Richard Utz - Böcker

Studies of texts from the late middle ages to the contemporary moment, together they indicate, broadly, directions both in postmodern studies and studies in medievalism.Bringing together significant statements on postmodern qualities of the invocation of the medieval, Postmodern Medievalisms is a cross-disciplinary and international collection. The volume also effects a critically celebratory appreciation of the intellectual and political possibilities of the many inchoate modes implicit in various acts of "postmodern" scholarship. The essays treat texts from the late middle ages to the contemporary moment, and together they indicate, broadly, what is happening both in postmodern studies and studies in medievalism. The fourteen essays of the collection are organized into four sections, Music (including Pavel Chinizul, Negru Voda, Arvo Part), Art and Architecture (contemporary architecture, Robert Rauschenberg and more), Cinema (Tolkien, Bresson, Braveheart among the matters discussed), and Literature (including Sir John Mandeville, Marco Polo, Marvel, Naomi Mitchison).Contributors: FLORIN CURTA, PAUL MURPHY, LEOPOLD BRAUNEISS, JOHN M. GANIM, KARL FUGELSO, VERLYN FLIEGER, WILLIAM D. PADEN, BRIAN LEVY, LESLEY COOTE, A.E. CHRISTA CANITZ, JENNIFER COOLEY, PAUL SMETHURST, ELENALEVY-NAVAFRO, ANITA OBERMEIER, SYLVIA MITTLER.

Definitions of key words and terms for the study of medievalism.The discipline of medievalism has produced a great deal of scholarship acknowledging the "makers" of the Middle Ages: those who re-discovered the period from 500 to 1500 by engaging with its cultural works, seeking inspiration from them, or fantasizing about them. Yet such approaches - organized by time period, geography, or theme - often lack an overarching critical framework. This volume aims to provide such a framework, by calling into question the problematic yet commonly accepted vocabulary used in Medievalism Studies. The contributions, by leading scholars in the field, define and exemplify in a lively and accessible style the essential terms used when speaking of the later reception of medieval culture.The terms: Archive, Authenticity, Authority, Christianity, Co-disciplinarity, Continuity, Feast, Genealogy, Gesture, Gothic, Heresy, Humor, Lingua, Love, Memory, Middle, Modernity, Monument, Myth, Play, Presentism, Primitive, Purity, Reenactment, Resonance, Simulacrum, Spectacle, Transfer, Trauma, TroubadourElizabeth Emery is Professor of French and Graduate Coordinator at Montclair State University (Montclair, NJ, USA); Richard Utz is Chair and Professor of Medievalism Studies in the School of Literature, Media, and Communication at Georgia Tech (Atlanta, GA, USA). Contributors: Nadia Altschul, Martin Arnold, Kathleen Biddick, William C. Calin, Martha Carlin, Pam Clements, Michael Cramer, Louise D'Arcens, Elizabeth Emery, Elizabeth Fay, Vincent Ferré, Matthew Fisher, Karl Fugelso, Jonathan Hsy, Amy S. Kaufman, Nadia Margolis, David Matthews,Lauryn S. Mayer, Brent Moberly, Kevin Moberly, Gwendolyn Morgan, Laura Morowitz, Kevin D. Murphy, Nils Holger Petersen, Lisa Reilly, Edward Risden, Carol L. Robinson, Juanita Feros Ruys, Tom Shippey, Clare A. Simmons, Zrinka Stahuljak, M. Jane Toswell, Richard Utz, Angela Jane Weisl.

Since the inclusion of medieval studies in the modern academy, professional scholars have insisted on distinguishing their work from extra-academic lovers of medieval culture. Richard Utz analyzes the semantic, institutional, and sociopolitical history of the relationship between medieval studies and medievalism. He provides a survey of how scholars’ exteriorization of amateur interest in the medieval past narrowed the epistemological range of medieval scholarship and how reception studies, feminism, and postmodernism gradually expanded modern pastist approaches to the Middle Ages. Utz advances specific examples for reconnecting investigating scholarly subjects with their subjects of investigation, and he challenges scholars to make a conscious effort to engage in public scholarship and explore inclusive gestures toward the contributions non-academic lovers of the Middle Ages can offer. His manifesto advocates an active integration of academic medievalists’ work within the many other equally valuable artistic and sociopolitical partner contexts of reading the medieval past.

Sexueller Missbrauch und sexualisierte Handlungen in pädagogischen Kontexten sind nicht einfach als Perversionen Einzelner abzutun. Vielmehr ergeben sie sich aus einer Konstellation struktureller und personaler Faktoren, die mit jeder pädagogischen und sozialpädagogischen Tätigkeit verbunden sind und zueinander in einem Spannungsverhältnis stehen. So müssen die sozial-/pädagogischen Akteure als professionelle Praktiker in der direkten Interaktion von Erziehung und Bildung stets Nähe herstellen und gleichzeitig Distanz halten. Eine Balance zu halten, ist die besondere Anforderung, mit der die Professionalität von Sozialpädagogen und Pädagogen steht und fällt. Dieses Buch beleuchtet aus verschiedenen disziplinären Perspektiven, durch welche personalen und kontextuellen Faktoren diese Balance gestört wird, in eine Sexualisierung der Beziehung umschlägt und sich entlang des Machtgefälles zwischen Professionellen und ihren Adressaten zu einem Missbrauch vereinseitigt. Konkrete Maßnahmen und Handlungsempfehlungen weisen Lösungsperspektiven zur Prävention sexuellen Missbrauchs auf.