Richard Vine – författare

They were the New York art scene's golden couple until Amanda Oliver was found murdered, and her husband Philip confessed to shooting her. But was he a continent away when she died? Art dealer Jackson Wyeth sets out to learn the truth, and uncovers the secrets of Manhattan's galleries and wild parties, a world of beautiful girls growing up too fast and men losing their minds. But even the worst the art world can imagine will seem tame when the final sin is revealed...

They were the New York art scene's golden couple until Amanda Oliver was found murdered, and her husband Philip confessed to shooting her. But was he a continent away when she died? Art dealer Jackson Wyeth sets out to learn the truth, and uncovers the secrets of Manhattan's galleries and wild parties, a world of beautiful girls growing up too fast and men losing their minds. But even the worst the art world can imagine will seem tame when.

Liu Shiming (1926–2010) is a revered Chinese artist whose works have had a distinct impact on the course of modern Chinese sculpture. Born in Tianjin in 1926, Shiming attended the prestigious Central Academy of Fine Arts (CAFA) in Beijing, where he was part of the first generation of sculptors trained by the People's Republic of China to study both traditional Chinese art and French modernist principles. Shiming received early recognition for his work, and his student project Measuring Land (1950) was one of the first works exhibited abroad following the establishment of the People's Republic of China. Though well respected in China, the sculptor, who died in 2010 at the age of eighty-four, is only now beginning to win the wider recognition he deserves. Meanwhile, contemporary competitors are numberless, most of them Instagram-friendly, while art history tends to focus on towering names and indisputably major movements and events: Braque and Picasso inventing Cubism, Duchamp's readymades redefining art itself, Warhol's mind-bending Brillo Boxes, and so on. So why examine an artist in the middle ground? Perhaps, first, because that is where the vast majority of us live, trying to make sense of our lives and grateful for the occasional insight, release, or enrichment that visual art can bring us. Second, because the story of Liu Shiming reveals a great deal about the forces that have shaped postwar art worldwide. He was a man who sought to lead a simple life, dedicated entirely to art, in the midst of China's epochal, dangerously complex twentieth-century social and political changes.

Norwegian artist Odd Nerdrum (born 1944) was a student at the Academy of Art in Oslo when modernism first made its delayed entry to Norway. He broke away from his peers who rallied around Andy Warhol and Roy Lichtenstein, and become a follower of Rembrandt and a painter in the classical tradition. Art students from all over the world have since sought out his teachings, and many have become internationally known in their own rights. This book documents the influence of Odd Nerdrum, and his followers who went on to become some of the leading artists of today's figurative painting.