The Dream of Bernat Metge is the first English translation of Lo Somni, a prose dialogue written around 1397 by the Catalan humanist Bernat Metge (?1340-1413). It stands as a noteworthy example of nascent humanism and a vivid document of contemporary customs in the Crown of Aragon. As a document touching on eschatology, faith and scepticism, politics, classical mythology, traditional mysogyny and current fashions, it holds appeal for scholars in many fields. This is one of the few modern editions of the text available, and the only one presented in English. Richard Vernier provides an extensive original introduction, as well as an annotated translation of the text. In the introduction, Vernier places the text in its historical and cultural background, and supplies a brief biography of the author. He discusses literary antecedents of Lo Somni, poised as it is between medieval allegory and humanistic discourse, and its value in the development of Catalan prose. He also traces the history of the text from the time it was written through its descent into oblivion, to its rediscovery in the nineteenth century. This first English-language edition of Lo Somni will interest historians and scholars of literature, philosophy and Romance languages. This translation provides a unique opportunity for comparative studies with other Western European medieval texts and authors.

The Dream of Bernat Metge is the first English translation of Lo Somni, a prose dialogue written around 1397 by the Catalan humanist Bernat Metge (?1340-1413). It stands as a noteworthy example of nascent humanism and a vivid document of contemporary customs in the Crown of Aragon. As a document touching on eschatology, faith and scepticism, politics, classical mythology, traditional mysogyny and current fashions, it holds appeal for scholars in many fields. This is one of the few modern editions of the text available, and the only one presented in English. Richard Vernier provides an extensive original introduction, as well as an annotated translation of the text. In the introduction, Vernier places the text in its historical and cultural background, and supplies a brief biography of the author. He discusses literary antecedents of Lo Somni, poised as it is between medieval allegory and humanistic discourse, and its value in the development of Catalan prose. He also traces the history of the text from the time it was written through its descent into oblivion, to its rediscovery in the nineteenth century. This first English-language edition of Lo Somni will interest historians and scholars of literature, philosophy and Romance languages. This translation provides a unique opportunity for comparative studies with other Western European medieval texts and authors.

The Dream of Bernat Metge is the first English translation of Lo Somni, a prose dialogue written around 1397 by the Catalan humanist Bernat Metge (?1340-1413). It stands as a noteworthy example of nascent humanism and a vivid document of contemporary customs in the Crown of Aragon. As a document touching on eschatology, faith and scepticism, politics, classical mythology, traditional mysogyny and current fashions, it holds appeal for scholars in many fields. This is one of the few modern editions of the text available, and the only one presented in English. Richard Vernier provides an extensive original introduction, as well as an annotated translation of the text. In the introduction, Vernier places the text in its historical and cultural background, and supplies a brief biography of the author. He discusses literary antecedents of Lo Somni, poised as it is between medieval allegory and humanistic discourse, and its value in the development of Catalan prose. He also traces the history of the text from the time it was written through its descent into oblivion, to its rediscovery in the nineteenth century. This first English-language edition of Lo Somni will interest historians and scholars of literature, philosophy and Romance languages. This translation provides a unique opportunity for comparative studies with other Western European medieval texts and authors.

Bertrand Du Guesclin was one of the great heroes of medieval France. His engaging, adventurous life story embodies all the drama and excitement of the Hundred Years War.The rise of Bertrand du Guesclin ranks as one of the most spectacular adventures in a fourteenth century rich in heroic tales. A poor Breton squire, ungainly and unlettered, he came of age at the onset of the Hundred Years War. Hespent two decades engaged in irregular warfare in his native province before he became a knight, and was recognised by Charles V as the captain France needed.Du Guesclin fought on campaign from Normandy to Andalusia, tasted victory, was taken captive - and was finally victorious again, over such famed adversaries as Sir John Chandos and the Black Prince. He won a dukedom in Spain, but it was as Constable of France that he spearheaded the reconquest of French provinces lost after the defeat at Poitiers.His body was laid to rest among kings in the royal basilica of Saint-Denis, enshrined as the Tenth Worthy, hero of the last Old French epic, but Du Guesclin's spiritlives on in literature and folk memory, as flower of chivalry, soldier's soldier, patriot, and liberator of his country.RICHARD VERNIER is Professor Emeritus, Romance Languages and Literatures, Wayne State University.

Relates the colourful life of 'enlightened despot' Gaston III, count of Foix, an enigmatic and brilliant figure in a turbulent period.The reign of Gaston III, Count of Foix and self-proclaimed sovereign Lord of Béarn, stands out as one of the rare success stories of the `calamitous' fourteenth century. By playing a skilful game of shifting allegiances and timelydefiance, he avoided being drawn into the conflicts between his more powerful neighbours - France and English Aquitaine, Aragon and Castile -- thus sparing his domains the devastations of warfare. Best known as a patron of thearts, and the author of a celebrated Book of the Hunt, Fébus - as he styled himself - also prefigures the eighteenth-century `enlightened despots' with his effort to centralize government, protect natural resources and promote enterprise. But a sequence of mysterious tragedies -- the abrupt dismissal of his wife, the slaying of his only legitimate son - reveal the dark side of the brilliant and enigmatic `Sun Prince of the Pyrenees'.RICHARD VERNIER is Professor Emeritus of Romance Languages and Literatures, Wayne State University. He is the author of The Flower of Chivalry: Bertrand du Guesclin and the Hundred Years War.

The Dream of Bernat Metge is the first English translation of Lo Somni, a prose dialogue written around 1397 by the Catalan humanist Bernat Metge (?1340-1413). It stands as a noteworthy example of nascent humanism and a vivid document of contemporary customs in the Crown of Aragon. As a document touching on eschatology, faith and scepticism, politics, classical mythology, traditional mysogyny and current fashions, it holds appeal for scholars in many fields. This is one of the few modern editions of the text available, and the only one presented in English. Richard Vernier provides an extensive original introduction, as well as an annotated translation of the text. In the introduction, Vernier places the text in its historical and cultural background, and supplies a brief biography of the author. He discusses literary antecedents of Lo Somni, poised as it is between medieval allegory and humanistic discourse, and its value in the development of Catalan prose. He also traces the history of the text from the time it was written through its descent into oblivion, to its rediscovery in the nineteenth century. This first English-language edition of Lo Somni will interest historians and scholars of literature, philosophy and Romance languages. This translation provides a unique opportunity for comparative studies with other Western European medieval texts and authors.

The Dream of Bernat Metge is the first English translation of Lo Somni, a prose dialogue written around 1397 by the Catalan humanist Bernat Metge (?1340-1413). It stands as a noteworthy example of nascent humanism and a vivid document of contemporary customs in the Crown of Aragon. As a document touching on eschatology, faith and scepticism, politics, classical mythology, traditional mysogyny and current fashions, it holds appeal for scholars in many fields. This is one of the few modern editions of the text available, and the only one presented in English. Richard Vernier provides an extensive original introduction, as well as an annotated translation of the text. In the introduction, Vernier places the text in its historical and cultural background, and supplies a brief biography of the author. He discusses literary antecedents of Lo Somni, poised as it is between medieval allegory and humanistic discourse, and its value in the development of Catalan prose. He also traces the history of the text from the time it was written through its descent into oblivion, to its rediscovery in the nineteenth century. This first English-language edition of Lo Somni will interest historians and scholars of literature, philosophy and Romance languages. This translation provides a unique opportunity for comparative studies with other Western European medieval texts and authors.

The Dream of Bernat Metge is the first English translation of Lo Somni, a prose dialogue written around 1397 by the Catalan humanist Bernat Metge (?1340-1413). It stands as a noteworthy example of nascent humanism and a vivid document of contemporary customs in the Crown of Aragon. As a document touching on eschatology, faith and scepticism, politics, classical mythology, traditional mysogyny and current fashions, it holds appeal for scholars in many fields. This is one of the few modern editions of the text available, and the only one presented in English. Richard Vernier provides an extensive original introduction, as well as an annotated translation of the text. In the introduction, Vernier places the text in its historical and cultural background, and supplies a brief biography of the author. He discusses literary antecedents of Lo Somni, poised as it is between medieval allegory and humanistic discourse, and its value in the development of Catalan prose. He also traces the history of the text from the time it was written through its descent into oblivion, to its rediscovery in the nineteenth century. This first English-language edition of Lo Somni will interest historians and scholars of literature, philosophy and Romance languages. This translation provides a unique opportunity for comparative studies with other Western European medieval texts and authors.

Bertrand Du Guesclin was one of the great heroes of medieval France. His engaging, adventurous life story embodies all the drama and excitement of the Hundred Years War.The rise of Bertrand du Guesclin ranks as one of the most spectacular adventures in a fourteenth century rich in heroic tales. A poor Breton squire, ungainly and unlettered, he came of age at the onset of the Hundred Years War. Hespent two decades engaged in irregular warfare in his native province before he became a knight, and was recognised by Charles V as the captain France needed.Du Guesclin fought on campaign from Normandy to Andalusia, tasted victory, was taken captive - and was finally victorious again, over such famed adversaries as Sir John Chandos and the Black Prince. He won a dukedom in Spain, but it was as Constable of France that he spearheaded the reconquest of French provinces lost after the defeat at Poitiers.His body was laid to rest among kings in the royal basilica of Saint-Denis, enshrined as the Tenth Worthy, hero of the last Old French epic, but Du Guesclin's spiritlives on in literature and folk memory, as flower of chivalry, soldier's soldier, patriot, and liberator of his country.RICHARD VERNIER is Professor Emeritus, Romance Languages and Literatures, Wayne State University.

Relates the colourful life of 'enlightened despot' Gaston III, count of Foix, an enigmatic and brilliant figure in a turbulent period.The reign of Gaston III, Count of Foix and self-proclaimed sovereign Lord of Béarn, stands out as one of the rare success stories of the `calamitous' fourteenth century. By playing a skilful game of shifting allegiances and timelydefiance, he avoided being drawn into the conflicts between his more powerful neighbours - France and English Aquitaine, Aragon and Castile -- thus sparing his domains the devastations of warfare. Best known as a patron of thearts, and the author of a celebrated Book of the Hunt, Fébus - as he styled himself - also prefigures the eighteenth-century `enlightened despots' with his effort to centralize government, protect natural resources and promote enterprise. But a sequence of mysterious tragedies -- the abrupt dismissal of his wife, the slaying of his only legitimate son - reveal the dark side of the brilliant and enigmatic `Sun Prince of the Pyrenees'.RICHARD VERNIER is Professor Emeritus of Romance Languages and Literatures, Wayne State University. He is the author of The Flower of Chivalry: Bertrand du Guesclin and the Hundred Years War.