Ritchie Devon Watson Jr – författare

In Yeoman Versus Cavalier: The Old Southwest's Fictional Road to Rebellion, Ritchie Devon Watson, Jr., examines the emergence of the planter-aristocrat over the yeoman as the dominant cultural icon in the newly settled states of the Old Southwest - Kentucky, Tennessee, Alabama, Mississippi, Louisiana, and Arkansas - during the first half of the nineteenth century. He related this region's shift in cultural ideals, as reflected in its literature, both to the coming of the Civil War and the failure of the postbellum South to reintegrate itself fully into the nation.In the early 1800s Thomas Jefferson's stalwart yeoman farmer was the mythic figure that gave the most dynamic expression to and most compelling justification for expansion to the west. This potent symbol of rural democracy was enthusiastically embraced by settlers in both midwestern and southern territories. By 1830, however, residents of the new southern states had initiated a profound imaginative movement away from the frontier myths that had linked them with midwesterners. Faced with increasingly hostile attacks on slavery and the plantation system, southerners from Virginia to Louisiana united in defense of the plantation South. Watson shows how writers of the Old Southwest reflected this cultural shift in their tendency to idealize the planter and to subvert, subordinate, or ignore the yeoman. Joining cultural and intellectual forces with the more established plantation societies of the Eastern Seaboard, these writers turned toward the Cavalier - the noble, cultured planter of aristocratic blood and manners who, like a father, presided with wisdom and love over a large plantation - as the primary representative of the southern way of life.Watson builds his argument by analysing many different kinds of writing. Choosing texts that shed light on the newly evolving culture of the Old Southwest, Watson discusses the novelists William Garrott Brown, James Lane Allen, Joseph Holt Ingraham, Caroline Lee Hentz, and Augusta Jane Evans, historian Charles Gayarre, humorists Augustus Baldwin Longstreet and Thomas Bangs Thorpe, New South propagandist Henry Grady, novelist and story writer George Washington Cable, and poets Joseph Brennan and Sidney Lanier.The Cavalier ideal, Watson explains, unified the states of the Confederacy and served as a kind if icon to be carried into battle. After the war the figure was resurrected by southern writers and made an integral part of the region's Lost Cause myth, which northerners helped perpetuate. The Cavalier figure has continued to lead a vigorous life into the present century, as attested by novels such as Margaret Mitchell's Gone With the Wind, Stark Young's So Red the Rose, and even William Faulkner's Absalom, Absalom!Yeoman Versus Cavalier is a solid and entertainingly written analysis of how the Cavalier, as the South's unifying mythical figure, helped shape southern history and the creation of the legend of the Old South following the Civil War. It contributes greatly to our understanding of the antebellum South and demonstrates how studying a work of literature can lead to a fuller comprehension of the culture that produced it.

When Representative Preston Brooks of South Carolina savagely caned Senator Charles Sumner Massachusetts on the floor of the U.S. Senate on May 21, 1856, southerners viewed the attack as a triumphant affirmation of southern chivalry, northerners as a confirmation of southern barbarity. Public opinion was similarly divided nearly three-and-a-half years later after abolitionist John Brown's raid on the Federal arsenal at Harper's Ferry, Virginia, with northerners crowning John Brown as a martyr to the cause of freedom as southerners excoriated him as a consciousness fanatic. These events opened American minds to the possibility that North and South might be incompatible societies, but some of Dixie's defenders were willing to go one step further—to propose that northerners and southerners represented not just a "divided people" but two scientifically distinct races. In Normans and Saxons, Ritchie Watson, Jr., explores the complex racial mythology created by the upper classes of the antebellum South in the wake of these divisive events to justify secession and, eventually, the Civil War. This mythology cast southerners as descendants of the Normans of eleventh-century England and thus also of the Cavaliers of the seventeenth century, some of whom had come to the New World and populated the southern colonies. These Normans were opposed, in mythic terms, by Saxons—Englishmen of German descent—some of whose descendants made up the Puritans who settled New England and later fanned out to populate the rest of the North. The myth drew on nineteenth-century science and other sources to portray these as two separate, warring "races," the aristocratic and dashing Normans versus the common and venal Saxons. According to Watson, southern polemical writers employed this racial mythology as a justification of slavery, countering the northern argument that the South's peculiar institution had combined with its Norman racial composition to produce an arrogant and brutal land of oligarchs with a second-rate culture. Watson finds evidence for this argument in both prose and poetry, from the literary influence of Sir Walter Scott, De Bow's Review, and other antebellum southern magazines, to fiction by George Tucker, John Pendleton Kennedy, and William Alexander Caruthers and northern and southern poetry during the Civil War, especially in the works of Walt Whitman. Watson also traces the continuing impact of the Norman versus Saxon myth in "Lost Cause" thought and how the myth has affected ideas about southern sectionalism of today.Normans and Saxons provides a thorough analysis of the ways in which myth ultimately helped to convince Americans that regional differences over the issue of slavery were manifestations of deeper and more profound differences in racial temperament—differences that made civil war inevitable.