Rita Keresztesi – författare

Literary Black Power in the Caribbean focuses on the Black Power movement in the

anglophone Caribbean as represented and critically debated in literary texts,

music and film.

This volume is groundbreaking in its focus on the creative arts and artists in

their evaluations of, and insights on, the relevance of the Black Power message

across the region. The author takes a cultural studies approach to bring together

the political with the aesthetic, enriching an already fertile debate on the era and

the subject of Black Power in the Caribbean region. The chapters discuss various

aspects of Black Power in the Caribbean: on the pages of journals and magazines,

at contemporary conferences that radicalized academia to join forces with communities,

in fiction and essays by writers and intellectuals, in calypso and reggae

music, and in the first films produced in the Caribbean.

Produced at the 50th anniversary of the 1970 Black Power Revolution in Port

of Spain, Trinidad, this timely book will be of interest to students and academics

focusing on Black Power, Caribbean literary and cultural studies, African diaspora,

and Global South radical political and cultural theory.

Literary Black Power in the Caribbean focuses on the Black Power movement in the

anglophone Caribbean as represented and critically debated in literary texts,

music and film.

This volume is groundbreaking in its focus on the creative arts and artists in

their evaluations of, and insights on, the relevance of the Black Power message

across the region. The author takes a cultural studies approach to bring together

the political with the aesthetic, enriching an already fertile debate on the era and

the subject of Black Power in the Caribbean region. The chapters discuss various

aspects of Black Power in the Caribbean: on the pages of journals and magazines,

at contemporary conferences that radicalized academia to join forces with communities,

in fiction and essays by writers and intellectuals, in calypso and reggae

music, and in the first films produced in the Caribbean.

Produced at the 50th anniversary of the 1970 Black Power Revolution in Port

of Spain, Trinidad, this timely book will be of interest to students and academics

focusing on Black Power, Caribbean literary and cultural studies, African diaspora,

and Global South radical political and cultural theory.

The Western in the Global South investigates the Western film genre''s impact, migrations, and reconfigurations in the Global South. Contributors explore how cosmopolitan directors have engaged with, appropriated, and subverted the tropes and conventions of Hollywood and Italian Westerns, and how Global South Westerns and Post-Westerns in particular address the inequities brought about by postcolonial patriarchy, globalization and neoliberalism. The book offers a wide range of historical engagements with the genre, from African, Caribbean, South and Southeast Asian, Central and South American, and transnational directors. The contributors employ interdisciplinary cultural studies approaches to cinema, integrating aesthetic considerations with historical, political, and gender studies readings of the international appropriations and U.S. re-appropriations of the Western genre.