn of the danger of installing inflammable materials, why manufacturers promoted such products with no regard to safety, why government regulations ignored the dangers and were not updated, and why politicians failed to ensure proper oversight. Through the testimonies of bereaved residents, it explores how they were failed by the London Fire Brigade on the night and abandoned by the Local Authority in the chaos of the fire’s aftermath.This play is brought to the stage by the creative team responsible for Grenfell: Value Engineering at the Tabernacle, Birmingham Rep and on Channel 4, The Stephen Lawrence Inquiry – The Colour of Justice at the Tricycle Theatre, the National Theatre, in the West End and on BBC TV, and the Olivier Award-winning Saville Inquiry play, Bloody Sunday.

Grenfell: System Failure asks further vital questions raised by the Grenfell Tower Inquiry since the critically acclaimed 2021 play Grenfell: Value Engineering.Based entirely on the words of those involved in the final phase of the Inquiry (which ended in November 2022), this new play interrogates why the testing regime failed to warn of the danger of installing inflammable materials, why manufacturers promoted such products with no regard to safety, why government regulations ignored the dangers and were not updated, and why politicians failed to ensure proper oversight. Through the testimonies of bereaved residents, it explores how they were failed by the London Fire Brigade on the night and abandoned by the Local Authority in the chaos of the fire''s aftermath.This play is brought to the stage by the creative team responsible for Grenfell: Value Engineering at the Tabernacle, Birmingham Rep and on Channel 4, The Stephen Lawrence Inquiry – The Colour of Justice at the Tricycle Theatre, the National Theatre, in the West End and on BBC TV, and the Olivier Award-winning Saville Inquiry play, Bloody Sunday.

Grenfell: System Failure asks further vital questions raised by the Grenfell Tower Inquiry since the critically acclaimed 2021 play Grenfell: Value Engineering.Based entirely on the words of those involved in the final phase of the Inquiry (which ended in November 2022), this new play interrogates why the testing regime failed to warn of the danger of installing inflammable materials, why manufacturers promoted such products with no regard to safety, why government regulations ignored the dangers and were not updated, and why politicians failed to ensure proper oversight. Through the testimonies of bereaved residents, it explores how they were failed by the London Fire Brigade on the night and abandoned by the Local Authority in the chaos of the fire''s aftermath.This play is brought to the stage by the creative team responsible for Grenfell: Value Engineering at the Tabernacle, Birmingham Rep and on Channel 4, The Stephen Lawrence Inquiry – The Colour of Justice at the Tricycle Theatre, the National Theatre, in the West End and on BBC TV, and the Olivier Award-winning Saville Inquiry play, Bloody Sunday.

"It usually begins as a play put on at a theatre in North London, and then transfers to I think the BBC, maybe in this case to ITV, I do not know. But the participants and witnesses are played by actors; and there is nothing one can do to stop this. Indeed, it shows, perhaps, the appetite, legitimate appetite of the public, for information beyond the press, beyond the bare written words of what happened." (The Hutton Inquiry, 1/8/03, from Geoffrey Robertson QC's application for the proceedings to be televised)Although primarily focusing on Dr Kelly's death, the Hutton Inquiry has revealed much of the inner workings of Downing Street, the MoD and the BBC. Witnesses have been challenged and questioned on the compilation of the dossier on weapons of mass destruction, the releasing of Dr Kelly's name into the public domain, and the Government's case for war in Iraq.Justifying War - Scenes from the Hutton Inquiry opened at the Tricycle Theatre, London on 30th October 2003.

Tasked with investigating Britain’s role in the Iraq War, the evidence presented to the Chilcot Inquiry was devastating and stark.Drawing together testimonies from leading political players with the forgotten voices of Iraqi refugees, veterans and military families against war – this pertinent and bold piece of documentary theatre explores the accountability of those who have power over us.

Tasked with investigating Britain’s role in the Iraq War, the evidence presented to the Chilcot Inquiry was devastating and stark.Drawing together testimonies from leading political players with the forgotten voices of Iraqi refugees, veterans and military families against war – this pertinent and bold piece of documentary theatre explores the accountability of those who have power over us.

Richard Norton-Taylor reveals the secrets of his forty-year career as a journalist covering the world of spies and their masters in Whitehall. Early in his career, Norton-Taylor successfully campaigned against official secrecy, gaining a reputation inside the Whitehall establishment and the outside world alike for his relentless determination to expose wrongdoing and incompetence. His special targets have always been the security and intelligence agencies and the Ministry of Defence, institutions that often hide behind the cloak of national security to protect themselves from embarrassment and being held to account. Encouraged by his trusted contacts in intelligence agencies and Whitehall departments, Norton-Taylor was among the first of the few journalists consistently to attack the planned invasion of Iraq in 2003 and subsequently covered for the Guardian the devastating evidence of every witness to the Chilcot inquiry. He also enjoyed unique access to a wide array of defence sources, giving him a rare insight into the disputes among top military commanders as they struggled to fight wars in Iraq and Afghanistan with under-resourced and ill-equipped troops.Described by a former senior Intelligence official as a ‘long-term thorn in the side of the intelligence establishment’, and winner of numerous awards for his journalism, Norton-Taylor is one of the most respected defence and security journalists of his generation. Provocative, and rich in anecdotes, The State of Secrecy is an illuminating, critical and, at times, provocative account of the author’s experiences investigating the secret world.

Richard Norton-Taylor reveals the secrets of his forty-year career as a journalist covering the world of spies and their masters in Whitehall. Early in his career, Norton-Taylor successfully campaigned against official secrecy, gaining a reputation inside the Whitehall establishment and the outside world alike for his relentless determination to expose wrongdoing and incompetence. His special targets have always been the security and intelligence agencies and the Ministry of Defence, institutions that often hide behind the cloak of national security to protect themselves from embarrassment and being held to account. Encouraged by his trusted contacts in intelligence agencies and Whitehall departments, Norton-Taylor was among the first of the few journalists consistently to attack the planned invasion of Iraq in 2003 and subsequently covered for the Guardian the devastating evidence of every witness to the Chilcot inquiry. He also enjoyed unique access to a wide array of defence sources, giving him a rare insight into the disputes among top military commanders as they struggled to fight wars in Iraq and Afghanistan with under-resourced and ill-equipped troops.Described by a former senior Intelligence official as a 'long-term thorn in the side of the intelligence establishment', and winner of numerous awards for his journalism, Norton-Taylor is one of the most respected defence and security journalists of his generation. Provocative, and rich in anecdotes, The State of Secrecy is an illuminating, critical and, at times, provocative account of the author's experiences investigating the secret world.

Richard Norton-Taylor reveals the secrets of his forty-year career as a journalist covering the world of spies and their masters in Whitehall. Early in his career, Norton-Taylor successfully campaigned against official secrecy, gaining a reputation inside the Whitehall establishment and the outside world alike for his relentless determination to expose wrongdoing and incompetence. His special targets have always been the security and intelligence agencies and the Ministry of Defence, institutions that often hide behind the cloak of national security to protect themselves from embarrassment and being held to account. Encouraged by his trusted contacts in intelligence agencies and Whitehall departments, Norton-Taylor was among the first of the few journalists consistently to attack the planned invasion of Iraq in 2003 and subsequently covered for the Guardian the devastating evidence of every witness to the Chilcot inquiry. He also enjoyed unique access to a wide array of defence sources, giving him a rare insight into the disputes among top military commanders as they struggled to fight wars in Iraq and Afghanistan with under-resourced and ill-equipped troops.Described by a former senior Intelligence official as a 'long-term thorn in the side of the intelligence establishment', and winner of numerous awards for his journalism, Norton-Taylor is one of the most respected defence and security journalists of his generation. Provocative, and rich in anecdotes, The State of Secrecy is an illuminating, critical and, at times, provocative account of the author's experiences investigating the secret world.

In 1993, black teenager Stephen Lawrence was stabbed to death in a racist attack by a gang of white youths. The police investigation failed to provide sufficient evidence to convict. Based on the harrowing transcripts of the public inquiry, this is a dramatic reconstruction of the first hearings which reflected the national outcry at the police's mishandling of the case. First seen at the Tricycle Theatre, London, this remarkable production received instant acclaim and subsequently transferred to the West End.

Although primarily focusing on the reported suicide of Dr. David Kelly, the Hutton Inquiry has revealed much of the inner workings of Downing Street, the Ministry of Defense and the BBC. Witnesses have been challenged and questioned on the compilation of the dossier on weapons of mass destruction, the releasing of Dr. Kelly’s name into the public domain and the British government’s case for war in Iraq.

In 2006, two leading barristers: Philippe Sands QC (for the prosecution) and Julian Knowles (for the defence) tested the evidence of the grounds for an indictment of the British Prime Minister for the crime of aggression against Iraq. They examined a number of distinguished witnesses, including MPs, diplomats, international lawyers, civil servants, UN officials, policy advisors, intelligence experts and journalists. The arguments and testimony gathered, edited into a play by Richard Norton-Taylor, examine the criminal implications of the British Government's decision to use force against Iraq, and allow the audience to decide whether an indictment in this case is proven. Called to Account opened at the Tricycle Theatre, London in April 2007."

On 14 September 2003, at the Haitham Hotel in Basra, Iraq, Baha Mousa and nine others were arrested by the British Army as suspected insurgents. Two days later Baha Mousa was dead. A post-mortem examination revealed that he had suffered from asphyxiation, and had received at least 93 injuries to his body whilst in the Army’s custody. In 2008 the Secretary of State for Defence announced a PublicInquiry into Baha Mousa’s death and the treatment of those detained with him.Tactical Questioning brings together scenes from the Public Inquiry which examined the shocking events that took placeover those two days of detention, and the British Army’s policies towards the treatment of detainees.This production coincides with the publishing of the Inquiry’s findings in Summer 2011.

in 2007 year two leading barristers: Philippe Sands QC (for the prosecution) and Julian Knowles (for the defence) tested the evidence of the grounds for an indictment of the British Prime Minister for the crime of aggression against Iraq. They examined a number of distinguished witnesses, including MPs, diplomats, international lawyers, civil servants, UN officials, policy advisors, intelligence experts and journalists.The arguments and testimony gathered, edited into a play by Richard Norton-Taylor, examine the criminal implications of the British Government's decision to use force against Iraq, and allow the audience to decide whether an indictment in this case is proven. Called to Account opened at the Tricycle Theatre, London in April 2007.

On 14 September 2003, at the Haitham Hotel in Basra, Iraq, Baha Mousa and nine others were arrested by the British Army as suspected insurgents. Two days later Baha Mousa was dead. A post-mortem examination revealed that he had suffered from asphyxiation, and had received at least 93 injuries to his body whilst in the Army’s custody. In 2008 the Secretary of State for Defence announced a PublicInquiry into Baha Mousa’s death and the treatment of those detained with him.Tactical Questioning brings together scenes from the Public Inquiry which examined the shocking events that took placeover those two days of detention, and the British Army’s policies towards the treatment of detainees.This production coincides with the publishing of the Inquiry’s findings in Summer 2011.

In 1993, black teenager Stephen Lawrence was stabbed to death in a racist attack by a gang of white youths. The police investigation failed to provide sufficient evidence to convict.Based on the harrowing transcripts of the public inquiry, this is a dramatic reconstruction of the first hearings which reflected the national outcry at the police's mishandling of the case. First seen at the Tricycle Theatre, London, this remarkable production received instant acclaim and subsequently transferred to the West End.