在汉代大约四百年其间，诗歌在《诗经》、《楚辞》和秦汉民歌的基础上不断发展，无论在作者群、诗歌形体风格、语言表达方式上，都有了长足的变化和进步。它经历了从民间歌谣到文人创作、从乐府歌辞到文人徒诗（既不入乐的诗），从四言体到五言体、从骚体到七言体及杂体，和从叙事诗到抒情诗的发展过程。

与先秦《诗经》比较，汉代的情诗更增添了许多离别相思之苦，以及女性奋起捍卫自己的爱情的成分，这反映了一个大时代的变化。无论如何，最感人的情诗总有着不变的主题 - 赞美世间爱情的珍贵，表现爱情既坚韧又需要呵护，及爱情能超越贫富、地位和距离如水中芙蓉出污泥而不染！本集从中选出44篇反映爱情的诗歌，加以注释和白话翻译，推荐给古典诗歌爱好者欣赏和收藏。其中不乏脍炙人口的名篇名句，如才女卓文君的"愿得一心人，白头不相离"和她的花心郎的"有一美人兮... 一日不见兮，思之如狂"。

The poetry in Han Dynasty, for roughly 400 years, made considerable progress in the aspect of the group of authors, the style of poetry, and the way of language expression. It continued to develop based on The Book of Songs, the poetry of the Chu-Qin dynasties, and Han folk songs. It experienced a wide variety of genres, ranging from folk ballads to literati creations, from Yuefu songs to literary poems (poems not intended for performance), from four-character to five-character, from Sao style to seven-character style, and from narrative to lyric poetry.

The love poems in the Han Dynasty show many more pains of parting and lovesickness, as well as the elements of women rising to defend their love, which reflects the changes of a significant era. In any case, the most touching love poems always have the same theme - showing that love endures but needs care and can transcend wealth, status, and distance.In this collection, 44 poems reflecting love are selected, annotated, and translated in vernacular and are recommended for lovers of classical poetry to appreciate and collect. 

本詩集從中國古代第一部詩歌總集《詩經》裡挑選了四十四篇反映愛情的詩歌，加以注釋和白話翻譯，推薦給古典詩歌愛好者欣賞和收藏。

這些作品出於距今大約二千六百年到三千一百年之間，但翻開詩歌的每一頁，愛情的魔力仿佛能穿越時空讓如今的我們感動唏噓不已，正如它們曾感動和陶冶過無數的一代代先人那樣。

久遠的先人的愛情觀是那樣的質樸和真誠，又不乏熾熱的向往、執着和勇敢。他們的文字表達十分簡約而又優美無比，給我們留下了許多膾炙人口的千古絶唱。那是因爲它們是真情的流露，來源於生活點點滴滴的體驗和感受，絶非做作的文字和感

情的遊戲。

A selection of 44 poems featuring love from the "Book of Songs", the first collection of poetry from ancient China, is presented in this book, annotated and translated into vernacular, and recommended to lovers of classical poetry.

We turn to every page of these poems today and feel the magic of love travel through time and space, just as they have touched and nurtured countless generations of ancestors, even though they were written between 2,600 and 3,100 years ago.

It is evident that long-standing ancestors believe in love in its most straightforward and sincere form, and there is a great deal of conviction, persistence, and bravery in how they think about it. Throughout the ages, their writings left us with many well-known masterpieces. That''s because they are the revelation of true feelings derived from the experience and feelings of life and are by no means a game of contrived words and emotions.

魏晋南北朝（公元220～公元589年）是中国历史上政权更迭频繁，社会混乱，民族冲突尖锐的时期。这时期的诗歌仍然在文学上占有最重要的地位，题材也更多样化，成为动乱的三百多年的一面镜子。诗歌的形式和风格也更丰富。五言诗得到了大发展。出现的七言歌行，为以后的七言诗的发展做出了贡献。南北朝的民歌也十分令人惊奇。

本集所选的爱情诗歌，有的出自民歌，有的出自文人作家。可以发现，大多数情诗以女性题材为主，其叙述者为男性，而诗中的主人翁则为女性。因此那些为数不多的女性叙述者的作品，则格外特别和迷人。此时期的情诗，常常直接描写女性容貌和神态，或以物兴怀、烘托女性行为和心心理。另外，地域文化的差异也反映在情诗里。南方的爱情表达较含蓄，受礼教的束缚较深。而北方的所表达的情感更直接、率真，可谓是"爱无罪"！

The Weijin Nanbei Dynasties (AD 220-589) were a period of frequent regime changes, social chaos, and sharp ethnic conflicts in Chinese history. The poetry of this period still occupied the most significant position in literature, and the subjects were more diverse, becoming a mirror of the turbulent three hundred years and more. Poetry was also richer in form and style. Five-character poetry was incredibly developed. The appearance of the Seven-character form contributed to developing such a poetry style in the future. The folk songs of the Northern and Southern Dynasties were also surprisingly beautiful.The love poems selected in this episode are from folk songs and literati writers. Most love poems feature female subjects, male narrators, and female protagonists. So the works of those few female narrators are extra remarkable and fascinating. It is typical for love poems of this period to directly describe women''s appearances and demeanors or use material objects to express their feelings and emotions. A love poem is also affected by regional cultural differences. In the south, love is expressed more subtly, and etiquette plays a significant role. In the North, emotions are expressed more directly and frankly, which can be described as "love is innocent"!

在汉代大约四百年其间，诗歌在《诗经》、《楚辞》和秦汉民歌的基础上不断发展，无论在作者群、诗歌形体风格、语言表达方式上，都有了长足的变化和进步。它经历了从民间歌谣到文人创作、从乐府歌辞到文人徒诗（既不入乐的诗），从四言体到五言体、从骚体到七言体及杂体，和从叙事诗到抒情诗的发展过程。

与先秦《诗经》比较，汉代的情诗更增添了许多离别相思之苦，以及女性奋起捍卫自己的爱情的成分，这反映了一个大时代的变化。无论如何，最感人的情诗总有着不变的主题 - 赞美世间爱情的珍贵，表现爱情既坚韧又需要呵护，及爱情能超越贫富、地位和距离如水中芙蓉出污泥而不染！本集从中选出44篇反映爱情的诗歌，加以注释和白话翻译，推荐给古典诗歌爱好者欣赏和收藏。其中不乏脍炙人口的名篇名句，如才女卓文君的"愿得一心人，白头不相离"和她的花心郎的"有一美人兮... 一日不见兮，思之如狂"。

The poetry in Han Dynasty, for roughly 400 years, made considerable progress in the aspect of the group of authors, the style of poetry, and the way of language expression. It continued to develop based on The Book of Songs, the poetry of the Chu-Qin dynasties, and Han folk songs. It experienced a wide variety of genres, ranging from folk ballads to literati creations, from Yuefu songs to literary poems (poems not intended for performance), from four-character to five-character, from Sao style to seven-character style, and from narrative to lyric poetry.

The love poems in the Han Dynasty show many more pains of parting and lovesickness, as well as the elements of women rising to defend their love, which reflects the changes of a significant era. In any case, the most touching love poems always have the same theme - showing that love endures but needs care and can transcend wealth, status, and distance.In this collection, 44 poems reflecting love are selected, annotated, and translated in vernacular and are recommended for lovers of classical poetry to appreciate and collect. 

本詩集從中國古代第一部詩歌總集《詩經》裡挑選了四十四篇反映愛情的詩歌，加以注釋和白話翻譯，推薦給古典詩歌愛好者欣賞和收藏。

這些作品出於距今大約二千六百年到三千一百年之間，但翻開詩歌的每一頁，愛情的魔力仿佛能穿越時空讓如今的我們感動唏噓不已，正如它們曾感動和陶冶過無數的一代代先人那樣。

久遠的先人的愛情觀是那樣的質樸和真誠，又不乏熾熱的向往、執着和勇敢。他們的文字表達十分簡約而又優美無比，給我們留下了許多膾炙人口的千古絶唱。那是因爲它們是真情的流露，來源於生活點點滴滴的體驗和感受，絶非做作的文字和感

情的遊戲。

A selection of 44 poems featuring love from the "Book of Songs", the first collection of poetry from ancient China, is presented in this book, annotated and translated into vernacular, and recommended to lovers of classical poetry.

We turn to every page of these poems today and feel the magic of love travel through time and space, just as they have touched and nurtured countless generations of ancestors, even though they were written between 2,600 and 3,100 years ago.

It is evident that long-standing ancestors believe in love in its most straightforward and sincere form, and there is a great deal of conviction, persistence, and bravery in how they think about it. Throughout the ages, their writings left us with many well-known masterpieces. That''s because they are the revelation of true feelings derived from the experience and feelings of life and are by no means a game of contrived words and emotions.

魏晋南北朝（公元220～公元589年）是中国历史上政权更迭频繁，社会混乱，民族冲突尖锐的时期。这时期的诗歌仍然在文学上占有最重要的地位，题材也更多样化，成为动乱的三百多年的一面镜子。诗歌的形式和风格也更丰富。五言诗得到了大发展。出现的七言歌行，为以后的七言诗的发展做出了贡献。南北朝的民歌也十分令人惊奇。

本集所选的爱情诗歌，有的出自民歌，有的出自文人作家。可以发现，大多数情诗以女性题材为主，其叙述者为男性，而诗中的主人翁则为女性。因此那些为数不多的女性叙述者的作品，则格外特别和迷人。此时期的情诗，常常直接描写女性容貌和神态，或以物兴怀、烘托女性行为和心心理。另外，地域文化的差异也反映在情诗里。南方的爱情表达较含蓄，受礼教的束缚较深。而北方的所表达的情感更直接、率真，可谓是"爱无罪"！

The Weijin Nanbei Dynasties (AD 220-589) were a period of frequent regime changes, social chaos, and sharp ethnic conflicts in Chinese history. The poetry of this period still occupied the most significant position in literature, and the subjects were more diverse, becoming a mirror of the turbulent three hundred years and more. Poetry was also richer in form and style. Five-character poetry was incredibly developed. The appearance of the Seven-character form contributed to developing such a poetry style in the future. The folk songs of the Northern and Southern Dynasties were also surprisingly beautiful.The love poems selected in this episode are from folk songs and literati writers. Most love poems feature female subjects, male narrators, and female protagonists. So the works of those few female narrators are extra remarkable and fascinating. It is typical for love poems of this period to directly describe women''s appearances and demeanors or use material objects to express their feelings and emotions. A love poem is also affected by regional cultural differences. In the south, love is expressed more subtly, and etiquette plays a significant role. In the North, emotions are expressed more directly and frankly, which can be described as "love is innocent"!