Richard Rayner – författare

Spanning two continents and three decades, The Cloud Sketcher is an epic tale of love, murder and revenge.Police stand ready to make an arrest as the Ile de France liner docks at New York Harbour in 1929. The passengers assume that it is notorious bootlegger Paul Mantilini who is to be taken away. But Mantilini walks down the gangplank a free man and instead it is Esko Vaananen the police arrest – a celebrated architect, and by all accounts a shy and mild-mannered young man.Born a peasant in rural Finland at the turn of the century, Esko, the son of an outcast Bolshevik, dreamed of skyscrapers and of a beautiful and tragic Russian aristocrat named Katerina. His entire life has been spent pursuing and protecting these twin passions, no matter how great the cost. It is a journey that has led him into the battlefields of the Bolshevik revolution and the jazz-age nightclubs of New York City, and finally, to strike a Faustian bargain with a ruthless gangster – all in pursuit of artistic perfection and impossible, unattainable love. And now he stands accused of murder…A grand and unashamedly romantic literary epic, The Cloud Sketcher moves from the battle of Tampere to the incredible danger of working on ‘the high steel’ of skyscraper shells, from Prohibition to the remarkable intersection of organized crime, finance and the arts in 1920s New York, powerfully evoking an era gone by.

One hundred forty years ago, four men rose from their position as middle-class merchants in Sacramento, California, to become the force behind the transcontinental railroad. In the course of doing so, they became wealthy beyond any measure––and to sustain their power, they lied, bribed, wheedled, and, when necessary, arranged for obstacles, both human and legal, to disappear. Their names were Collis Huntington, Leland Stanford, Charles Crocker, and Mark Hopkins, and they were known as “The Big Four” or “The Associates.” Their drive for money––nothing more, nothing less––was epic. Their legacy is a university, public gardens, museums, mansions, banks, and libraries––and to a large degree California itself, a state that even today owes its aura of “can-do” and limitless possibilities to The Associates.

One hundred forty years ago, four shopkeepers in Sacramento, California, rose to become the force behind the American transcontinental railroad, achieving along the way wealth beyond measure. To build influence and maintain power, they lied, bribed, and, when necessary, arranged for obstacles, both human and legal, to disappear. Their names were Collis Huntington, Leland Stanford, Charles Crocker, and Mark Hopkins, and they were known as "The Big Four" or "The Associates." Their drive for money—nothing more, nothing less—was epic. Their legacy is a university, public gardens, museums, mansions, banks, and libraries—and to a large degree, California itself. A captivating chronicle of a crucial period in American urban expansion, The Associates is a true-to-life tale of ruthless ambition, staggering greed, and the making of a nation.

In the roaring twenties Los Angeles was the fastest growing city in the world, mad with oil fever, get-rich-quick schemes, celebrity scandals, and religious fervor. It was also rife with organized crime, with a mayor in the pocket of the syndicates and a DA taking bribes to throw trials. In A Bright and Guilty Place, Richard Rayner narrates the entwined lives of two men, Dave Clark and Leslie White, who were caught up in the crimes, murders, and swindles of the day. Over a few transformative years, as the boom times shaded into the Depression, the adventures of Clark and White would inspire pulp fiction and replace L.A.'s reckless optimism with a new cynicism. Together, theirs is the tale of how the city of sunshine got noir. When A Bright and Guilty Place begins, Leslie White is a naïve young photographer who lands a job as a crime-scene investigator in the L.A. district attorney's office. There he meets Dave Clark, a young, movie-star handsome lawyer and a rising star prosecutor with big ambitions. The cases they tried were some of the first "trials of the century," starring dark-hearted oil barons, sexually perverse starlets, and hookers with hearts of gold. Los Angeles was in the grip of organized crime, and White was dismayed to see that only the innocent paid while the powerful walked free. But Clark was entranced by L.A.'s dangerous lures and lived the high life, marrying a beautiful woman, wearing custom-made suits, yachting with the rich and powerful, and jaunting off to Mexico for gambling and girls. In a shocking twist, when Charlie Crawford, the Al Capone of L.A., was found dead, the chief suspect was none other than golden boy Dave Clark.A Bright and Guilty Place is narrative non-fiction at its most gripping. Richard Rayner portrays an L.A. controlled by organized crime, where brutal murders, spectacular trials, political misdeeds, and the sexual perversities of Hollywood starlets are chronicled in graphic detail in the tabloids; where writers like Raymond Chandler and Dashiell Hammett transformed a dark reality into gripping fiction; and whose events would inspire the shadowy L.A. of film noir.