Richard Yeo - Böcker

Images of scientists and ideas about science are often communicated to the public through historic biographies of eminent scientists, yet there has been little study of the development of scientific biography. Telling Lives brings together a collection of original essays by leading historians of science, several of them biographers, which explore for the first time the nature and development of scientific biography and its importance in forming our ideas about what scientists do, how science works, and why scientific biography remains popular. Theoretical and historical studies range from the seventeenth to the twentieth century, concentrating on such icons as Michael Faraday, Charles Darwin, Humphry Davy, Florence Nightingale and Sir Joseph Banks. With its broad sweep and careful, imaginative scholarship, this volume provides a timely and challenging examination of an important aspect of the culture of science that will be of special interest to historians of science, academics and students, and the general reader interested in the popularization of science.

The eighteenth-century English dictionaries of arts and sciences claimed to contain all knowledge that a person of education should possess. These early encyclopaedias responded to the explosion of information by reducing knowledge to essentials, stressing the need for a coherent account of the sciences, and for some time excluding biography and history. Richard Yeo places these scientific dictionaries in a rich cultural framework of debate that includes the arrangement of knowledge, the Republic of Letters, the Enlightenment public sphere, copyright issues and the specialisation of science. He discusses dilemmas involved in the quest for knowledge to be both organised and readily available, examining assumptions about the organisation, communication and control of knowledge in these works. Elegantly illustrated and accessibly written, Encyclopaedic Visions provides a major contribution to Enlightenment studies and the history of ideas in general.

This 1993 book deals with debates about science - its history, philosophy and moral value - in the first half of the nineteenth century, a period in which the 'modern' features of science developed. Defining Science also examines the different forms or genres in which science was discussed in the public sphere - most crucially in the Victorian review journals, but also in biographical, historical and educational works. William Whewell wrote major works on the history and philosophy of science before these became technical subjects. Consequently he had to define his own role as a metascientific critic (in a manner akin to cultural critics like Coleridge and Carlyle) as well as seeking to define science for both expert and lay audiences.

Images of scientists and ideas about science are often communicated to the public through historic biographies of eminent scientists, yet there has been little study of the development of scientific biography. Telling Lives brings together a collection of original essays by leading historians of science, several of them biographers, which explore for the first time the nature and development of scientific biography and its importance in forming our ideas about what scientists do, how science works, and why scientific biography remains popular. Theoretical and historical studies range from the seventeenth to the twentieth century, concentrating on such icons as Michael Faraday, Charles Darwin, Humphry Davy, Florence Nightingale and Sir Joseph Banks. With its broad sweep and careful, imaginative scholarship, this volume provides a timely and challenging examination of an important aspect of the culture of science that will be of special interest to historians of science, academics and students, and the general reader interested in the popularization of science.

This 1993 book deals with debates about science - its history, philosophy and moral value - in the first half of the nineteenth century, a period in which the 'modern' features of science developed. Defining Science also examines the different forms or genres in which science was discussed in the public sphere - most crucially in the Victorian review journals, but also in biographical, historical and educational works. William Whewell wrote major works on the history and philosophy of science before these became technical subjects. Consequently he had to define his own role as a metascientific critic (in a manner akin to cultural critics like Coleridge and Carlyle) as well as seeking to define science for both expert and lay audiences.

The eighteenth-century English dictionaries of arts and sciences claimed to contain all knowledge that a person of education should possess. These early encyclopaedias responded to the explosion of information by reducing knowledge to essentials, stressing the need for a coherent account of the sciences, and for some time excluding biography and history. Richard Yeo places these scientific dictionaries in a rich cultural framework of debate that includes the arrangement of knowledge, the Republic of Letters, the Enlightenment public sphere, copyright issues and the specialisation of science. He discusses dilemmas involved in the quest for knowledge to be both organised and readily available, examining assumptions about the organisation, communication and control of knowledge in these works. Elegantly illustrated and accessibly written, Encyclopaedic Visions provides a major contribution to Enlightenment studies and the history of ideas in general.

The common focus of the essays in this book is the debate on the nature of science - often referred to by contemporaries as ’natural knowledge’ - in Britain during the first half of the 19th century. This was the period before major state support for science allowed its professionalization; indeed, it was a time in which the word ’scientist’ (although coined in 1833 by William Whewell) was not yet widely used. In this context, the questions about the nature of science were part of a public debate that included the following topics: scientific method and intellectual authority, the moral demeanour of the man of science, the hierarchy of specialised scientific disciplines, and the relation with natural theology. These topics were discussed both within scientific circles - in correspondence and meeting of societies - as well as in the wider public sphere constituted by quarterly journals and encyclopaedias. A study of these debates allow us to see how British science of this period began to cast loose some of its earlier theological supports, but still relied on a moral framework to affirm its distinctive method, ethos and cultural value.

Lucius is a young Centurion in the time of Hadrian, serving at Trimontium, modern-day Melrose in southern Scotland. Trista is a Roman patrician girl, living in Gaul. She is orphaned and becomes a vagrant when her parents are killed by traitors plotting to overthrow the emperor. Following the death of his wife, Lucius becomes an imperial agent, operating beyond the borders of the Empire as a trader, seeking signs of invasion. He meets Trista who is under threat of assassination. The story follows their flight across Gaul, pursued by evil forces, to the German forests in a race to avert invasion and the death of the emperor.

Xiang Li is a cultured, rational Chinese Mandarin, Governor of Xinjiang Province. He sees a sign in the skies and falls under a compulsion to travel to the west in the depth of winter. Nothing is clear but that he must hurry. His journey takes him through the snow-choked passes of the Tian Shan mountains and the searing heat of the Syrian Desert, through ambush by evil tribesmen and the deadly court of King Herod, while ahead of him rises a light in the night sky...