Rico Lebrun – författare
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The motivation for this volume arose from a desire to bridge the gap between artists and their audience, facilitating a deeper understanding of the artist's purpose and process. Rico Lebrun, during an evening discussion in San Miguel de Allende, highlighted the importance of giving artists a platform to articulate, in their own words, the thoughts and feelings underlying their creations. While art communicates through form, color, sound, or texture, words can sometimes clarify the artist’s unique perspective on style, technique, and life itself. Just as people in other fields seek understanding and respect from their peers, artists also face the challenge of gaining acceptance, especially when their work diverges from popular norms. This divergence can lead to a defensive resistance from audiences, who often prefer the familiar over the unsettling unknown that avant-garde art might represent.In our society, this tension frequently casts the artist as an outlier, one who disrupts the comfort of the present by intuitively reaching into future possibilities. New ideas in art, like those in science, require an openness to the unfamiliar; yet, audiences may resist, feeling overwhelmed by the demands of confronting something new. The artist, however, hopes for more than superficial applause or detached critique. They seek a resonant response that validates the enduring impact of their work. This volume, therefore, is intended to foster a more profound dialogue—not just between artist and audience, but also among artists themselves—enhancing mutual understanding and respect for the creative journey.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1956.
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The motivation for this volume arose from a desire to bridge the gap between artists and their audience, facilitating a deeper understanding of the artist's purpose and process. Rico Lebrun, during an evening discussion in San Miguel de Allende, highlighted the importance of giving artists a platform to articulate, in their own words, the thoughts and feelings underlying their creations. While art communicates through form, color, sound, or texture, words can sometimes clarify the artist’s unique perspective on style, technique, and life itself. Just as people in other fields seek understanding and respect from their peers, artists also face the challenge of gaining acceptance, especially when their work diverges from popular norms. This divergence can lead to a defensive resistance from audiences, who often prefer the familiar over the unsettling unknown that avant-garde art might represent.In our society, this tension frequently casts the artist as an outlier, one who disrupts the comfort of the present by intuitively reaching into future possibilities. New ideas in art, like those in science, require an openness to the unfamiliar; yet, audiences may resist, feeling overwhelmed by the demands of confronting something new. The artist, however, hopes for more than superficial applause or detached critique. They seek a resonant response that validates the enduring impact of their work. This volume, therefore, is intended to foster a more profound dialogue—not just between artist and audience, but also among artists themselves—enhancing mutual understanding and respect for the creative journey.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1956.
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Letters by the artist Rico Lebrun between 1950 and 1964, as he moved between the United States, Mexico, and Italy, that give the reader an intimate and extended glance into the impassioned crucible of his mind and soul.Rico Lebrun was an Italian-American painter and sculptor. He was a maverick, an artist of deep humanity and broad sympathies. An artist of great accomplishment and international recognition, he constantly sought to transform his natural virtuosity into something deeper and more elemental. His life was devoted to the monumental purpose of accurately mapping the human form and human heart.Lebrun belonged to a generation to which art was, and had to be, something more than abstract compositions or cerebral exercises. For him, art was a force, a profoundly moral force, that could construct and shape an edifice containing all the inconsistency, drama, and inner conflict of the human animal, from its capacity for cruelty, its proclivity for war and its indifference to the nuclear threat to its sublime moments of grace.His letters are tender, outspoken, humorous, and often perplexed. Selected and edited by James Renner and the artist’s son, David Lebrun, they address the forging of a new visual language and comfort friends in crisis; they are bursting with life, demonstrative of fierce love, filled with wisdom and mercilessly articulate. This is in every sense an artist’s book, one illustrated with the best of his prolific work and adorned by a prose that is poetic, engaged, and infused with an earnest devotion to the potential of the human spirit.