Richard Stoneman – författare

Mystery surrounds the parentage of Alexander, the prince born to Queen Olympias. Is his father Philip, King of Macedonia, or Nectanebo, the mysterious sorcerer who seduced the queen by trickery? One thing is certain: the boy is destined to conquer the known world. He grows up to fulfil this prophecy, building a mighty empire that spans from Greece and Italy to Africa and Asia. Begun soon after the real Alexander's death and expanded in the centuries that followed, The Greek Alexander Myth depicts the life and adventures of one of history's greatest heroes - taming the horse Bucephalus, meeting the Amazons and his quest to defeat the King of Persia. Including such elements of fantasy as Alexander's ascent to heaven borne by eagles, this literary masterpiece brilliantly evokes a lost age of heroism.

Marcus Tullius Cicero (106-43 BCE) introduced Romans to the major schools of Greek philosophy, forging a Latin conceptual vocabulary that was entirely new. But for all the sophistication of his thinking, it is perhaps for his political and oratorical career that Cicero is best remembered. He was the nemisis of Catiline, whose plot to overthrow the Republic he famously denounced to the Senate. He was the selfless politician who turned down the opportunity to join Julius Caesar and Pompey in their ruling triumvirate with Crassus. He was briefly Rome's leading man after Caesar's assassination in 44 BCE.And he was the great political orator whose bitter coflict with Mark Antony led to his own violent death in 43 BCE. In her authoritative survey, Gesine Manuwald evokes the many faces of Cicero as well as his complexities and seeming contradictions. She focuses on his major works, allowing the great writer to speak for himself. Cicero's rich legacy is seen to endure in the works of Quintilian and the Church Fathers as well as in the speeches of Harry S. Truman and Barack Obama.

For more than a thousand years, Greeks from all walks of life consulted oracles for guidance received directly from the gods. This colorful and wide-ranging survey encompasses the entire history of Greek oracles and focuses fresh attention on philosophical, psychological, and anthropological aspects of oracular consultation. It also examines how Greek oracles' practices were distinctive compared to those of their neighbors, especially in Egypt, Babylon, and Israel. Richard Stoneman weaves a fascinating historical tapestry, taking into account the different kinds of oracles (healers, advisors, prophets, and others), their most important sanctuaries, debates about them among ancient thinkers, and Christian attacks on them. Delving into the reasons behind the oracles' enduring position at the heart of Greek culture, Stoneman offers fresh insights into pagan religious practice and the history of Greek intellectual and spiritual life.

The first full-scale account of a Persian king vilified by historyXerxes, Great King of the Persian Empire from 486–465 B.C., has gone down in history as an angry tyrant full of insane ambition. The stand of Leonidas and the 300 against his army at Thermopylae is a byword for courage, while the failure of Xerxes’ expedition has overshadowed all the other achievements of his twenty-two-year reign.  In this lively and comprehensive new biography, Richard Stoneman shows how Xerxes, despite sympathetic treatment by the contemporary Greek writers Aeschylus and Herodotus, had his reputation destroyed by later Greek writers and by the propaganda of Alexander the Great. Stoneman draws on the latest research in Achaemenid studies and archaeology to present the ruler from the Persian perspective. This illuminating volume does not whitewash Xerxes’ failings but sets against them such triumphs as the architectural splendor of Persepolis and a consideration of Xerxes’ religious commitments. What emerges is a nuanced portrait of a man who ruled a vast and multicultural empire which the Greek communities of the West saw as the antithesis of their own values.

In his brief life, Alexander the Great gained fame as the military genius who conquered the known world. After death, his legend only increased.  Alexander the Great (356-323 B.C.) precipitated immense historical change in the Mediterranean and Near Eastern worlds. But the resonance his legend achieved over the next two millennia stretched even farther—across foreign cultures, religious traditions, and distant nations.  This engaging and handsomely illustrated book for the first time gathers together hundreds of the colorful Alexander legends that have been told and retold around the globe. Richard Stoneman, a foremost expert on the Alexander myths, introduces us first to the historical Alexander and then to the Alexander of legend, an unparalleled mythic icon who came to represent the heroic ideal in cultures from Egypt to Iceland, from Britain to Malaya.  Alexander came to embody the concerns of Hellenistic man; he fueled Roman ideas on tyranny and kingship; he was a talisman for fourth-century pagans and a hero of chivalry in the early Middle Ages. He appears in Jewish, Christian, and Islamic writings, frequently as a prophet of God. Whether battling winged foxes or meeting with the Amazons, descending to the underworld or inventing the world’s first diving bell, Alexander inspired as a hero, even a god. Stoneman traces Alexander’s influence in ancient literature and folklore and in later literatures of east and west. His book provides the definitive account of the legends of Alexander the Great—a powerful leader in life and an even more powerful figure in the history of literature and ideas.

This book provides a new translation of all the surviving portions of the description of India written by Megasthenes in about 310 BCE, the fullest account of Indian geography, history and customs available to the classical world. The Indica was a pioneering work of ethnography that exemplified a new direction in Hellenistic writing; India was little-known to the Greeks before the expedition of Alexander the Great in 326–325 BCE, and Megasthenes, who resided as an ambassador in the Maurya capital Pataliputra for some time, provided the classical world with most of what it knew about India. Megasthenes’ book, which became a classic in antiquity, now survives only in fragments preserved in other Greek and Latin authors. Stoneman’s work offers a reliable and accessible version of all the writings that can plausibly be ascribed to Megasthenes. His subject ranges from detailed accounts of social structure and the royal household, to descriptions of elephant hunting and Indian philosophical ideas. His book is the only written source contemporary with the Maurya kingdom of Candragupta, since writing was not in use in India at this date. This translation provides a path to clearer understanding of Greek ethnography and a valuable resource on Indian history.The book will be of value not only to classical scholars with an interest in Hellenistic history and cultural attitudes, and to their students, but also to scholars working on the early history of India, who have had to rely (unless they are also Greek scholars) on scattered and dated collections of evidence.

First published in 1994. Greek fiction has never been more popular. New approaches to ancient literature, and new courses in literature in translation, have made the ancient novel a fertile field for scholar and student alike. This volume extends the boundaries of the subject beyond the 'canon' of the romances properly called and examines Greek fic­tional writing in the widest possible context, including texts that are not nor­mally treated as novels, such as various kinds of sacred or quasi-historical texts. The editors hope to open up the definition of Greek fiction to further debate and to create cross-currents between scholars working in diverse fields.

Alexander the Great by Richard Stoneman is an introduction to the career and impact of the great Macedonian conqueror and the main themes of his reign. As well as tackling problems of interpretation, the author includes:an examination of the written and other sources and the problems of working with themdiscussion of archaeological and numismatic evidencean outline of the Macedonian backgroundinsight into Alexander's education and ideasexploration of Alexander's claim to divinityassessment of Alexander's short and long-term achievementsa study of his influence in antiquity.

Alexander the Great by Richard Stoneman is an introduction to the career and impact of the great Macedonian conqueror and the main themes of his reign. As well as tackling problems of interpretation, the author includes:an examination of the written and other sources and the problems of working with themdiscussion of archaeological and numismatic evidencean outline of the Macedonian backgroundinsight into Alexander's education and ideasexploration of Alexander's claim to divinityassessment of Alexander's short and long-term achievementsa study of his influence in antiquity.

In the twilight of the third century C.E., the unity of the Western world was threatened by financial crisis, invasion, and plague. The Syrian city Palmyra had long protected Rome against Persian invasion, but under its queen Zenobia, Palmyra broke away from Roman hegemony. The Roman Empire had never been closer to disintegration, nor had it suffered so much before at the hands of a woman. This volume is the first comprehensive historical treatment in any language of Roman Syria, the revolt of Zenobia, and the city of Palmyra. Drawing on discoveries in archaeology, the history of the Silk Road, numismatics, and Roman and Persian history, Richard Stoneman has assembled a rich collage of knowledge about this intriguing period. As he tells the story of this major revolt and its leader, the author surveys the history of the spice trade in antiquity, the religious ferment of third- century Syria, early modern travelers to Palmyra, and in particular Zenobia's changing image through the ages. The lucid text and numerous illustrations will attract all who are intrigued by the third- century Roman Empire and its frontiers, by pre-Islamic Arab culture, by Roman Syria and Palmyra itself, and by the fascinating Queen Zenobia. ". . . an excellent synthesis of current knowledge and a sound introduction to the third cen-tury, especially in the East. . . ."--Journal of Military History ". . . Stoneman provides an excellent and readable introduction to what is known about Palmyra, and particularly the astonishing period in the mid-third century A.D. . . . [He] marshalls recent reinterpretations of the politics of the eastern frontier by both historians and archaeologists, as well as the inspiration of his own visits to Syria, to underline Palmyra's unique commercial position and the ability over the centuries of Roman rule of its ethnically and religiously highly heterogeneous ruling class to exploit the caravan trade from East and South Asia to their economic and political advantage."--Greece & Rome Richard Stoneman has published numerous books on the ancient world and on travel in the Eastern Mediterranean. He is Senior Editor at Routledge.

An exploration of how the Greeks reacted to and interacted with India from the third to first centuries BCEWhen the Greeks and Macedonians in Alexander’s army reached India in 326 BCE, they entered a new and strange world. They knew a few legends and travelers’ tales, but their categories of thought were inadequate to encompass what they witnessed. The plants were unrecognizable, their properties unknown. The customs of the people were various and puzzling. While Alexander’s conquest was brief, ending with his death in 323 BCE, the Greeks would settle in the Indian region for the next two centuries, forging an era of productive interactions between the two cultures. The Greek Experience of India explores the various ways that the Greeks reacted to and constructed life in India during this fruitful period.From observations about botany and mythology to social customs, Richard Stoneman examines the surviving evidence of those who traveled to India. Most particularly, he offers a full and valuable look at Megasthenes, ambassador of the King Seleucus to Chandragupta Maurya, and provides a detailed discussion of Megasthenes’ now-fragmentary book Indica. Stoneman considers the art, literature, and philosophy of the Indo-Greek kingdom and how cultural influences crossed in both directions, with the Greeks introducing their writing, coinage, and sculptural and architectural forms, while Greek craftsmen learned to work with new materials such as ivory and stucco and to probe the ideas of Buddhists and other ascetics.Relying on an impressively wide variety of sources from the Indian subcontinent, The Greek Experience of India is a masterful account of the encounters between two remarkable civilizations.

An exploration of how the Greeks reacted to and interacted with India from the third to first centuries BCEWhen the Greeks and Macedonians in Alexander’s army reached India in 326 BCE, they entered a new world. The plants were unrecognizable, the customs of the people various and puzzling. Alexander’s conquest ended with his death in 323 BCE, but the Greeks would settle in the Indian region for the next two centuries. From observations about botany and mythology to social customs, The Greek Experience of India explores how the Greeks reacted to and constructed life in India during this period. Richard Stoneman offers a valuable look at Megasthenes, ambassador of the King Seleucus to Chandragupta Maurya, and provides a discussion of Megasthenes’ now-fragmentary book Indica. Stoneman considers the art, literature, and philosophy of the Indo-Greek kingdom and how cultural influences crossed in both directions. The Greek Experience of India is a masterful account of the encounters between two remarkable civilizations.

Accompanying the first ever exhibition on the storytelling around Alexander the Great, King of Macedon, this book charts the evolution of a legend that continues to captivate audiences today.Alexander the Great acceded to the throne at the age of 20, as king of the ancient Greek kingdom of Macedon. By his death in 323 BC, he had created one of the largest empires in the world – but myth proved more powerful than historical truth, and Alexander’s life remains lost in legend.These stories permeate western and eastern cultures and religions, and have endured for more than 2,000 years. Even now, Alexander continues to appeal to new generations and his image persists today in film, theatre, literature and even video games.This book explores the stories that began shortly after Alexander’s mysterious death, and that by the Middle Ages had developed into a narrative of Alexander as the all-conquering hero who fought mythical beasts and explored the unknown using submarines and flying chariots. These incredible legends are brought to life here with exquisite original illustrations in books and manuscripts from around the globe.

Accompanying the first ever exhibition on the storytelling around Alexander the Great, King of Macedon, this book charts the evolution of a legend that continues to captivate audiences today.Alexander the Great acceded to the throne at the age of 20, as king of the ancient Greek kingdom of Macedon. By his death in 323 BC, he had created one of the largest empires in the world – but myth proved more powerful than historical truth, and Alexander’s life remains lost in legend.These stories permeate western and eastern cultures and religions, and have endured for more than 2,000 years. Even now, Alexander continues to appeal to new generations and his image persists today in film, theatre, literature and even video games.This book explores the stories that began shortly after Alexander’s mysterious death, and that by the Middle Ages had developed into a narrative of Alexander as the all-conquering hero who fought mythical beasts and explored the unknown using submarines and flying chariots. These incredible legends are brought to life here with exquisite original illustrations in books and manuscripts from around the globe.

This book provides a new translation of all the surviving portions of the description of India written by Megasthenes in about 310 BCE, the fullest account of Indian geography, history and customs available to the classical world. The Indica was a pioneering work of ethnography that exemplified a new direction in Hellenistic writing; India was little-known to the Greeks before the expedition of Alexander the Great in 326–325 BCE, and Megasthenes, who resided as an ambassador in the Maurya capital Pataliputra for some time, provided the classical world with most of what it knew about India. Megasthenes’ book, which became a classic in antiquity, now survives only in fragments preserved in other Greek and Latin authors. Stoneman’s work offers a reliable and accessible version of all the writings that can plausibly be ascribed to Megasthenes. His subject ranges from detailed accounts of social structure and the royal household, to descriptions of elephant hunting and Indian philosophical ideas. His book is the only written source contemporary with the Maurya kingdom of Candragupta, since writing was not in use in India at this date. This translation provides a path to clearer understanding of Greek ethnography and a valuable resource on Indian history.The book will be of value not only to classical scholars with an interest in Hellenistic history and cultural attitudes, and to their students, but also to scholars working on the early history of India, who have had to rely (unless they are also Greek scholars) on scattered and dated collections of evidence.

Alexander III of Macedon (356-323 BC) has for over 2000 years been one of the best recognized names from antiquity. He set about creating his own legend in his lifetime, and subsequent writers and political actors developed it. He acquired the surname 'Great' by the Roman period, and the Alexander Romance transmitted his legendary biography to every language of medieval Europe and the Middle East. As well as an adventurer who sought the secret of immortality and discussed the purpose of life with the naked sages of India, he became a model for military achievement as well as a religious prophet bringing Christianity (in the Crusades) and Islam (in the Qur'an and beyond) to the regions he conquered. This innovative and fascinating volume explores these and many other facets of his reception in various cultures around the world, right up to the present and his role in gay activism.

First published in 1994. Greek fiction has never been more popular. New approaches to ancient literature, and new courses in literature in translation, have made the ancient novel a fertile field for scholar and student alike. This volume extends the boundaries of the subject beyond the 'canon' of the romances properly called and examines Greek fic­tional writing in the widest possible context, including texts that are not nor­mally treated as novels, such as various kinds of sacred or quasi-historical texts. The editors hope to open up the definition of Greek fiction to further debate and to create cross-currents between scholars working in diverse fields.

This book provides a short and accessible introduction to Strabo’s life, times and cultural context. It outlines the importance of geography and geographical writing in the Augustan period and its development in ancient Greece and Rome, as well as explaining Strabo’s significance and impact in antiquity and beyond. Jessica Lightfoot also explores how Strabo engages heavily with the works of Homer and other prominent Greek literary figures of the past. Our ancient geographer has much to tell us about myth, fiction and literature and their relation to geographical and historical prose. As a result, the reader is given an insight into the fundamentally philosophical origins of geography and the first development of that discipline in antiquity.Strabo of Amasia is known to us today as the writer of the Geography, a seventeen-book monumental survey of the known world which dates to the early first century AD. As the earliest major ancient geographer whose work we possess, Strabo occupies an important place in the history of ancient culture, literature and science. His work is crucial in assessing the emergence of geography as a discipline. Its later reception had an important impact on conceptions of the world and the development of geographical and travel writing, especially in the 15th and 16th centuries.

This book provides a short and accessible introduction to Strabo’s life, times and cultural context. It outlines the importance of geography and geographical writing in the Augustan period and its development in ancient Greece and Rome, as well as explaining Strabo’s significance and impact in antiquity and beyond. Jessica Lightfoot also explores how Strabo engages heavily with the works of Homer and other prominent Greek literary figures of the past. Our ancient geographer has much to tell us about myth, fiction and literature and their relation to geographical and historical prose. As a result, the reader is given an insight into the fundamentally philosophical origins of geography and the first development of that discipline in antiquity.Strabo of Amasia is known to us today as the writer of the Geography, a seventeen-book monumental survey of the known world which dates to the early first century AD. As the earliest major ancient geographer whose work we possess, Strabo occupies an important place in the history of ancient culture, literature and science. His work is crucial in assessing the emergence of geography as a discipline. Its later reception had an important impact on conceptions of the world and the development of geographical and travel writing, especially in the 15th and 16th centuries.

The 6th/5th century BCE Greek melic (or songwriting) poet Pindar was one of the most celebrated lyricists of antiquity. His famous victory odes offer a paean to the heroic athlete, and collectively are an attempt to encapsulate, through choral songs of exaltation, the glory of the sportsman's moment of victory - whether in athletics or horse-racing - at a variety of Panhellenic festivals and Olympian games. Yet Pindar, though still respected, is now considered a difficult poet, and is sometimes dismissed as a reactionary, celebrating an aristocratic world that was passing and that deserved to pass. In this first work on the subject for many years, Richard Stoneman shows that Pindar's works, while at first seeming obscure and fragmentary, reward further study. An unmatched craftsman with words, and witness to a profoundly religious sensibility, he is a poet who takes modern readers to the heart of Greek ideas about the gods, fleeting human achievement and fallibility. The author examines questions of performance and genre; patronage; imagery; and reception, beginning with Horace.

I hate and I love.' The Roman poet Catullus expressed the disorienting experience of being in love in a stark contradiction that has resonated across the centuries. While his description might seem to modern readers natural and spontaneous, it is actually a response planned with great care and artistry. It is that artistry, and the way in which Roman love poetry works, that this book explores. Focusing on Catullus and on the later genre of elegy - so-called for its metre, and a form of poetry practiced by Tibullus, Propertius and Ovid - Denise Eileen McCoskey and Zara Martirosova Torlone discuss the devices used by the major Roman love poets, as well as the literary and historical contexts that helped shape their work. Setting poets and their writings especially against the turbulent backdrop of the Augustan Age (31 BCE-14 CE), the book examines the origins of Latin elegy; highlights the poets' key themes; and traces their reception by later writers and readers.

I hate and I love.' The Roman poet Catullus expressed the disorienting experience of being in love in a stark contradiction that has resonated across the centuries. While his description might seem to modern readers natural and spontaneous, it is actually a response planned with great care and artistry. It is that artistry, and the way in which Roman love poetry works, that this book explores. Focusing on Catullus and on the later genre of elegy - so-called for its metre, and a form of poetry practiced by Tibullus, Propertius and Ovid - Denise Eileen McCoskey and Zara Martirosova Torlone discuss the devices used by the major Roman love poets, as well as the literary and historical contexts that helped shape their work. Setting poets and their writings especially against the turbulent backdrop of the Augustan Age (31 BCE-14 CE), the book examines the origins of Latin elegy; highlights the poets' key themes; and traces their reception by later writers and readers.

The greatest of Roman historians, Publius Cornelius Tacitus (56-117 CE) studied rhetoric in Rome. His rhetorical and oratorical gifts are evident throughout his most substantial works, the incomplete but still remarkable Annals and Histories. In concise and concentrated prose, marked by sometimes bitter and ironic reflections on the human capacity to misuse power, Tacitus charts the violent trajectory of the Roman Empire from Augustus' death in 14 CE to the end of Domitian's rule in 96. Victoria Emma Pagan looks at Tacitus from a range of perspectives: as a literary stylist, perhaps influenced by Sallust; his notion of time; his modes of discourse; his place in the historiography of the era; and the later reception of Tacitus in the Renaissance and early modern periods. Tacitus remains of major interest to students of the Bible, as well as classicists, by virtue of his reference to 'Christus' and Nero's persecution of the Christians after the great fire of Rome in 64 CE. This lively survey enables its readers fully to appreciate why, in holding a mirror up to venality and greed, the work of Tacitus remains eternal.

Eusebius of Caesarea (263-339 CE) is one of the most important intellectuals whose writings survive from late antiquity. His texts made lasting and wide-ranging contributions, from history-writing and apologetics to biblical commentary and Christian oratory. He was a master of many of the literary and scholarly traditions of the Greek heritage. Yet he left none of these traditions unaltered as he made brilliant and original experiments in the many genres he explored. Aaron P Johnson offers a lively introduction to Eusebius' chief oeuvre while also discussing recent scholarship on this foundational early Christian writer. Placing Eusebius in the context of his age the author provides a full account his life, including the period when Eusebius controversially sought to assist the heretic Arius. He then discusses the major writings: apologetic treatises; the pedagogical and exegetical works; the historical texts; the anti-Marcellan theological discourses; and expositions directly connected to the Emperor Constantine.

Marcus Valerius Martialis, or Martial (born between 38 and 41 CE, died between 102 and 104 CE) is celebrated for his droll, frequently salacious, portrayal of Roman high and low society during the first century rule of the emperors Domitian, Nerva and Trajan. Considered the 'inventor' of the modern epigram, Martial was a native of Hispania, who came to Rome in the hope of securing both patronage and advancement. From the bath-houses, taverns and gymnasia to the sculleries and slave-markets of the capital, Martial in his famous Epigrams sheds merciless light on the hypocrisies and sexual mores or rich and poor alike. Lindsay C and Patricia Watson provide an attractive overview - for students of classics and ancient history, as well as comparative literature - of the chief themes of his sardonic writings. They show that Martial is of continuing and special interest because of his rediscovery in the Renaissance, when writers viewed him as an incisive commentator on failings similar to those of their own day. The later reception of "Martial", by Juvenal and others, forms a major part of this informative survey.

Marcus Valerius Martialis, or Martial (born between 38 and 41 CE, died between 102 and 104 CE) is celebrated for his droll, frequently salacious, portrayal of Roman high and low society during the first century rule of the emperors Domitian, Nerva and Trajan. Considered the 'inventor' of the modern epigram, Martial was a native of Hispania, who came to Rome in the hope of securing both patronage and advancement. From the bath-houses, taverns and gymnasia to the sculleries and slave-markets of the capital, Martial in his famous Epigrams sheds merciless light on the hypocrisies and sexual mores or rich and poor alike. Lindsay C and Patricia Watson provide an attractive overview - for students of classics and ancient history, as well as comparative literature - of the chief themes of his sardonic writings. They show that Martial is of continuing and special interest because of his rediscovery in the Renaissance, when writers viewed him as an incisive commentator on failings similar to those of their own day. The later reception of "Martial", by Juvenal and others, forms a major part of this informative survey.

Perhaps no classical writer has been so consistently in vogue as Horace. Famous in his own lifetime as a close associate of the Emperor Octavian, to whom he dedicated several odes, Quintus Horatius Flaccus (65–8 BC) has never really been out of fashion. Petrarch, for example, modelled his letters on Horace’s innovative Epistles, while also borrowing from his Roman forebear in composing his own Italian sonnets. The echo of Horace’s voice can be found in almost every genre of medieval literature. And in later periods, this influence and popularity if anything increased. Yet, as Paul Allen Miller shows, while Horace may justifiably be called the poet for all seasons he is also in the end an enigma. His elusive, ironic contrariness is perhaps the true secret of his success. A cultured man of letters, he fought on the losing side of the Battle of Philippi (42 BC). A staunch Republican, he ended up eagerly (some said too eagerly) promoting the cause of Julio-Claudian imperialism. Viewed as the acme of Roman literary civilization, he was shaped by his Athens education at Plato’s famous Academy. This new introduction reveals Horace in all his paradoxical genius and complexity.

Perhaps no classical writer has been so consistently in vogue as Horace. Famous in his own lifetime as a close associate of the Emperor Octavian, to whom he dedicated several odes, Quintus Horatius Flaccus (65–8 BC) has never really been out of fashion. Petrarch, for example, modelled his letters on Horace’s innovative Epistles, while also borrowing from his Roman forebear in composing his own Italian sonnets. The echo of Horace’s voice can be found in almost every genre of medieval literature. And in later periods, this influence and popularity if anything increased. Yet, as Paul Allen Miller shows, while Horace may justifiably be called the poet for all seasons he is also in the end an enigma. His elusive, ironic contrariness is perhaps the true secret of his success. A cultured man of letters, he fought on the losing side of the Battle of Philippi (42 BC). A staunch Republican, he ended up eagerly (some said too eagerly) promoting the cause of Julio-Claudian imperialism. Viewed as the acme of Roman literary civilization, he was shaped by his Athens education at Plato’s famous Academy. This new introduction reveals Horace in all his paradoxical genius and complexity.

Sappho has been constructed as many things: proto-feminist, lesbian icon and even - by the Victorians - chaste headmistress of a girls' finishing school. Yet ironically, as Page DuBois shows, the historical poet herself remains elusive. We know that Sappho's contemporary Alcaeus described her as 'violet, pure, honey-smiling Sappho'; and that the rhetorician and philosopher Maximus of Tyre saw her, perhaps less enthusiastically, as 'small and dark'. We also know that her 7th/6th century BCE island of Lesbos was riven by tyrannical and aristocratic factionalism and that she was probably exiled to Sicily. Much of the rest is speculative. DuBois suggests that the value of Sappho lies elsewhere: in her remarkable verse, and in the poet's reception - one of the richest of any figure from antiquity. Offering nuanced readings of the poems, written in an archaic Aeolic dialect, DuBois skillfully draws out their sharp images and rhythmic melody. She further discusses the exciting discovery of a new verse fragment in 2004, and the ways in which Sappho influenced Catullus, Horace and Ovid, as well as later writers and painters.