Richard Schickel - Böcker

This is an electrifying biography, by one of America's foremost film scholars, of the controversial director Elia Kazan (1909-2003), that looks at the man and his art in the context of the social, political, and cultural environments in which he lived and worked. From the late forties through the sixties, Elia Kazan was the most important and influential director in America, and the only one who managed simultaneously to dominate both theater and film. In that role, he manifestly shaped the conception and writing, as well as the presentation, of many of the period's iconic works, reshaping the values of the stage and bringing a new realism and intensity of performance to the screen. His various achievements include the original Broadway productions of "All My Sons", "A Streetcar Named Desire", and "Death of a Salesman" and such Hollywood films as "Brando's Streetcar", "On the Waterfront", "East of Eden", and "Splendor in the Grass". These enormously popular works, in turn, shaped the social, sexual, and political ideas of a generation. The result is an intelligent and lively biography and social history.

The definitive illustrated retrospective on the Oscar-winning director of some of the most resonant and enduring films of all time. For more than five decades, Steven Spielberg has created inspiring, exciting and unforgettable movie magic. Jaws, E.T., the Indiana Jones series, Close Encounters of the Third Kind, Schindler’s List, Saving Private Ryan and West Side Story are among the many favourites that have thrilled cinema audiences all over the world. They are some of the highest-grossing, most captivating and enduring films of all time – contemporary classics that indelibly remain part of our lives. This timely retrospective celebrates more than fifty years of Steven Spielberg’s boundless energy and his unwavering commitment to excellence in all areas of his work. Drawing on his many first-person interviews, distinguished writer and critic Richard Schickel provides unique insight on every one of Spielberg’s thirty-four major movies. Including a personal foreword by the director himself, this is an insider’s perspective on Spielberg’s legendary achievements. Illustrated with more than 400 superb images, many sourced specially from the Steven Spielberg Archive, this book is an essential companion to the art of making movies and an authoritative tribute to a Hollywood icon.

A new kind of film emerged from Hollywood in the early 1940s, thrillers that derived their plots from the hard-boiled school of crime fiction but with a style all their own. Appearing in 1944, 'Double Indemnity 'was a key film in the definition of the genre that came to be known as film noir. Its script creates two unforgettable criminal characters: the cynically manipulative Phyllis Dietrichson (Barbara Stanwyck) and the likeable but amoral Walter Neff (Fred MacMurray). Billy Wilder's brilliant direction enmeshes them in chiaroscuro patterns, the bright California sun throwing shadows of venetian blinds across dusty rooms, shafts of harsh lamplight cutting through the night. Richard Schickel traces in fascinating detail the genesis of the film: its literary origins in the crime fiction of the 1930s, the difficult relations between Wilder and his scriptwriter Raymond Chandler, the casting of a reluctant Fred MacMurray, the late decision to cut from the film the expensively shot final sequence of Neff's execution. This elegantly written account, copiously illustrated, confirms a new the status of 'Double Indemnity' as an undisputed classic.

“This magnificent and important biography...is the best ever written on the man.” – The New Republic; “Mr. Schickel's excellent and important biography makes it clear that when the movers of our century are tallied, D.W. Griffith, flawed genius that he was, can never lose his eminent position.” – Peter Bogdanovich, The New York Times Book Review

In trying to understand the power of celebrity in modern life, Richard Schickel ranges through every realm of our culture — film, theatre, television, literature, art, the media, pop music, politics — for examples of how celebrity shapes our world and bends our minds. He considers the careers of figures as diverse as John Kennedy and Marlon Brando, Marilyn Monroe and Dwight Eisenhower, Walter Cronkite and Andy Warhol, among dozens of others. And he reflects on the dangerous, sometimes deadly, political and social consequences of the fascinating, largely unacknowledged relationship between the famous elite and the unfamous majority. In demonstrating how the carefully fostered illusion of intimacy between these two groups has created a devastating confusion between public life and private life, in showing how the play of celebrity symbols has largely replaced the play of ideas in our society, Schickel takes us on a journey to the heart of contemporary darkness — and offers, finally, a chilling warning about the psychopathic consequences of our national obsession with celebrity. "Intimate Strangers is, simply, in my estimation, the single most important book about celebrity." — Neal Gabler.

One of our most thoughtful film critics here takes on eight of Hollywood’s finest directors in conversation, reminiscing about their working lives which spanned the most intriguing decades of American filmmaking. The directors are Alfred Hitchcock, Frank Capra, Vincente Minnelli, George Cukor, Howard Hawks, William A. Wellman, King Vidor, and Raoul Walsh. Speaking with them, Mr. Schickel found in these men a special quality: “They felt in their bones the character and quality of a vanished America.” There was something valuable to be learned from them, not merely about the cinema but about the conduct of life. Each of these directors created a canon of work that even today sustains critical analysis without sacrificing popular appeal. Each maintained his artistic integrity while working in an atmosphere generally credited with ruining rather than nurturing talent. Their attitudes, Mr. Schickel writes in his introduction, were "composed of a toughness that was never harsh, a pride in achievement that was never boastful, a self-reliance and an acceptance of the difficulties under which they had labored which contained neither self-pity nor a desire to blame others for the things that had gone wrong." Rich in behind-the-scenes stories about such modern classics as It Happened One Night, Dawn Patrol, The Champ, Born Yesterday, Father of the Bride, and Shadow of a Doubt, as well as in anecdotes about the men and women of Hollywood, this book is an enduring tribute to the men who made the movies. With 33 black-and-white photographs. “Immensely readable and richly informative...it provides a real education in just how movies are made.... One of the best introductions to the cinema that one could ask for.”—Library Journal.

In an unprecedented television program last year, Woody Allen spoke to the camera for the first time about the entire range of his work, in an interview with Richard Schickel, the distinguished film critic and historian. Mr. Allen talked about how he does it, why he does it, its roots in his early life, and his current thinking about the state of his art. The result Woody Allen: A Life in Film, was one of the most popular and critically acclaimed programs in the history of Turner Classic Movies. But the presentation contained only a small fraction of Mr. Schickel's four-hour interview with the famed writer-director-actor. This new book reprints the complete conversation between the two men and includes a long essay of introduction by Mr. Schickel, which places Woody Allen's entire career in critical perspective. Readers will find Mr. Allen's reflections on his major preoccupations—the battle of the sexes; the conflict between reality and fantasy in his major films; mortality, religion, and the role that chance plays in the unfolding of our lives. The book also offers insights into Mr. Allen's working methods as a writer and the growth of his skills as a director, as well as his assessment of himself as an actor and his surprising views of his long life in the public eye. Brief but sharply honed, Woody Allen: A Life in Film is an essential book for anyone seeking to understand the life and times of one of the most important and least understood American filmmakers of our era.

Clint Eastwood is a Hollywood - and American - icon: beloved by critics and audiences alike, he has carved out a uniquely successful career that has spanned more than half a century and over sixty movies. Acclaimed as both actor and director, as well as for his musical compositions, he has won multiple Oscars for his achievements in front of and behind the camera and has established himself as a true cinematic great.This stunning volume, written by renowned film critic and acclaimed documentary filmmaker Richard Schickel, presents a chronological look at his astonishing body of work, from the early spaghetti westerns to his iconic role as Dirty Harry Callahan in Dirty Harry (1971), to the soulful Bird (1988) and the revolutionary western Unforgiven (1992) through to more recent films such as the Academy Award-winning Mystic River (2003), Million Dollar Baby (2004) and American Sniper (2014). This career-spanning retrospective ends with his last film as director, Juror #2.Over 250 spectacular images, including dynamic stills from memorable screen performances and revealing behind-the-scenes photographs, are accompanied by Schickel's incisive and illuminating commentary.

Richard Schickel’s study of Billy Wilder’s 1944 noir classic Double Indemnity traces in fascinating detail the genesis and realisation of the film: its literary origins in James M. Cain’s hard-boiled crime novel, the difficult relations between Wilder and his scriptwriter Raymond Chandler, the casting of a reluctant Fred MacMurray, and the late decision to cut the expensively filmed execution sequence from the final release.Schickel places Double Indemnity in the context of early 1940s Hollywood and the emergence of a new kind of crime thriller that later became known as film noir. The film was a cornerstone of the genre: its script creates two unforgettable criminal characters, the cynically manipulative femme fatale Phyllis Dietrichson (Barbara Stanwyck) and the likeable but amoral Walter Neff (Fred MacMurray). Billy Wilder’s direction enmeshes them in dramatic chiaroscuro, as bright California sunlight casts Venetian-blind shadows across dusty rooms and harsh lamplight slices through the night.In his afterword to this new edition, James Naremore pays tribute to Schickel’s analysis of Double Indemnity and its contexts, and considers debates surrounding the film’s conclusion.